14 ideas
| 8329 | Either causal relations are given in experience, or they are unobserved and theoretical [Sosa/Tooley] |
| Full Idea: There is a fundamental choice between the realist approach to causation which says that the relation is immediately given in experience, and the view that causation is a theoretical relation, and so not directly observable. | |
| From: E Sosa / M Tooley (Introduction to 'Causation' [1993], §1) | |
| A reaction: Even if immediate experience is involved, there is a step of abstraction in calling it a cause, and picking out events. A 'theoretical relation' is not of much interest there if no observations are involved. I don't think a choice is required here. |
| 22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
| Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some') | |
| A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio? |
| 22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
| Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1') | |
| A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels. |
| 22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
| Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], n 1) | |
| A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve). |
| 22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |
| Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point. |
| 22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
| Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut. |
| 22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
| Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited') | |
| A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois. |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 8324 | The problem is to explain how causal laws and relations connect, and how they link to the world [Sosa/Tooley] |
| Full Idea: Causal states of affairs encompass causal laws, and causal relations between events or states of affairs; two key questions concern the relation between causal laws and causal relations, and the relation between these and non-causal affairs. | |
| From: E Sosa / M Tooley (Introduction to 'Causation' [1993], §1) | |
| A reaction: This is the agenda for modern analytical philosophy. I'm not quite clear what would count as an answer. When have you 'explained' a relation? Does calling it 'gravity', or finding an equation, explain that relation? Do gravitinos explain it? |
| 8328 | Causation isn't energy transfer, because an electron is caused by previous temporal parts [Sosa/Tooley] |
| Full Idea: The temporal parts of an electron (for example) are causally related, but this relation does not involve any transfer of energy or momentum. Causation cannot be identified with physical energy relations, and physicalist reductions look unpromising. | |
| From: E Sosa / M Tooley (Introduction to 'Causation' [1993], §1) | |
| A reaction: This idea, plus Idea 8327, are their grounds for rejecting Fair's proposal (Idea 8326). It feels like a different use of 'cause' when we say 'the existence of x was caused by its existence yesterday'. It is more like inertia. Destruction needs energy. |
| 8327 | If direction of causation is just direction of energy transfer, that seems to involve causation [Sosa/Tooley] |
| Full Idea: The objection to Fair's view that the direction of causation is the direction of the transference of energy and/or momentum is that the concept of transference itself involves the idea of causation. | |
| From: E Sosa / M Tooley (Introduction to 'Causation' [1993], §1) | |
| A reaction: Does it? If a particle proceeds from a to b, how is that causation? ...But the problem is that the particle kicks open the door when it arrives (i.e. makes changes). We wouldn't call it causation if the transference didn't change any properties. |
| 8330 | Are causes sufficient for the event, or necessary, or both? [Sosa/Tooley] |
| Full Idea: An early view of causation (Mill and Hume) is whatever is (ceteris paribus) sufficient for the event. A second view (E.Nagel) is that the cause should just be necessary. Some (R.Taylor) even contemplate the cause having to be necessary and sufficient. | |
| From: E Sosa / M Tooley (Introduction to 'Causation' [1993], §2) | |
| A reaction: A cause can't be necessary if there is some other way to achieve the effect. A single cause is not sufficient if many other factors are also essential. If neither of those is right, then 'both' is wrong. Enter John Mackie... |
| 8325 | The dominant view is that causal laws are prior; a minority say causes can be explained singly [Sosa/Tooley] |
| Full Idea: The dominant view is that causal laws are more basic than causal relations, with relations being logically supervenient on causal laws, and on properties and event relations; some, though, defend the singularist view, in which events alone can be related. | |
| From: E Sosa / M Tooley (Introduction to 'Causation' [1993], §1) | |
| A reaction: I am deeply suspicious about laws (see Idea 5470). I suspect that the laws are merely descriptions of the regularities that arise from the single instances of causation. We won't explain the single instances, but then laws don't 'explain' them either. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |