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All the ideas for 'reports', 'The Ethical Criticism of Art' and 'Reference and Modality'

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32 ideas

1. Philosophy / D. Nature of Philosophy / 1. Philosophy
He studied philosophy by suspending his judgement on everything [Pyrrho, by Diog. Laertius]
     Full Idea: He studied philosophy on the principle of suspending his judgement on all points.
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.3
     A reaction: In what sense was Pyrrho a philosopher, then? He must have asserted SOME generalised judgments.
2. Reason / A. Nature of Reason / 9. Limits of Reason
Sceptics say reason is only an instrument, because reason can only be attacked with reason [Pyrrho, by Diog. Laertius]
     Full Idea: The Sceptics say that they only employ reason as an instrument, because it is impossible to overturn the authority of reason, without employing reason.
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.8
4. Formal Logic / D. Modal Logic ML / 1. Modal Logic
Maybe we can quantify modally if the objects are intensional, but it seems unlikely [Quine]
     Full Idea: Perhaps there is no objection to quantifying into modal contexts as long as the values of any variables thus quantified are limited to intensional objects, but they also lead to disturbing examples.
     From: Willard Quine (Reference and Modality [1953], §3)
     A reaction: [Quine goes on to give his examples] I take it that possibilities are features of actual reality, not merely objects of thought. The problem is that they are harder to know than actual objects.
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
Failure of substitutivity shows that a personal name is not purely referential [Quine]
     Full Idea: Failure of substitutivity shows that the occurrence of a personal name is not purely referential.
     From: Willard Quine (Reference and Modality [1953], §1)
     A reaction: I don't think I understand the notion of a name being 'purely' referential, as if it somehow ceased to be a word, and was completely transparent to the named object.
5. Theory of Logic / G. Quantification / 1. Quantification
Quantifying into referentially opaque contexts often produces nonsense [Quine]
     Full Idea: If to a referentially opaque context of a variable we apply a quantifier, with the intention that it govern that variable from outside the referentially opaque context, then what we commonly end up with is unintended sense or nonsense.
     From: Willard Quine (Reference and Modality [1953], §2)
9. Objects / D. Essence of Objects / 15. Against Essentialism
Quantification into modal contexts requires objects to have an essence [Quine]
     Full Idea: A reversion to Aristotelian essentialism is required if quantification into modal contexts is to be insisted on. An object must be seen as having some of its traits necessarily.
     From: Willard Quine (Reference and Modality [1953], §3)
     A reaction: This thought leads directly to Kripke's proposal of rigid designation of objects (and Lewis response of counterparts), which really gets modal logic off the ground. Quine's challenge remains - the modal logic entails a huge metaphysical commitment.
10. Modality / A. Necessity / 4. De re / De dicto modality
To be necessarily greater than 7 is not a trait of 7, but depends on how 7 is referred to [Quine]
     Full Idea: To be necessarily greater than 7 is not a trait of a number, but depends on the manner of referring to the number.
     From: Willard Quine (Reference and Modality [1953], §2)
     A reaction: The most concise quotation of Quine's objection to 'de re' modality. The point is whether the number might have been referred to as 'the number of planets'. So many of these problems are solved by fixing unambiguous propositions first.
10. Modality / A. Necessity / 11. Denial of Necessity
Whether 9 is necessarily greater than 7 depends on how '9' is described [Quine, by Fine,K]
     Full Idea: Quine's metaphysical argument is that if 9 is 7+2 the number 9 will be necessarily greater than 7, but when 9 is described as the number of planets, the number will not be necessarily greater than 7. The necessity depends on how it is described.
     From: report of Willard Quine (Reference and Modality [1953]) by Kit Fine - Intro to 'Modality and Tense' p. 3
     A reaction: Thus necessity would be entirely 'de dicto' and not 'de re'. It sounds like a feeble argument. If I describe the law of identity (a=a) as 'my least favourite logical principle', that won't make it contingent. Describe 9, or refer to it? See Idea 9203.
Necessity only applies to objects if they are distinctively specified [Quine]
     Full Idea: Necessity does not properly apply to the fulfilment of conditions by objects (such as the number which numbers the planets), apart from special ways of specifying them.
     From: Willard Quine (Reference and Modality [1953], §3)
     A reaction: This appears to say that the only necessity is 'de dicto', and that there is no such thing as 'de re' necessity (of the thing in itself). How can Quine deny that there might be de re necessities? His point is epistemological - how can we know them?
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
We can't quantify in modal contexts, because the modality depends on descriptions, not objects [Quine, by Fine,K]
     Full Idea: 'Necessarily 9>7' may be true while the sentence 'necessarily the number of planets < 7' is false, even though it is obtained by substituting a coreferential term. So quantification in these contexts is unintelligible, without a clear object.
