21 ideas
| 18543 | Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton] |
| Full Idea: The judgement of beauty makes a claim about its object, and can be supported by reasons. But the reasons do not compel the judgement and can be rejected without contradiction. So are they reasons or aren't they? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: I suspect that what he is really referring to is evidence rather than reasons. |
| 18542 | Defining truth presupposes that there can be a true definition [Scruton] |
| Full Idea: How can you define truth, without already assuming the distinction between a true definition and a false one? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Don't say we have to accept truth as yet another primitive! Philosophers are out of business if all the basic concepts are primitive. The axiomatic approach to truth is an alternative - by specifying how the primitive should be used. |
| 10397 | Abelard's mereology involves privileged and natural divisions, and principal parts [Abelard, by King,P] |
| Full Idea: Abelard's theory of substantial integral wholes is not a pure mereology in the modern sense, since he holds that there are privileged divisions; ..the division of a whole must be into its principal parts. Some wholes have a natural division. | |
| From: report of Peter Abelard (works [1135]) by Peter King - Peter Abelard 2 | |
| A reaction: This is a mereology that cuts nature at the joints, rather than Lewis's 'unrestricted composition', so I find Abelard rather appealing. |
| 10396 | If 'animal' is wholly present in Socrates and an ass, then 'animal' is rational and irrational [Abelard, by King,P] |
| Full Idea: Abelard argued that if the universal 'animal' were completely present in both Socrates and an ass, making each wholly an animal, then the same thing, animal, will be simultaneously rational and irrational, with contraries present in the whole thing. | |
| From: report of Peter Abelard (works [1135]) by Peter King - Peter Abelard 2 | |
| A reaction: If we have universals for rationality and irrationality, they can distinguish the two. But we must also say that rationality is not an aspect of animal, which seems to mean that mind isn't either. What is the essence of an animal? Not reason? |
| 10395 | Abelard was an irrealist about virtually everything apart from concrete individuals [Abelard, by King,P] |
| Full Idea: Abelard was an irrealist about universals, but also about propositions, events, times other than the present, natural kinds, relations, wholes, absolute space, hylomorphic composites, and the like. The concrete individual is enough to populate the world. | |
| From: report of Peter Abelard (works [1135]) by Peter King - Peter Abelard 2 | |
| A reaction: If a Nominalist claims that 'only particulars exist', this makes him an extreme nominalist, and remarkably materialistic for his time (though he accepted the soul, as well as God). |
| 15384 | Only words can be 'predicated of many'; the universality is just in its mode of signifying [Abelard, by Panaccio] |
| Full Idea: Abelard concluded that only words can be 'predicated of many'. A universal is nothing but a general linguistic predicate, and its universality depends not on its mode of being, but on its mode of signifying. | |
| From: report of Peter Abelard (works [1135]) by Claude Panaccio - Medieval Problem of Universals 'Peter' | |
| A reaction: Abelard seems to be the originator of what is now called Predicate Nominalism, with Nelson Goodman as his modern representative. If it is just words, is there no fact of two things having the 'same' property? |
| 8481 | The de dicto-de re modality distinction dates back to Abelard [Abelard, by Orenstein] |
| Full Idea: The de dicto-de re modality distinction dates back to Abelard. | |
| From: report of Peter Abelard (works [1135]) by Alex Orenstein - W.V. Quine Ch.7 | |
| A reaction: Most modern philosophers couldn't (apparently) care less where a concept originated, but one of the principles of this database is that such things do matter. I'm not sure why, but if we want the whole picture, we need the historical picture. |
| 15385 | Abelard's problem is the purely singular aspects of things won't account for abstraction [Panaccio on Abelard] |
| Full Idea: Abelard's problem is that it is not clear how singular forms could do the job they are supposed to do - to account for abstraction, namely - if they were purely singular aspects. | |
| From: comment on Peter Abelard (works [1135]) by Claude Panaccio - Medieval Problem of Universals 'Peter' | |
| A reaction: A very nice question! If we say that abstracta are just acquired by ignoring all but that feature in some objects, how do we identify 'that' feature in order to select it? The instances must share something in common to be abstracted. |
| 15383 | Nothing external can truly be predicated of an object [Abelard, by Panaccio] |
| Full Idea: Abelard argued from the commonly accepted definition of a universal as 'what can be predicated of man', that no external thing can ever be predicated of anything. | |
| From: report of Peter Abelard (works [1135]) by Claude Panaccio - Medieval Problem of Universals 'Peter' | |
| A reaction: It sounds to me as if Abelard is confusing predicates with properties! Maybe no external can be a property of anything, but I take predicates to just be part of what you can say about anything, and that had better included external facts. |
