48 ideas
| 2056 | Philosophers are always switching direction to something more interesting [Plato] |
| Full Idea: Philosophers are always ready to change direction, if a topic crops up which is more attractive than the one to hand. | |
| From: Plato (Theaetetus [c.368 BCE], 172d) | |
| A reaction: Which sounds trivial, but it may be what God does. |
| 2086 | Understanding mainly involves knowing the elements, not their combinations [Plato] |
| Full Idea: A perfect grasp of any subject depends far more on knowing elements than on knowing complexes. | |
| From: Plato (Theaetetus [c.368 BCE], 206b) |
| 2083 | Either a syllable is its letters (making parts as knowable as whole) or it isn't (meaning it has no parts) [Plato] |
| Full Idea: Either a syllable is not the same as its letters, in which case it cannot have the letters as parts of itself, or it is the same as its letters, in which case these basic elements are just as knowable as it is. | |
| From: Plato (Theaetetus [c.368 BCE], 205b) |
| 2082 | A rational account is essentially a weaving together of things with names [Plato] |
| Full Idea: Just as primary elements are woven together, so their names may be woven together to produce a spoken account, because an account is essentially a weaving together of names. | |
| From: Plato (Theaetetus [c.368 BCE], 202b) | |
| A reaction: If justification requires 'logos', and logos is a 'weaving together of names', then Plato might be taken as endorsing the coherence account of justification. Or do the two 'weavings' correspond? |
| 2052 | Eristic discussion is aggressive, but dialectic aims to help one's companions in discussion [Plato] |
| Full Idea: Eristic discussions involve as many tricks and traps as possible, but dialectical discussions involve being serious and correcting the interlocutor's mistakes only when they are his own fault or the result of past conditioning. | |
| From: Plato (Theaetetus [c.368 BCE], 167e) |
| 15854 | A primary element has only a name, and no logos, but complexes have an account, by weaving the names [Plato] |
| Full Idea: A primary element cannot be expressed in an account; it can only be named, for a name is all that it has. But with the things composed of these ...just as the elements are woven together, so the names can woven to become an account. | |
| From: Plato (Theaetetus [c.368 BCE], 202b01-3) | |
| A reaction: This is the beginning of what I see as Aristotle's metaphysics, as derived from his epistemology, that is, ontology is what explains, and what we can give an account [logos] of. Aristotle treats this under 'definitions'. |
| 8758 | We could talk of open sentences, instead of sets [Chihara, by Shapiro] |
| Full Idea: Chihara's programme is to replace talk of sets with talk of open sentences. Instead of speaking of the set of all cats, we talk about the open sentence 'x is a cat'. | |
| From: report of Charles Chihara (Constructibility and Mathematical Existence [1990]) by Stewart Shapiro - Thinking About Mathematics 9.2 | |
| A reaction: As Shapiro points out, this is following up Russell's view that sets should be replaced with talk of properties. Chihara is expressing it more linguistically. I'm in favour of any attempt to get rid of sets. |
| 10216 | We master arithmetic by knowing all the numbers in our soul [Plato] |
| Full Idea: It must surely be true that a man who has completely mastered arithmetic knows all numbers? Because there are pieces of knowledge covering all numbers in his soul. | |
| From: Plato (Theaetetus [c.368 BCE], 198b) | |
| A reaction: This clearly views numbers as objects. Expectation of knowing them all is a bit startling! They also appear to be innate in us, and hence they appear to be Forms. See Aristotle's comment in Idea 645. |
| 10265 | Chihara's system is a variant of type theory, from which he can translate sentences [Chihara, by Shapiro] |
| Full Idea: Chihara's system is a version of type theory. Translate thus: replace variables of sets of type n with level n variables over open sentences, replace membership/predication with satisfaction, and high quantifiers with constructability quantifiers. | |
| From: report of Charles Chihara (Constructibility and Mathematical Existence [1990]) by Stewart Shapiro - Philosophy of Mathematics 7.4 |
| 8759 | We can replace type theory with open sentences and a constructibility quantifier [Chihara, by Shapiro] |
| Full Idea: Chihara's system is similar to simple type theory; he replaces each type with variables over open sentences, replaces membership (or predication) with satisfaction, and replaces quantifiers over level 1+ variables with constructability quantifiers. | |
| From: report of Charles Chihara (Constructibility and Mathematical Existence [1990]) by Stewart Shapiro - Thinking About Mathematics 9.2 | |
| A reaction: This is interesting for showing that type theory may not be dead. The revival of supposedly dead theories is the bread-and-butter of modern philosophy. |
| 10264 | Introduce a constructibility quantifiers (Cx)Φ - 'it is possible to construct an x such that Φ' [Chihara, by Shapiro] |
| Full Idea: Chihara has proposal a modal primitive, a 'constructability quantifier'. Syntactically it behaves like an ordinary quantifier: Φ is a formula, and x a variable. Then (Cx)Φ is a formula, read as 'it is possible to construct an x such that Φ'. | |
| From: report of Charles Chihara (Constructibility and Mathematical Existence [1990]) by Stewart Shapiro - Philosophy of Mathematics 7.4 | |
| A reaction: We only think natural numbers are infinite because we see no barrier to continuing to count, i.e. to construct new numbers. We accept reals when we know how to construct them. Etc. Sounds promising to me (though not to Shapiro). |
| 2060 | There seem to be two sorts of change: alteration and motion [Plato] |
| Full Idea: There are two kinds of change, I think: alteration and motion. | |
| From: Plato (Theaetetus [c.368 BCE], 181d) |
| 2084 | If a word has no parts and has a single identity, it turns out to be the same kind of thing as a letter [Plato] |
| Full Idea: If a complex or a syllable has no parts and is a single identity, hasn't it turned out to be the same kind of thing as an element or letter? | |
| From: Plato (Theaetetus [c.368 BCE], 205d) |
| 15844 | A sum is that from which nothing is lacking, which is a whole [Plato] |
| Full Idea: But this sum now - isn't it just when there is nothing lacking that it is a sum? Yes, necessarily. And won't this very same thing - that from which nothing is lacking - be a whole? | |
| From: Plato (Theaetetus [c.368 BCE], 205a) | |
| A reaction: This seems to be right, be rather too vague and potentially circular to be of much use. What is the criterion for deciding that nothing is lacking? |
| 15843 | The whole can't be the parts, because it would be all of the parts, which is the whole [Plato] |
| Full Idea: The whole does not consist of parts; for it did, it would be all the parts and so would be the sum. | |
| From: Plato (Theaetetus [c.368 BCE], 204e) | |
| A reaction: That is, 'the whole is the sum of its parts' is a tautology! The claim that 'the whole is more than the sum of its parts' gets into similar trouble. See Verity Harte on this. |
| 2080 | Things are only knowable if a rational account (logos) is possible [Plato] |
| Full Idea: Things which are susceptible to a rational account are knowable. | |
| From: Plato (Theaetetus [c.368 BCE], 201d) |
| 16126 | Expertise is knowledge of the whole by means of the parts [Plato] |
| Full Idea: A man has passed from mere judgment to expert knowledge of the being of a wagon when he has done so in virtue of having gone over the whole by means of the elements. | |
| From: Plato (Theaetetus [c.368 BCE], 207c) | |
| A reaction: Plato is emphasising that the expert must know the hundred parts of a wagon, and not just the half dozen main components, but here the point is to go over the whole via the parts, and not just list the parts. |
| 2050 | It is impossible to believe something which is held to be false [Plato] |
| Full Idea: It is impossible to believe something which is not the case. | |
| From: Plato (Theaetetus [c.368 BCE], 167a) |
| 2076 | How can a belief exist if its object doesn't exist? [Plato] |
| Full Idea: If the object of a belief is what is not, the object of this belief is nothing; but if there is no object to a belief, then that is not belief at all. | |
| From: Plato (Theaetetus [c.368 BCE], 189a) |
| 2045 | Perception is infallible, suggesting that it is knowledge [Plato] |
| Full Idea: Perception is always of something that is, and it is infallible, which suggests that it is knowledge. | |
| From: Plato (Theaetetus [c.368 BCE], 152c) |
| 2067 | Our senses could have been separate, but they converge on one mind [Plato] |
| Full Idea: It would be peculiar if each of us were like a Trojan horse, with a whole bunch of senses sitting inside us, rather than that all these perceptions converge onto a single identity (mind, or whatever one ought to call it). | |
| From: Plato (Theaetetus [c.368 BCE], 184d) |
| 2068 | With what physical faculty do we perceive pairs of opposed abstract qualities? [Plato] |
| Full Idea: With what physical faculty do we perceive being and not-being, similarity and dissimilarity, identity and difference, oneness and many, odd and even and other maths, ….fineness and goodness? | |
| From: Plato (Theaetetus [c.368 BCE], 185d) |
| 2078 | You might mistake eleven for twelve in your senses, but not in your mind [Plato] |
| Full Idea: Sight or touch might make someone take eleven for twelve, but he could never form this mistaken belief about the contents of his mind. | |
| From: Plato (Theaetetus [c.368 BCE], 195e) |
| 2069 | Thought must grasp being itself before truth becomes possible [Plato] |
| Full Idea: If you can't apprehend being you can't apprehend truth, and so a thing could not be known. Therefore knowledge is not located in immediate experience but in thinking about it, since the latter makes it possible to grasp being and truth. | |
| From: Plato (Theaetetus [c.368 BCE], 186c) |
| 2089 | An inadequate rational account would still not justify knowledge [Plato] |
| Full Idea: If you don't know which letters belong together in the right syllables…it is possible for true belief to be accompanied by a rational account and still not be entitled to the name of knowledge. | |
| From: Plato (Theaetetus [c.368 BCE], 208b) | |
| A reaction: In each case of justification there is a 'clinching' stage, for which there is never going to be a strict rule. It might be foundational, but equally it might be massive coherence, or no alternative. |
| 2085 | Parts and wholes are either equally knowable or equally unknowable [Plato] |
| Full Idea: Either a syllable and its letters are equally knowable and expressible in a rational account, or they are both equally unknowable and inexpressible. | |
| From: Plato (Theaetetus [c.368 BCE], 205e) | |
| A reaction: Presumably you could explain the syllable by the letters, but not vice versa, but he must mean that the explanation is worthless without the letters being explained too. So all explanation is worthless? |
| 2091 | Without distinguishing marks, how do I know what my beliefs are about? [Plato] |
| Full Idea: If I only have beliefs about Theaetetus when I don't know his distinguishing mark, how on earth were my beliefs about you rather than anyone else? | |
| From: Plato (Theaetetus [c.368 BCE], 209b) | |
| A reaction: This is a rather intellectualist approach to mental activity. Presumably Theaetetus has lots of distinguishing marks, but they are not conscious. Must Socrates know everything? |
| 2087 | A rational account might be seeing an image of one's belief, like a reflection in a mirror [Plato] |
| Full Idea: A rational account might be forming an image of one's belief, as in a mirror or a pond. | |
| From: Plato (Theaetetus [c.368 BCE], 206d) | |
| A reaction: Not promising, since the image is not going to be clearer than the original, or contain any new information. Maybe it would be clarified by being 'framed', instead of drifting in muddle. |
| 2090 | A rational account involves giving an image, or analysis, or giving a differentiating mark [Plato] |
| Full Idea: A third sort of rational account (after giving an image, or analysing elements) is being able to mention some mark which differentiates the object in question ('the sun is the brightest heavenly body'). | |
| From: Plato (Theaetetus [c.368 BCE], 208c) | |
| A reaction: This is Plato's clearest statement of what would be involved in adding the necessary logos to your true belief. An image of it, or an analysis, or an individuation. How about a cause? |
| 2081 | Maybe primary elements can be named, but not receive a rational account [Plato] |
| Full Idea: Maybe the primary elements of which things are composed are not susceptible to rational accounts. Each of them taken by itself can only be named, but nothing further can be said about it. | |
| From: Plato (Theaetetus [c.368 BCE], 201e) | |
| A reaction: This still seems to be more or less the central issue in philosophy - which things should be treated as 'primitive', and which other things are analysed and explained using the primitive tools? |
| 2088 | A rational account of a wagon would mean knowledge of its hundred parts [Plato] |
| Full Idea: In the case of a wagon, we may only have correct belief, but someone who is able to explain what it is by going through its hundred parts has got hold of a rational account. | |
| From: Plato (Theaetetus [c.368 BCE], 207b) | |
| A reaction: A wonderful example. In science, you know smoking correlates with cancer, but you only know it when you know the mechanism, the causal structure. This may be a general truth. |
| 2047 | What evidence can be brought to show whether we are dreaming or not? [Plato] |
| Full Idea: What evidence could be brought if we were asked at this very moment whether we are asleep and are dreaming all our thoughts? | |
| From: Plato (Theaetetus [c.368 BCE], 158b) |
| 2053 | If you claim that all beliefs are true, that includes beliefs opposed to your own [Plato] |
| Full Idea: To say that everyone believes what is the case, is to concede the truth of the oppositions' beliefs; in other words, the person has to concede that he himself is wrong. | |
| From: Plato (Theaetetus [c.368 BCE], 171a) |
| 2059 | How can a relativist form opinions about what will happen in the future? [Plato] |
| Full Idea: Does a relativist have any authority to decide about things which will happen in the future? | |
| From: Plato (Theaetetus [c.368 BCE], 178c) | |
| A reaction: Nice question! It seems commonsense that such speculations are possible, but without a concept of truth they are ridiculous. |
| 2054 | Clearly some people are superior to others when it comes to medicine [Plato] |
| Full Idea: In medicine, at least, most people are not self-sufficient at prescribing and effecting cures for themselves, and here some people are superior to others. | |
| From: Plato (Theaetetus [c.368 BCE], 171e) |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.30) | |
| A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well. |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.24) | |
| A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy. |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude. |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'. |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.31) | |
| A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I. |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.32) | |
| A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher? |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.23) | |
| A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs? |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose. |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'. |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.25) | |
| A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible. |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.26) | |
| A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection. |
| 2058 | God must be the epitome of goodness, and we can only approach a divine state by being as good as possible [Plato] |
| Full Idea: It is impossible for God to be immoral and not to be the acme of morality; and the only way any of us can approximate to God is to become as moral as possible. | |
| From: Plato (Theaetetus [c.368 BCE], 176c) |
| 2057 | There must always be some force of evil ranged against good [Plato] |
| Full Idea: The elimination of evil is impossible, Theodorus; there must always be some force ranged against good. | |
| From: Plato (Theaetetus [c.368 BCE], 176a) |