14 ideas
| 7454 | Gassendi is the first great empiricist philosopher [Hacking] |
| Full Idea: Gassendi is the first in the great line of empiricist philosophers that gradually came to dominate European thought. | |
| From: Ian Hacking (The Emergence of Probability [1975], Ch.5) | |
| A reaction: Epicurus, of course, was clearly an empiricist. British readers should note that Gassendi was not British. |
| 7448 | Probability is statistical (behaviour of chance devices) or epistemological (belief based on evidence) [Hacking] |
| Full Idea: Probability has two aspects: the degree of belief warranted by evidence, and the tendency displayed by some chance device to produce stable relative frequencies. These are the epistemological and statistical aspects of the subject. | |
| From: Ian Hacking (The Emergence of Probability [1975], Ch.1) | |
| A reaction: The most basic distinction in the subject. Later (p.124) he suggests that the statistical form (known as 'aleatory' probability) is de re, and the other is de dicto. |
| 7447 | Probability was fully explained between 1654 and 1812 [Hacking] |
| Full Idea: There is hardly any history of probability to record before Pascal (1654), and the whole subject is very well understood after Laplace (1812). | |
| From: Ian Hacking (The Emergence of Probability [1975], Ch.1) | |
| A reaction: An interesting little pointer on the question of whether the human race is close to exhausting all the available intellectual problems. What then? |
| 7449 | Epistemological probability based either on logical implications or coherent judgments [Hacking] |
| Full Idea: Epistemological probability is torn between Keynes etc saying it depends on the strength of logical implication, and Ramsey etc saying it is personal judgement which is subject to strong rules of internal coherence. | |
| From: Ian Hacking (The Emergence of Probability [1975], Ch.2) | |
| A reaction: See Idea 7449 for epistemological probability. My immediate intuition is that the Ramsey approach sounds much more plausible. In real life there are too many fine-grained particulars involved for straight implication to settle a probability. |
| 7450 | In the medieval view, only deduction counted as true evidence [Hacking] |
| Full Idea: In the medieval view, evidence short of deduction was not really evidence at all. | |
| From: Ian Hacking (The Emergence of Probability [1975], Ch.3) | |
| A reaction: Hacking says the modern concept of evidence comes with probability in the 17th century. That might make it one of the most important ideas ever thought of, allowing us to abandon certainties and live our lives in a more questioning way. |
| 7451 | Formerly evidence came from people; the new idea was that things provided evidence [Hacking] |
| Full Idea: In the medieval view, people provided the evidence of testimony and of authority. What was lacking was the seventeenth century idea of the evidence provided by things. | |
| From: Ian Hacking (The Emergence of Probability [1975], Ch.4) | |
| A reaction: A most intriguing distinction, which seems to imply a huge shift in world-view. The culmination of this is Peirce's pragmatism, in Idea 6948, of which I strongly approve. |
| 7452 | An experiment is a test, or an adventure, or a diagnosis, or a dissection [Hacking, by PG] |
| Full Idea: An experiment is a test (if T, then E implies R, so try E, and if R follows, T seems right), an adventure (no theory, but try things), a diagnosis (reading the signs), or a dissection (taking apart). | |
| From: report of Ian Hacking (The Emergence of Probability [1975], Ch.4) by PG - Db (ideas) | |
| A reaction: A nice analysis. The Greeks did diagnosis, then the alchemists tried adventures, then Vesalius began dissections, then the followers of Bacon concentrated on the test, setting up controlled conditions. 'If you don't believe it, try it yourself'. |
| 7459 | Follow maths for necessary truths, and jurisprudence for contingent truths [Hacking] |
| Full Idea: Mathematics is the model for reasoning about necessary truths, but jurisprudence must be our model when we deliberate about contingencies. | |
| From: Ian Hacking (The Emergence of Probability [1975], Ch.10) | |
| A reaction: Interesting. Certainly huge thinking, especially since the Romans, has gone into the law, and creating rules of evidence. Maybe all philosophers should study law and mathematics? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |