14 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 7855 | Some suggest that materialism is empty, because 'physical' cannot be properly characterized [Mellor/Crane, by Papineau] |
| Full Idea: It is sometimes contended that the whole idea of materialism is somehow empty, on the grounds that there is no proper way to characterize the 'physical' realm. | |
| From: report of DH Mellor / T Crane (There is no question of physicalism [1990]) by David Papineau - Thinking about Consciousness 1.1 | |
| A reaction: [Papineau also cites Gabriel Segal] I agree with Papineau in rejecting this. Uncertainties about quantum states do not pose a problem, and the position tends to have an implicit dualism buried in it somewhere. |
| 6120 | Causation depends on intrinsic properties [Mellor/Crane] |
| Full Idea: The problem thoughts pose for causation is that causation depends directly only on intrinsic properties, whereas the causal powers of token thoughts depend on their contents, which are not intrinsic. | |
| From: DH Mellor / T Crane (There is no question of physicalism [1990], p.194) | |
| A reaction: This, as we find later in the paper, depends on an externalist account of thoughts. Could a relational property not be causal? Edinburgh's being wetter than London is caused by its being further north? |
| 6121 | There are many psychophysicals laws - about the effects of sweets, colours and soft cushions [Mellor/Crane] |
| Full Idea: There are many psychophysical laws, linking sensations to non-mental features of those who have them; the industries of anaesthetics, scents, narcotics, sweeteners, coloured paints, loudspeakers and soft cushions depend on them. | |
| From: DH Mellor / T Crane (There is no question of physicalism [1990], p.198) | |
| A reaction: It may be expressing it a little strongly to call these 'laws', but they are certainly reliable regularities, and they are probably enough to undermine Davidson's claim that such laws don't exist. |
| 6122 | No defences of physicalism can deprive psychology of the ontological authority of other sciences [Mellor/Crane] |
| Full Idea: Neither laws nor causation nor claims of supervenience (the last refuge of the physicalist) deprive psychology of the ontological authority of non-mental science. | |
| From: DH Mellor / T Crane (There is no question of physicalism [1990], p.203) | |
| A reaction: There is no need to defend the practice of psychologists (or garden designers) from the depradations of bandit physicalists. But what is the ontology of psychology if it isn't dualist or physicalist? |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |