Combining Texts

All the ideas for 'fragments/reports', 'The Languages of Art' and 'Comment on Armstrong and Forrest'

unexpand these ideas     |    start again     |     specify just one area for these texts


5 ideas

8. Modes of Existence / D. Universals / 1. Universals
The main rivals to universals are resemblance or natural-class nominalism, or sparse trope theory [Lewis]
     Full Idea: The leading rivals to a theory of universals are resemblance or natural-class nominalism, or sparse trope theory.
     From: David Lewis (Comment on Armstrong and Forrest [1986], p.110)
     A reaction: If that is the complete menu, I choose resemblance nominalism. All discussion of properties in terms of classes is wildly misguided (because properties come first). Why not 'natural' tropes?
9. Objects / C. Structure of Objects / 1. Structure of an Object
We could not uphold a truthmaker for 'Fa' without structures [Lewis]
     Full Idea: We could not, without structures, uphold the principle that every truth has a truthmaker. If Fa is true, the truthmaker is not F, not a, nor both together; not their mereological sum; not a set-theoretic construction. These would exist just the same.
     From: David Lewis (Comment on Armstrong and Forrest [1986], p.109)
     A reaction: This point ought to trouble Lewis, as well as Armstrong and Forrest. If we assert 'Fa', we must (in any theory) have some idea of what unites them, as well as of their separate existence. It must a fact about 'a', not a fact about 'F'.
21. Aesthetics / B. Nature of Art / 5. Art as Language
Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner]
     Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs.
     From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2
     A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved.
25. Social Practice / E. Policies / 5. Education / b. Education principles
Learned men gain more in one day than others do in a lifetime [Posidonius]
     Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes.
     From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078
     A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book.
27. Natural Reality / D. Time / 1. Nature of Time / d. Time as measure
Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus]
     Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness.
     From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42
     A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them.