9 ideas
| 7661 | Truth is the opinion fated to be ultimately agreed by all investigators [Peirce] |
| Full Idea: The opinion which is fated to be ultimately agreed to by all who investigate, is what we mean by the truth, and the object represented in this opinion is the real. | |
| From: Charles Sanders Peirce (How to Make our Ideas Clear [1878], p.38) | |
| A reaction: At least this affirms that truth is an ideal about which we dream, and is not confined merely to what we can actually know. But it rules out anything beyond the reach of all investigation, which seems a misconception of truth. What could angels know? |
| 19089 | Our whole conception of an object is its possible practical consequences [Peirce] |
| Full Idea: Consider what effects, which might conceivably have practical bearings, we conceive the objects of our conceptions to have. Then, our conception of these effects is the whole of our conception of the object. | |
| From: Charles Sanders Peirce (How to Make our Ideas Clear [1878], EP i.132), quoted by Albert Atkin - Peirce 2 'early' | |
| A reaction: This is his 1878 version, which was fine-tuned later in life. He seems to have extended his principle to include possibilities, as well as the mere objects. That is, he moved beyond mere nominalism. |
| 7660 | We are aware of beliefs, they appease our doubts, and they are rules of action, or habits [Peirce] |
| Full Idea: A belief has just three properties: first, it is something that we are aware of; second, it appeases the irritation of doubt; and, third, it involves the establishment in our nature of a rule of action, or, say for short, a habit. | |
| From: Charles Sanders Peirce (How to Make our Ideas Clear [1878], p.28) | |
| A reaction: Peirce probably believed that Bismarck breathed oxygen, but was unaware of his belief, and no one ever dreamed of acting on such a belief, unless Bismarck was gasping for air. |
| 14906 | Non-positivist verificationism says only take a hypothesis seriously if it is scientifically based and testable [Ladyman/Ross on Peirce] |
| Full Idea: With Peirce, we endorse a non-positivist version of verificationism - no hypothesis should be taken seriously if apparently beyond our capacity to investigate, and serious metaphysics must concern at least two plausible scientific hypotheses. | |
| From: comment on Charles Sanders Peirce (How to Make our Ideas Clear [1878]) by J Ladyman / D Ross - Every Thing Must Go 1.3 | |
| A reaction: [compressed] They say this is NOT a theory about meaning, as 'The Big Bang was caused by Elvis' is perfectly meaningful. Verificationism always seems to rule out bold speculation. Don't say 'take string theory seriously', if we can't test it? |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |