15 ideas
| 23531 | Philosophers should interpret the world, by expressing its possibilities [Berardi] |
| Full Idea: The philosopher's task is to interpret the world, that is, to capture its tendency and above all to enunciate the possibilities inscribed therein. …The politician's eye does not see the possible, being attracted instead by the probable. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], How to) | |
| A reaction: An inspiring idea! He is rejecting Marx's aim of changing the world, which had 'catastrophic' results. But I love his view of interpretation as spotting tendencies and possibilities. This fits my preferred ontology of dispositions and powers. |
| 23538 | Nothingness only exists in consciousness [Berardi] |
| Full Idea: Consciousness is the only place where nothingness exists. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], II 'Expanding') | |
| A reaction: Not sure about this, but an interesting remark from someone with a Hegelian background. We certainly have a concept of nothingness (a mental file of it, even). |
| 23532 | The delusion of free will brings a sense of guilt [Berardi] |
| Full Idea: A sense of guilt is linked to the delusion of free will. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], How to) | |
| A reaction: I agree that free will is a delusion, but I'm not sure about this. Clearly if you think you are 'ultimately' responsible for all of your actions this will increase guilt, but belief in free will is compatible with various excuses for actions. |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |
| 23537 | American white men trusted the philosophy of winning, and then discovered losing [Berardi] |
| Full Idea: American white men trusted the promises of neoliberal selfishness, they trusted the philosophy of winning, then discovered losing. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Fascism') | |
| A reaction: The most pernicious terminology in the English-speaking world is the labelling of people as 'winners' and 'losers'. We celebrate the one winner, and ignore everyone else. Celebrity, excessive wealth, honourable titles. |
| 23536 | Community is now a nostalgic memory, which no longer exists [Berardi] |
| Full Idea: Community is only a nostalgic memory of a past condition of belonging that exists no longer. Regret, not a living experience. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Fascism') | |
| A reaction: It is hard to disagree with this. Local heroes in my town make lovely efforts to improve the place (with flowers, sculptures) but most of us don't know who they are. Capitalist competition erodes community. |
| 23534 | Communism failed to unite western workers with the oppressed of the south [Berardi] |
| Full Idea: Communist internationalism was the only attempt to reconcile the workers of the West and the oppressed population of the Global South, and this attempt failed. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Hundred') | |
| A reaction: It was unfortunate that communism was launched in Russia, which we now see (in 2023) as poisoned by imperialist ambitions, and quite unsuited to international idealism. The Chinese are notably active in Africa. |
| 23533 | The economy has replaced medieval theocracy at the centre of our society [Berardi] |
| Full Idea: The economy has progressively acquired the central place in the system of knowledge and research. Re-enacting the privilege of theocracy in the Middle Ages. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Knowledge') | |
| A reaction: Illuminating. This is indeed how the economy is treated, centring on Gross National Product (no matter how distributed), and economic league tables. Is it even a quasi-religion? |
| 23535 | Western workers turn to nationalism, to avert the effects of globalisation [Berardi] |
| Full Idea: Western workers are following nationalist agendas in order to avert the effects of globalization, and resorting to nationalist and racist forms of identification. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Hundred') | |
| A reaction: By 'globalisation' must be meant the impersonal work and exploitation that results from huge ruthless anonymous companies. People barely know who they are working for, so it can't give them an identity. |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |