3 ideas
| 14296 | Dispositions are physical states of mechanism; when known, these replace the old disposition term [Quine] |
| Full Idea: Each disposition, in my view, is a physical state or mechanism. ...In some cases nowadays we understand the physical details and set them forth explicitly in terms of the arrangement and interaction of small bodies. This replaces the old disposition. | |
| From: Willard Quine (The Roots of Reference [1990], p.11), quoted by Stephen Mumford - Dispositions 01.3 | |
| A reaction: A challenge to the dispositions and powers view of nature, one which rests on the 'categorical' structural properties, rather than the 'hypothetical' dispositions. But can we define a mechanism without mentioning its powers? |
| 15034 | Are genera and species real or conceptual? bodies or incorporeal? in sensibles or separate from them? [Porphyry] |
| Full Idea: I shall beg off talking of a) whether genera and species are real or situated in bare thoughts alone, b) whether as real they are bodies or incorporeals, and c) whether they are separated or in sensibles and have their reality in connection with them. | |
| From: Porphyry (Isagoge ('Introduction') [c.295], (2)) | |
| A reaction: This passage, picking up on Aristotle, seems to be the original source that grew into the medievel debate about universals. It seems to rather neatly lay out the agenda for the universals debate which is still with us. |
| 6231 | There is a self-determing power in each person, which makes them what they are [Cudworth] |
| Full Idea: This hegemonicon (self-power) always determines the passive capability of men's nature one way or other, either for better or for worse; and has a self-forming and self-framing power by which every man is self-made into what he is. | |
| From: Ralph Cudworth (Treatise of Freewill [1688], §X) | |
| A reaction: The idea that we can somehow create our own selves seems to me the core of existentialism, and the opposite of the Aristotelian belief in a fairly fixed human nature. See Stephen Pinker's 'The Blank Slate' for a revival of the old view. |