39 ideas
| 326 | For relaxation one can consider the world of change, instead of eternal things [Plato] |
| Full Idea: If, for relaxation, one gives up discussing eternal things, it is pleasant to consider likely accounts of the world of change. | |
| From: Plato (Timaeus [c.349 BCE], 59c) | |
| A reaction: To understand this, examine Plato's example of the Line at 'Republic' 509d. |
| 315 | Philosophy is the supreme gift of the gods to mortals [Plato] |
| Full Idea: Philosophy is the greatest gift the gods have ever given or ever will give to mortals. | |
| From: Plato (Timaeus [c.349 BCE], 47b) | |
| A reaction: I wonder why they gave it to us? |
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 306 | Nothing can come to be without a cause [Plato] |
| Full Idea: Nothing can come to be without a cause. | |
| From: Plato (Timaeus [c.349 BCE], 28a) |
| 324 | Before the existence of the world there must have been being, space and becoming [Plato] |
| Full Idea: There were, before the world came into existence, being, space, and becoming, three distinct realities. | |
| From: Plato (Timaeus [c.349 BCE], 52d) | |
| A reaction: 'Becoming' is the central idea of Heraclitus, and must be what Aristotle calls 'potentiality' [dunamis]. If it was 'before' creation, he should add time to the list. Are these three 'distinct'? Being has potential. |
| 20364 | The apprehensions of reason remain unchanging, but reasonless sensation shows mere becoming [Plato] |
| Full Idea: That which is apprehended by intelligence and reason is always in the same state, but that which is conceived by opinion with the help of sensation and without reason is always in a process of becoming and perishing, and never really is. | |
| From: Plato (Timaeus [c.349 BCE], 28a) | |
| A reaction: Lots of problems with this, of which I take the main one to be the idea that sensation is 'without reason', as if there were a sharp dichotomy in our ways of evaluating reality. Laws of nature seem to be laws of change, not of stasis. |
| 318 | In addition to the underlying unchanging model and a changing copy of it, there must also be a foundation of all change [Plato] |
| Full Idea: In addition to an eternal unchanging model and a visible and changing copy of reality, there must be a third part, the receptacle and nurse of all becoming and change. | |
| From: Plato (Timaeus [c.349 BCE], 49b) | |
| A reaction: cf Aristotle's criticism in Metaphysics |
| 321 | For knowledge and true opinion to be different there must be Forms; otherwise we are just stuck with sensations [Plato] |
| Full Idea: If intelligence and true opinion are different, then the forms must exist, but if they are the same, then what our senses perceive must be the most certain reality. | |
| From: Plato (Timaeus [c.349 BCE], 51d) |
| 12042 | Plato's Forms were seen as part of physics, rather than of metaphysics [Plato, by Annas] |
| Full Idea: In the ancient world Plato's Theory of Forms was mostly seen as one aspect of Plato's 'physics' or theory of the world (rather than as 'metaphysics'). | |
| From: report of Plato (Timaeus [c.349 BCE]) by Julia Annas - Ancient Philosophy: very short introduction Ch.5 | |
| A reaction: This is how I also see the theory, but then I am inclined to see religion as a rather startling branch of speculative physics. Annas cites 'Timaeus' as the key text for this. |
| 307 | Something will always be well-made if the maker keeps in mind the eternal underlying pattern [Plato] |
| Full Idea: Whenever the maker of anything keeps his eye on the eternally unchanging and uses it as his pattern for the form and function of his product the result must be good. | |
| From: Plato (Timaeus [c.349 BCE], 28b) |
| 317 | The universe is basically an intelligible and unchanging model, and a visible and changing copy of it [Plato] |
| Full Idea: Our basic description of the universe contained an intelligible and unchanging model, and a visible and changing copy of it. | |
| From: Plato (Timaeus [c.349 BCE], 48e) |
| 334 | Only bird-brained people think astronomy is entirely a matter of evidence [Plato] |
| Full Idea: Birds are empty-headed men who grew feathers instead of hair, because they were interested in astronomy but thought it was entirely a matter of physical evidence. | |
| From: Plato (Timaeus [c.349 BCE], 91d) |
| 5962 | Plato says the soul is ordered by number [Plato, by Plutarch] |
| Full Idea: Plato regards the substance of soul not as number but as being ordered by number. | |
| From: report of Plato (Timaeus [c.349 BCE]) by Plutarch - 68: Generation of the soul in 'Timaeus' 1023 | |
| A reaction: This remark points towards Plato's esoteric doctrines, which are some sort of mathematical metaphysics. The idea that order and numbers are in some way connected is one of the most powerful in western civilization, with undeniable appeal. |
| 330 | No one wants to be bad, but bad men result from physical and educational failures, which they do not want or choose [Plato] |
| Full Idea: No one wishes to be bad, but a bad man is bad because of some flaw in his physical makeup and failure in his education, neither of which he likes or chooses. | |
| From: Plato (Timaeus [c.349 BCE], 86e) |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 316 | Music has harmony like the soul, and serves to reorder disharmony within us [Plato] |
| Full Idea: Music has harmonic motions like the orbits of the soul, and is not for irrational pleasure, but to reduce to order any disharmony in the revolutions within us. | |
| From: Plato (Timaeus [c.349 BCE], 47d) |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 332 | One should exercise both the mind and the body, to avoid imbalance [Plato] |
| Full Idea: One should preserve a balance and avoid exercising the mind or body without the other; mathematicians should exercise physically, and athletes mentally. | |
| From: Plato (Timaeus [c.349 BCE], 88c) | |
| A reaction: Excellent, and very modern. Use it or lose it. It suggests that Plato had a fairly holistic view of a human being, and saw mind and body as closely integrated. |
| 328 | Everything that takes place naturally is pleasant [Plato] |
| Full Idea: Everything that takes place naturally is pleasant. | |
| From: Plato (Timaeus [c.349 BCE], 81e) | |
| A reaction: Not many people would agree with this. I recently watched a sparrowhawk eat a pigeon in my garden. This is the source of the stoic formula of living according to nature. |
| 23831 | The essence of power is illusory prestige [Weil] |
| Full Idea: Prestige, which is an illusion, is the very essence of power. | |
| From: Simone Weil (The Power of Words [1934], p.255) | |
| A reaction: It is hard to maintain illusory prestige if there is no actual power behind it. |
| 23830 | A group is only dangerous if it endorses an abstract entity [Weil] |
| Full Idea: Any group which has not secreted an abstract entity will probably not be dangerous. | |
| From: Simone Weil (The Power of Words [1934], p.255) | |
| A reaction: Written in the 1930s, the era of many political -isms. No group can be united if it lacks a clear label, and a few simple slogans. |
| 23829 | National leaders want to preserve necessary order - but always the existing order [Weil] |
| Full Idea: Those in command see their duty as defending order, without which no social life can survive; and the only order they conceive is the existing one. | |
| From: Simone Weil (The Power of Words [1934], p.249) | |
| A reaction: She sympathises with them, because a new order is such an unknown. But it always struck me as weird that traditions are preserved because they are traditions, and not because they are good. (My old school, for example!). |
| 23828 | National prestige consists of behaving as if you could beat the others in a war [Weil] |
| Full Idea: What is called national prestige consists in behaving always in such a way as to demoralise other nations by giving them the impression that, if it comes to war, one would certainly defeat them. | |
| From: Simone Weil (The Power of Words [1934], p.244) | |
| A reaction: It's true. No nation gains prestige because of the happy lives of its citizens, or the creativity of its culture. |
| 23827 | Modern wars are fought in the name of empty words which are given capital letters [Weil] |
| Full Idea: For our contemporaries the role of Helen in the Trojan War is is played by words with capital letters. …When empty words are given capital letters, then, on the slightest pretext, men will begin shedding blood for them and piling up ruin in their name. | |
| From: Simone Weil (The Power of Words [1934], p.241) | |
| A reaction: This seems particularly true of the 1930s, where specific dogmatic ideologies seemed to grip and divide people. Simple aggressive nationalism seems to be the cause of current wars, now the fear of Communism has diminished. |
| 322 | Intelligence is the result of rational teaching; true opinion can result from irrational persuasion [Plato] |
| Full Idea: Intelligence is produced by teaching, involves truth and reason, and cannot be moved; true opinion involves persuasion, is irrational and can be moved. | |
| From: Plato (Timaeus [c.349 BCE], 51e) |
| 331 | Bad governments prevent discussion, and discourage the study of virtue [Plato] |
| Full Idea: Under a bad government discussion, both public and private, is bad, and no courses of study are available to cure faults of character. | |
| From: Plato (Timaeus [c.349 BCE], 87b) |
| 310 | The creator of the cosmos had no envy, and so wanted things to be as like himself as possible [Plato] |
| Full Idea: This changing cosmos was made because its maker is good, and therefore lacks envy; he therefore wished all things to be as like himself as possible. | |
| From: Plato (Timaeus [c.349 BCE], 29e) |
| 311 | The cosmos must be unique, because it resembles the creator, who is unique [Plato] |
| Full Idea: So that our universe can resemble the perfect living creature in being unique, the universe was, is and will continue to be its maker's only creation. | |
| From: Plato (Timaeus [c.349 BCE], 31c) |
| 325 | We must consider the four basic shapes as too small to see, only becoming visible in large numbers [Plato] |
| Full Idea: We must think of the individual units of all four basic shapes as being far too small to be visible, and only becoming visible when massed together in large numbers. | |
| From: Plato (Timaeus [c.349 BCE], 56c) |
| 327 | There are two types of cause, the necessary and the divine [Plato] |
| Full Idea: We must distinguish two types of cause, the necessary and the divine. | |
| From: Plato (Timaeus [c.349 BCE], 68e) |
| 314 | Heavenly movements gave us the idea of time, and caused us to inquire about the heavens [Plato] |
| Full Idea: Days, months, years and solstices have caused the invention of number, given us the notion of time, and caused us to inquire into the nature of the universe. | |
| From: Plato (Timaeus [c.349 BCE], 47a) |
| 312 | Time came into existence with the heavens, so that there will be a time when they can be dissolved [Plato] |
| Full Idea: Time came into being with the heavens, so that they should be dissolved together if ever they are dissolved. | |
| From: Plato (Timaeus [c.349 BCE], 38c) |
| 309 | Clearly the world is good, so its maker must have been concerned with the eternal, not with change [Plato] |
| Full Idea: If the world is beautiful and its maker good, he had an eye on the eternal; if not, on that which is subject to change; clearly the world is the fairest of things, and he the best of causes, so it is eternal. | |
| From: Plato (Timaeus [c.349 BCE], 29a) |
| 308 | If the cosmos is an object of perception then it must be continually changing [Plato] |
| Full Idea: The cosmos is visible, tangible and corporeal, and therefore perceptible by the senses; therefore it is an object of opinion and sensation, and therefore change and coming into being. | |
| From: Plato (Timaeus [c.349 BCE], 28d) |