12 ideas
| 6211 | Laughter is a sudden glory in realising the infirmity of others, or our own formerly [Hobbes] |
| Full Idea: The passion of laughter is nothing else but sudden glory arising from some sudden conception of some eminency in ourselves, by comparison with the infirmity of others, or with our own formerly. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.IX.13) | |
| A reaction: Laughter tends to involve something unusual. We don't just burst out with a glory of vanity whenever we meet some inferiority in another person. |
| 6213 | A man cannot will to will, or will to will to will, so the idea of a voluntary will is absurd [Hobbes] |
| Full Idea: The will is not voluntary: for a man can no more say he will will, than he will will will, and so make an infinite repetition of the word 'will', which is absurd and insignificant. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.XII.5) | |
| A reaction: A nice simple point, allied to Nietzsche's notion that thoughts are uncontrollable (Idea 2291). Even Aquinas, who is quite a fan of free will, spotted the problem (Idea 1854). Personally I agree with Hobbes. Free will is a shibboleth. |
| 6208 | Conceptions and apparitions are just motion in some internal substance of the head [Hobbes] |
| Full Idea: Conceptions and apparitions are nothing really, but motion in some internal substance of the head. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.VII.1) | |
| A reaction: Note that he carefully covers both thought in concepts and thought in images, and also that he is not saying that thought is the substance, but that it is a 'motion'. This strikes me as an excellent word, and I think Hobbes is right. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 6209 | There is no absolute good, for even the goodness of God is goodness to us [Hobbes] |
| Full Idea: There is no such thing as absolute goodness, considered without relation: for even the goodness which we apprehend in God Almighty, is his goodness to us. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.VII.3) | |
| A reaction: Plato's view of goodness is much more absolute than that of religion, as he proposes the Good as the eternal underpinning of nature. I agree with Hobbes that if God is the source of goodness, that will prevent goodness from being truly absolute. |
| 6210 | Life has no end (not even happiness), because we have desires, which presuppose a further end [Hobbes] |
| Full Idea: For an utmost end, in which the ancient philosophers have placed felicity, there is no such thing in this world, nor way to it: for while we live, we have desires, and desire presupposeth a further end. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.VII.6) | |
| A reaction: Kant's definition of happiness (Idea 1452) seems to be the underlying idea, and hence with the same implication (of impossibility). However, an alcoholic locked in a brewery would seem to have all that Hobbes requires for happiness. |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 6212 | Lust involves pleasure, and also the sense of power in pleasing others [Hobbes] |
| Full Idea: Lust consists of two appetites together, to please, and to be pleased, and the delight men take in delighting is not sensual, but a pleasure or joy of the mind consisting in the imagination of the power they have so much to please. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.IX) | |
| A reaction: Hobbes would rather burst a blood-vessel than admit any altruism. If you take pleasure in pleasing someone else, why can't that simply be because of the other person's pleasure, with which we sympathise, rather than relishing our own 'power'? |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |