18 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 10061 | The If-thenist view only seems to work for the axiomatised portions of mathematics [Musgrave] |
| Full Idea: The If-thenist view seems to apply straightforwardly only to the axiomatised portions of mathematics. | |
| From: Alan Musgrave (Logicism Revisited [1977], §5) | |
| A reaction: He cites Lakatos to show that cutting-edge mathematics is never axiomatised. One might reply that if the new mathematics is any good then it ought to be axiomatis-able (barring Gödelian problems). |
| 10065 | Perhaps If-thenism survives in mathematics if we stick to first-order logic [Musgrave] |
| Full Idea: If we identify logic with first-order logic, and mathematics with the collection of first-order theories, then maybe we can continue to maintain the If-thenist position. | |
| From: Alan Musgrave (Logicism Revisited [1977], §5) | |
| A reaction: The problem is that If-thenism must rely on rules of inference. That seems to mean that what is needed is Soundness, rather than Completeness. That is, inference by the rules must work properly. |
| 10049 | Logical truths may contain non-logical notions, as in 'all men are men' [Musgrave] |
| Full Idea: Containing only logical notions is not a necessary condition for being a logical truth, since a logical truth such as 'all men are men' may contain non-logical notions such as 'men'. | |
| From: Alan Musgrave (Logicism Revisited [1977], §3) | |
| A reaction: [He attributes this point to Russell] Maybe it is only a logical truth in its general form, as ∀x(x=x). Of course not all 'banks' are banks. |
| 10050 | A statement is logically true if it comes out true in all interpretations in all (non-empty) domains [Musgrave] |
| Full Idea: The standard modern view of logical truth is that a statement is logically true if it comes out true in all interpretations in all (non-empty) domains. | |
| From: Alan Musgrave (Logicism Revisited [1977], §3) |
| 10058 | No two numbers having the same successor relies on the Axiom of Infinity [Musgrave] |
| Full Idea: The axiom of Peano which states that no two numbers have the same successor requires the Axiom of Infinity for its proof. | |
| From: Alan Musgrave (Logicism Revisited [1977], §4 n) | |
| A reaction: [He refers to Russell 1919:131-2] The Axiom of Infinity is controversial and non-logical. |
| 10062 | Formalism seems to exclude all creative, growing mathematics [Musgrave] |
| Full Idea: Formalism seems to exclude from consideration all creative, growing mathematics. | |
| From: Alan Musgrave (Logicism Revisited [1977], §5) | |
| A reaction: [He cites Lakatos in support] I am not immediately clear why spotting the remote implications of a formal system should be uncreative. The greatest chess players are considered to be highly creative and imaginative. |
| 10063 | Formalism is a bulwark of logical positivism [Musgrave] |
| Full Idea: Formalism is a bulwark of logical positivist philosophy. | |
| From: Alan Musgrave (Logicism Revisited [1977], §5) | |
| A reaction: Presumably if you drain all the empirical content out of arithmetic and geometry, you are only left with the bare formal syntax, of symbols and rules. That seems to be as analytic as you can get. |
| 10060 | Logical positivists adopted an If-thenist version of logicism about numbers [Musgrave] |
| Full Idea: Logical positivists did not adopt old-style logicism, but rather logicism spiced with varying doses of If-thenism. | |
| From: Alan Musgrave (Logicism Revisited [1977], §4) | |
| A reaction: This refers to their account of mathematics as a set of purely logical truths, rather than being either empirical, or a priori synthetic. |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |