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All the ideas for 'fragments/reports', 'Analyticity Reconsidered' and 'Lectures on Aesthetics'

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24 ideas

2. Reason / D. Definition / 4. Real Definition
A sentence may simultaneously define a term, and also assert a fact [Boghossian]
     Full Idea: It doesn't follow from the fact that a given sentence is being used to implicitly define one of its ingredient terms, that it is not a factual statement. 'This stick is a meter long at t' may define an ingredient terms and express something factual.
     From: Paul Boghossian (Analyticity Reconsidered [1996], §III)
     A reaction: This looks like a rather good point, but it is tied in with a difficulty about definition, which is deciding which sentences are using a term, and which ones are defining it. If I say 'this stick in Paris is a meter long', I'm not defining it.
3. Truth / A. Truth Problems / 2. Defining Truth
Genuine truth is the resolution of the highest contradiction [Hegel]
     Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art'
     A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'.
3. Truth / A. Truth Problems / 3. Value of Truth
What I hold true must also be part of my feelings and character [Hegel]
     Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy'
     A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us.
5. Theory of Logic / I. Semantics of Logic / 2. Formal Truth
Conventionalism agrees with realists that logic has truth values, but not over the source [Boghossian]
     Full Idea: Conventualism is a factualist view: it presupposes that sentences of logic have truth values. It differs from a realist view in its conception of the source of those truth values, not on their existence. I call the denial of truths Non-Factualism.
     From: Paul Boghossian (Analyticity Reconsidered [1996], §III)
     A reaction: It barely seems to count as truth is we say 'p is true because we say so'. It is a truth about an agreement, not a truth about logic. Driving on the left isn't a truth about which side of the road is best.
12. Knowledge Sources / A. A Priori Knowledge / 4. A Priori as Necessities
'Snow is white or it isn't' is just true, not made true by stipulation [Boghossian]
     Full Idea: Isn't it overwhelmingly obvious that 'Either snow is white or it isn't' was true before anyone stipulated a meaning for it, and that it would have been true even if no one had thought about it, or chosen it to be expressed by one of our sentences?
     From: Paul Boghossian (Analyticity Reconsidered [1996], §I)
     A reaction: Boghossian would have to believe in propositions (unexpressed truths) to hold this - which he does. I take the notion of truth to only have relevance when there are minds around. Otherwise the so-called 'truths' are just the facts.
12. Knowledge Sources / A. A Priori Knowledge / 8. A Priori as Analytic
The a priori is explained as analytic to avoid a dubious faculty of intuition [Boghossian]
     Full Idea: The central impetus behind the analytic explanation of the a priori is a desire to explain the possibility of a priori knowledge without having to postulate a special evidence-gathering faculty of intuition.
     From: Paul Boghossian (Analyticity Reconsidered [1996], §I)
     A reaction: I don't see at all why one has to postulate a 'faculty' in order to talk about intuition. I take an intuition to be an apprehension of a probable truth, combined with an inability to articulate how the conclusion was arrived at.
That logic is a priori because it is analytic resulted from explaining the meaning of logical constants [Boghossian]
     Full Idea: The analytic theory of the apriority of logic arose indirectly, as a by-product of the attempt to explain in what a grasp of the meaning of the logical constants consists.
     From: Paul Boghossian (Analyticity Reconsidered [1996], §III)
     A reaction: Preumably he is referring to Wittgenstein's anguish over the meaning of the word 'not' in his World War I notebooks. He first defined the constants by truth tables, then asserted that they were purely conventional - so logic is conventional.
We can't hold a sentence true without evidence if we can't agree which sentence is definitive of it [Boghossian]
     Full Idea: If there is no sentence I must hold true if it is to mean what it does, then there is no basis on which to argue that I am entitled to hold it true without evidence.
     From: Paul Boghossian (Analyticity Reconsidered [1996], §III)
     A reaction: He is exploring Quine's view. Truth by convention depends on agreeing which part of the usage of a term constitutes its defining sentence(s), and that may be rather tricky. Boghossian says this slides into the 'dreaded indeterminacy of meaning'.
12. Knowledge Sources / A. A Priori Knowledge / 11. Denying the A Priori
We may have strong a priori beliefs which we pragmatically drop from our best theory [Boghossian]
     Full Idea: It is consistent with a belief's being a priori in the strong sense that we should have pragmatic reasons for dropping it from our best overall theory.
     From: Paul Boghossian (Analyticity Reconsidered [1996], n 6)
     A reaction: Does 'dropping it' from the theory mean just ignoring it, or actually denying it? C.I. Lewis is the ancestor of this view. Could it be our 'best' theory, while conflicting with beliefs that were strongly a priori? Pragmatism can embrace falsehoods.
12. Knowledge Sources / E. Direct Knowledge / 2. Intuition
If we learn geometry by intuition, how could this faculty have misled us for so long? [Boghossian]
     Full Idea: If we learn geometrical truths by intuition, how could this faculty have misled us for so long?
     From: Paul Boghossian (Analyticity Reconsidered [1996], §III)
     A reaction: This refers to the development of non-Euclidean geometries, though the main misleading concerns parallels, which involves infinity. Boghossian cites 'distance' as a concept the Euclideans had misunderstood. Why shouldn't intuitions be wrong?
19. Language / A. Nature of Meaning / 7. Meaning Holism / c. Meaning by Role
If meaning depends on conceptual role, what properties are needed to do the job? [Boghossian]
     Full Idea: Conceptual Role Semantics must explain what properties an inference or sentence involving a logical constant must have, if that inference or sentence is to be constitutive of its meaning.
     From: Paul Boghossian (Analyticity Reconsidered [1996], §III)
     A reaction: This is my perennial request that if something is to be defined by its function (or role), we must try to explain what properties it has that make its function possible, and those properties will be the more basic explanation.
'Conceptual role semantics' says terms have meaning from sentences and/or inferences [Boghossian]
     Full Idea: 'Conceptual role semantics' says the logical constants mean what they do by virtue of figuring in certain inferences and/or sentences involving them and not others, ..so some inferences and sentences are constitutive of an expression's meaning.
     From: Paul Boghossian (Analyticity Reconsidered [1996], §III)
     A reaction: If the meaning of the terms derives from the sentences in which they figure, that seems to be meaning-as-use. The view that it depends on the inferences seems very different, and is a more interesting but more risky claim.
19. Language / A. Nature of Meaning / 8. Synonymy
Could expressions have meaning, without two expressions possibly meaning the same? [Boghossian]
     Full Idea: Could there be a fact of the matter about what each expression means, but no fact of the matter about whether they mean the same?
     From: Paul Boghossian (Analyticity Reconsidered [1996], §II)
     A reaction: He is discussing Quine's attack on synonymy, and his scepticism about meaning. Boghossian and I believe in propositions, so we have no trouble with two statements having the same meaning. Denial of propositions breeds trouble.
19. Language / E. Analyticity / 2. Analytic Truths
There are no truths in virtue of meaning, but there is knowability in virtue of understanding [Boghossian, by Jenkins]
     Full Idea: Boghossian distinguishes metaphysical analyticity (truth purely in virtue of meaning, debunked by Quine, he says) from epistemic analyticity (knowability purely in virtue of understanding - a notion in good standing).
     From: report of Paul Boghossian (Analyticity Reconsidered [1996]) by Carrie Jenkins - Grounding Concepts 2.4
     A reaction: [compressed] This fits with Jenkins's claim that we have a priori knowledge just through understanding and relating our concepts. She, however, rejects that idea that a priori is analytic.
19. Language / E. Analyticity / 3. Analytic and Synthetic
Epistemological analyticity: grasp of meaning is justification; metaphysical: truth depends on meaning [Boghossian]
     Full Idea: The epistemological notion of analyticity: a statement is 'true by virtue of meaning' provided that grasp of its meaning alone suffices for justified belief in its truth; the metaphysical reading is that it owes its truth to its meaning, not to facts.
     From: Paul Boghossian (Analyticity Reconsidered [1996], §I)
     A reaction: Kripke thinks it is neither, but is a purely semantic notion. How could grasp of meaning alone be a good justification if it wasn't meaning which was the sole cause of the statement's truth? I'm not convinced by his distinction.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton]
     Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard]
     Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11
     A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work.
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard]
     Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11
     A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity?
21. Aesthetics / B. Nature of Art / 6. Art as Institution
For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge]
     Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1
     A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you?
21. Aesthetics / C. Artistic Issues / 6. Value of Art
The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S]
     Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7
     A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well.
The main purpose of art is to express the unity of human life [Hegel]
     Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty'
     A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity.
Art forms a bridge between the sensuous world and the world of pure thought [Hegel]
     Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics)
     A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify?
25. Social Practice / E. Policies / 5. Education / b. Education principles
Learned men gain more in one day than others do in a lifetime [Posidonius]
     Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes.
     From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078
     A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book.
27. Natural Reality / D. Time / 1. Nature of Time / d. Time as measure
Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus]
     Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness.
     From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42
     A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them.