Combining Texts

All the ideas for 'fragments/reports', 'Truthmaking for Presentists' and 'Public Text and Common Reader'

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16 ideas

3. Truth / B. Truthmakers / 3. Truthmaker Maximalism
If maximalism is necessary, then that nothing exists has a truthmaker, which it can't have [Cameron]
     Full Idea: I think truthmaker theory is contingently true. [n24] If there could have been nothing, what makes that true? But if truthmaker maximalism is a necessary truth, there's necessarily something.
     From: Ross P. Cameron (Truthmaking for Presentists [2011], 4 n24)
     A reaction: Truthmaking is beginning to feel like Gödel's Theorems. You can 'make' lots and lots of truths ('prove' in Gödel), but there will be truths that elude the making. Truthmaker theory itself will be one example. So is Maximalism another one?
3. Truth / B. Truthmakers / 4. Truthmaker Necessitarianism
Determinate truths don't need extra truthmakers, just truthmakers that are themselves determinate [Cameron]
     Full Idea: I reject saying there must be an additional truthmaker for 'Determinately, p': rather, I say that the truthmaker for p must simply be a determinate existent rather than a mere existent.
     From: Ross P. Cameron (Truthmaking for Presentists [2011], 6)
     A reaction: As he puts it (quite persuasively), God doesn't need to add an extra truthmaker for a determinate truth. Cameron rejects Necessitarianism. He uses 'determinate' fairly uncritically. What makes the truth of the truthmaker's determinacy?
3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
The facts about the existence of truthmakers can't have a further explanation [Cameron]
     Full Idea: The orthodox truthmaker theorist thinks the facts concerning the existence of the truthmakers do not admit of further explanation.
     From: Ross P. Cameron (Truthmaking for Presentists [2011], 6)
     A reaction: It is fairly obvious, I suppose, that not every truth can have a truthmaker, just as the verification principle could not be verified, and you can't perceive your perception in order to check it. Could God withdraw the power of truthmaking?
3. Truth / B. Truthmakers / 9. Making Past Truths
The present property 'having been F' says nothing about a thing's intrinsic nature [Cameron]
     Full Idea: The property 'being such as to have been a child' is suspicious because it points beyond its instances in the sense that a thing's presently having that property tells us nothing about the present intrinsic nature of the thing.
     From: Ross P. Cameron (Truthmaking for Presentists [2011], 2)
     A reaction: This is his objection to what he calls the 'Lucretian' strategy, which tries to make history into a property of present reality. That is implausible, I think, because there is no test for the property, apart from knowledge of the past. Reality is tensed?
One temporal distibution property grounds our present and past truths [Cameron]
     Full Idea: Temporal distributional properties are fundamental - it is exactly the same property that is grounding the truth about how the bearer now is that is grounding truths about how the bearer was.
     From: Ross P. Cameron (Truthmaking for Presentists [2011], 4)
     A reaction: Some kind of slight of hand is going on here, though he does a nice job of confronting all possible objections. This is the sort of metaphysics you come up with when you stake everything on the dubious notion of a 'property'.
We don't want present truthmakers for the past, if they are about to cease to exist! [Cameron]
     Full Idea: Whilst not logically inconsistent, it would be bad if it could now be true that ten years ago there was a sea battle, but that five years ago it wasn't true that five years before that there was a sea battle.
     From: Ross P. Cameron (Truthmaking for Presentists [2011], 4)
     A reaction: Nicely makes the point that you can't let the past rely on truthmakers in the present, if those truthmakers are about to go out of existence. So you need a sustained truthmaker, without giving up presentism. Enter 'temporally distributed properties'?
8. Modes of Existence / B. Properties / 3. Types of Properties
Being polka-dotted is a 'spatial distribution' property [Cameron]
     Full Idea: Spatial distribution properties say how things are across a region of space, such as being polka-dotted.
     From: Ross P. Cameron (Truthmaking for Presentists [2011], 3)
     A reaction: I think the routine fallacy of inferring properties from predicates is buried here. We truthfully describe it as 'polka-dotted', but that doesn't mean we must reify polka-dottedness, and see it as a feature of the world. What is a 'jumbled' space?
9. Objects / E. Objects over Time / 2. Objects that Change
Change is instantiation of a non-uniform distributional property, like 'being red-then-orange' [Cameron]
     Full Idea: What change is on the account being offered is to instantiate a non-uniform distributional property. Being red at one time and orange at a later time is to be analysed as instantiating the distributional property 'being red-then-orange'.
     From: Ross P. Cameron (Truthmaking for Presentists [2011], 4)
     A reaction: One of those moments when you begin to doubt whether 'being analysed' successfully actually adds much to our wisdom. His property sounds suspiciously 'gruesome' - i.e. subject to the vagaries of how we chose to describe the thing.
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
     Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons.
     From: Roger Scruton (Public Text and Common Reader [1982], p.27)
     A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen?
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
     Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning.
     From: Roger Scruton (Public Text and Common Reader [1982], p.25)
     A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
     Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention.
     From: Roger Scruton (Public Text and Common Reader [1982], p.15)
     A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech.
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
     Full Idea: In aesthetic interest, even what is true is treated as though it were not.
     From: Roger Scruton (Public Text and Common Reader [1982], p.18)
     A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]
     Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present.
     From: Roger Scruton (Public Text and Common Reader [1982], p.24)
     A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means.
25. Social Practice / E. Policies / 5. Education / b. Education principles
Learned men gain more in one day than others do in a lifetime [Posidonius]
     Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes.
     From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078
     A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book.
27. Natural Reality / D. Time / 1. Nature of Time / d. Time as measure
Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus]
     Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness.
     From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42
     A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them.
27. Natural Reality / D. Time / 3. Parts of Time / c. Intervals
Surely if things extend over time, then time itself must be extended? [Cameron]
     Full Idea: If there are temporally extended entities - and there are - then there must be extended regions of time for those entities to extend in. Hence presentism is false.
     From: Ross P. Cameron (Truthmaking for Presentists [2011], 4)
     A reaction: [Cameron is playing devil's advocate] Something has to be weird here, and I take it to be the fact that the past no longer exists, and yet it is fixed and supports truths. Get over it. My childhood has gone. Totally. Irrevocably.