| 18546 | The pleasure taken in beauty also aims at understanding and valuing [Scruton] |
| Full Idea: Like the pleasure in friendship, the pleasure in beauty is curious: it aims to understand its object, and to value what it finds. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: At least he is trying to pin down the way in which aesthetic pleasure is phenomenologically different from other kinds of pleasure. |
| 18550 | Art gives us imaginary worlds which we can view impartially [Scruton] |
| Full Idea: One aim of art is to present imaginary worlds, towards which we can adopt, as part of the integral aesthetic attitude, a posture of impartial concern. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: It connects to the pleasure of watching people when they don't know they are being watched (such as watching the street from a restaurant window). Scruton's suggestion makes art resemble examples in philosophy. Cf the Frege-Geach problem in ethics. |
| 18544 | Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton] |
| Full Idea: Maybe we can understand the 'beauty' of a building better if we describe it in another and less loaded way, as a form of fittingness or harmony. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Almost everyone accepts the word 'beauty' for some things, such as a beautiful face, or goal, or steak. I remember a female interviewer writing that, reluctantly, the only appropriate word she could find for Nureyev's face was 'beautiful'. |
| 18553 | Beauty shows us what we should want in order to achieve human fulfilment [Scruton] |
| Full Idea: Beauty speaks to us of human fulfilment: not of things that we want, but of things that we ought to want, because human nature requires them. Such, at least, is my belief. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: I'm not sure how this works with a beautiful natural landscape. And what should I see that I ought to desire after viewing a great Rembrandt self-portrait? That I don't want to end up looking as bleak as that? Hm. Lofty words. |
| 18556 | Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton] |
| Full Idea: Beauty is rationally founded; it challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 9) | |
| A reaction: This is the Kantian tradition, and I'm not finding it very persuasive. It seems to place the value of beauty in what we do with it afterwards, and he seems to make beauty a necessary stepping stone to virtue. I see beauty as more sui generis. |
| 18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
| Full Idea: The experience of natural beauty is not a sense of 'how nice!' or 'how pleasant!' It contains a reassurance that this world is a right and fitting place to be - a home in which our human powers and prospects find confirmation. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 2) | |
| A reaction: To call it a 'reassurance' and 'confirmation' sounds like theism, anthropomorphism, or the pathetic fallacy. That said, this is certainly a heart-warming idea, and hence must contain a grain of truth. |
| 18551 | Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton] |
| Full Idea: The Croce model is of an inarticulate inner state (an 'intuition') becoming articulate and conscious through artistic expression. The rival model is fitting thing together so as to create links which resonate in the audience's feelings. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: The first model tells you nothing about how the artist imagines the audience reacting. The second model tells you nothing about what matters personally to the artist. A good theory must do both! |
| 18541 | Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton] |
| Full Idea: The status of beauty as an ultimate value is questionable, in the way that the status of truth and goodness are not. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: We suspect that a love of beauty may be a bit parochial, where it is hard to conceive of living creatures anywhere in the cosmos who don't value the other two. |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 18554 | Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton] |
| Full Idea: The condemnation of prostitution was not just puritan bigotry; it was a recognition of a profound truth, that you and your body are not two things but one, and by selling the body you harden your soul. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: No one, I imagine, who condones or even enthuses about prostitution would hope that their own daughter followed the profession, so there is something wrong with it. But must an enthusiastic and cheerful prostitute necessarily have a hard soul? |
| 10398 | Natural kinds are not special; they are just well-defined resemblance collections [Abelard, by King,P] |
| Full Idea: In Abelard's view a natural kind is a well-defined collection of things that have the same features, so that natural kinds have no special status, being no more than discrete integral wholes whose principle of membership is similarity. | |
| From: report of Peter Abelard (works [1135]) by Peter King - Peter Abelard 2 | |
| A reaction: I take a natural kind to be a completely stable and invariant class of things. Presumably this invariance has an underlying explanation, but Abelard seems to take the Humean line that we cannot penetrate beyond the experienced surface. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |