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9288
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The magic of Asclepius enters Renaissance thought mixed into Ficino's neo-platonism [Yates]
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Full Idea:
The magic of Asclepius, reinterpreted through Plotinus, enters with Ficino's De Vita into the neo-platonic philosophy of the Renaissance, and, moreover, into Ficino's Christian Platonism.
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From:
Frances A. Yates (Giordano Bruno and Hermetic Tradition [1964], Ch.4)
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A reaction:
Asclepius is the source of 'Hermetic' philosophy. This move seems to be what gives the Renaissance period its rather quirky and distinctive character. Montaigne was not a typical figure. Most of them wanted to become gods and control the stars!
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9291
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The dating, in 1614, of the Hermetic writings as post-Christian is the end of the Renaissance [Yates]
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Full Idea:
The dating by Isaac Casaubon in 1614 of the Hermetic writings as not the work of a very ancient Egyptian priest but written in post-Christian times, is a watershed separating the Renaissance world from the modern world.
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From:
Frances A. Yates (Giordano Bruno and Hermetic Tradition [1964], Ch.21)
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A reaction:
I tend to place the end of the Renaissance with the arrival of the telescope in 1610, so the two dates coincide. Simply, magic was replaced by science. Religion ran alongside, gasping for breath. Mathematics was freed from numerology.
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12165
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Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton]
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Full Idea:
According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood).
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From:
Roger Scruton (The Nature of Musical Expression [1981], p.54)
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A reaction:
Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions.
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