3 ideas
| 16456 | For modality Lewis rejected boxes and diamonds, preferring worlds, and an index for the actual one [Lewis, by Stalnaker] |
| Full Idea: Lewis was suspicious of boxes and diamonds as regimenting ordinary modal thought, …preferring a first-order extensional theory including possible worlds in its domain and an indexical singular term for the actual world. | |
| From: report of David Lewis (Anselm and Actuality [1970]) by Robert C. Stalnaker - Mere Possibilities 3.8 |
| 15034 | Are genera and species real or conceptual? bodies or incorporeal? in sensibles or separate from them? [Porphyry] |
| Full Idea: I shall beg off talking of a) whether genera and species are real or situated in bare thoughts alone, b) whether as real they are bodies or incorporeals, and c) whether they are separated or in sensibles and have their reality in connection with them. | |
| From: Porphyry (Isagoge ('Introduction') [c.295], (2)) | |
| A reaction: This passage, picking up on Aristotle, seems to be the original source that grew into the medievel debate about universals. It seems to rather neatly lay out the agenda for the universals debate which is still with us. |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |