12 ideas
| 6806 | Do not multiply entities beyond necessity [William of Ockham] |
| Full Idea: Do not multiply entities beyond necessity. | |
| From: William of Ockham (works [1335]) | |
| A reaction: This is the classic statement of Ockham's Razor, though it is not found in his printed works. It appears to be mainly aimed at Plato's Theory of Forms. It is taken to refer to types of entities, not numbers. One seraph is as bad as a hundred. |
| 22132 | Species and genera are individual concepts which naturally signify many individuals [William of Ockham] |
| Full Idea: In his mature nominalism, species and genera are identified with certain mental qualities called concepts or intentions of the mind. Ontologically they are individuals too, like everthing else, ...but they naturally signify many different individuals. | |
| From: William of Ockham (works [1335]), quoted by Claude Panaccio - William of Ockham p.1056 | |
| A reaction: 'Naturally' is the key word, because the concepts are not fictions, but natural responses to encountering individuals in the world. I am an Ockhamist. |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| Full Idea: In a single day there lies open to men of learning more than there ever does to the unenlightened in the longest of lifetimes. | |
| From: Posidonius (fragments/reports [c.95 BCE]), quoted by Seneca the Younger - Letters from a Stoic 078 | |
| A reaction: These remarks endorsing the infinite superiority of the educated to the uneducated seem to have been popular in late antiquity. It tends to be the religions which discourage great learning, especially in their emphasis on a single book. |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |
| Full Idea: Posidonius defined time thus: it is an interval of motion, or the measure of speed and slowness. | |
| From: report of Posidonius (fragments/reports [c.95 BCE]) by John Stobaeus - Anthology 1.08.42 | |
| A reaction: Hm. Can we define motion or speed without alluding to time? Looks like we have to define them as a conjoined pair, which means we cannot fully understand either of them. |
| 19381 | The past has ceased to exist, and the future does not yet exist, so time does not exist [William of Ockham] |
| Full Idea: Time is composed of non-entities, because it is composed of the past which does not exist now, although it did exist, and of the future, which does not yet exist; therefore time does not exist. | |
| From: William of Ockham (works [1335], 6:496), quoted by Richard T.W. Arthur - Leibniz 7 'Nominalist' | |
| A reaction: I've a lot of sympathy with this! I favour Presentism, so the past is gone and the future is yet to arrive. But we have no coherent concept of a present moment of any duration to contain reality. We are just completely bogglificated by it all. |
| 8010 | William of Ockham is the main spokesman for God's commands being the source of morality [William of Ockham] |
| Full Idea: The most notable philosopher who makes God's commandment the basis of goodness, rather than God's goodness a reason for obeying him, is William of Occam. | |
| From: William of Ockham (works [1335]), quoted by Alasdair MacIntyre - A Short History of Ethics Ch.9 | |
| A reaction: Either view has problems. Why choose God to obey? Obey anyone who is powerful? But how do you decide that God is good? How do we know the nature of God's commands, or the nature of God's goodness? Etc. |
| 16679 | Even an angel must have some location [William of Ockham, by Pasnau] |
| Full Idea: Ockham dismisses the possibility of non-location out of hand, remarking that even an angel has some location. | |
| From: report of William of Ockham (works [1335]) by Robert Pasnau - Metaphysical Themes 1274-1671 14.4 |