     From: report of Willard Quine (Reference and Modality [1953]) by Kit Fine - Intro to 'Modality and Tense' p. 4
     A reaction: This is Quine's second argument against modality. See Idea 9201 for his first. Fine attempts to refute it. The standard reply seems to be to insist that 9 must therefore be an object, which pushes materialist philosophers into reluctant platonism.
13. Knowledge Criteria / A. Justification Problems / 1. Justification / a. Justification issues
If we need a criterion of truth, we need to know whether it is the correct criterion [Pyrrho, by Fogelin]
     Full Idea: Against the Stoics, the Pyrrhonians argued that if someone presents a criterion of truth, then it will be important to determine whether it is the correct criterion.
     From: report of Pyrrho (reports [c.325 BCE]) by Robert Fogelin - Walking the Tightrope of Reason Ch.4
     A reaction: Hence Davidson says that attempts to define truth are 'folly'. If something has to be taken as basic, then truth seems a good candidate (since, for example, logical operators could not otherwise be defined by means of 'truth' tables).
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
The Pyrrhonians attacked the dogmas of professors, not ordinary people [Pyrrho, by Fogelin]
     Full Idea: The attacks of the Pyrrhonian sceptics are directed against the dogmas of the 'professors', not against the beliefs of the common people pursuing the business of daily life.
     From: report of Pyrrho (reports [c.325 BCE]) by Robert Fogelin - Walking the Tightrope of Reason Ch.4
     A reaction: This may be because they thought that ordinary people were too confused to be worth attacking, rather than because they lived in a state of beautifully appropriate beliefs. Naïve realism is certainly worth attacking.
13. Knowledge Criteria / D. Scepticism / 6. Scepticism Critique
Academics said that Pyrrhonians were guilty of 'negative dogmatism' [Pyrrho, by Fogelin]
     Full Idea: The ancient Academic sceptics charged the Pyrrhonian sceptics with 'negative dogmatism' when they claimed that a certain kind of knowledge is impossible.
     From: report of Pyrrho (reports [c.325 BCE]) by Robert Fogelin - Walking the Tightrope of Reason Ch.4
     A reaction: It is this kind of point which should push us towards some sort of rationalism, because certain a priori 'dogmas' seem to be indispensable to get any sort of discussion off the ground. The only safe person is Cratylus (see Idea 578).
13. Knowledge Criteria / E. Relativism / 1. Relativism
Judgements vary according to local culture and law (Mode 5) [Pyrrho, by Diog. Laertius]
     Full Idea: Fifth mode: judgements vary according to local custom, law and culture (Persians marry their daughters).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Objects vary according to which sense perceives them (Mode 3) [Pyrrho, by Diog. Laertius]
     Full Idea: Third mode: things like an apple vary according to which sense perceives them (yellow, sweet, and fragrant).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception varies with viewing distance and angle (Mode 7) [Pyrrho, by Diog. Laertius]
     Full Idea: Seventh mode: perception varies according to viewing distance and angle (the sun, and a dove's neck).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception and judgement depend on comparison (Mode 10) [Pyrrho, by Diog. Laertius]
     Full Idea: Tenth mode: perceptions and judgements depend on comparison (light/heavy, above/below).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Individuals vary in responses and feelings (Mode 2) [Pyrrho, by Diog. Laertius]
     Full Idea: Second mode: individual men vary in responses and feelings (heat and cold, for example).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Animals vary in their feelings and judgements (Mode 1) [Pyrrho, by Diog. Laertius]
     Full Idea: First mode: animals vary in their feelings and judgements (of food, for example).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception varies with madness or disease (Mode 4) [Pyrrho, by Diog. Laertius]
     Full Idea: Fourth mode: perceivers vary in their mental and physical state (such as the mad and the sick).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception of things depends on their size or quantity (Mode 8) [Pyrrho, by Diog. Laertius]
     Full Idea: Eighth mode: perceptions of things depend on their magnitude or quantity (food and wine).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception of objects depends on surrounding conditions (Mode 6) [Pyrrho, by Diog. Laertius]
     Full Idea: Sixth mode: the perception of an object depends on surrounding conditions (sunlight and lamplight).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception is affected by expectations (Mode 9) [Pyrrho, by Diog. Laertius]
     Full Idea: Ninth mode: we perceive things according to what we expect (earthquakes and sunshine).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Maybe literary assessment is evaluating the artist as a suitable friend [Gaut]
     Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some')
     A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio?
21. Aesthetics / B. Nature of Art / 2. Art as Form
Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut]
     Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1')
     A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
'Moralism' says all aesthetic merits are moral merits [Gaut]
     Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'.
     From: Berys Gaut (The Ethical Criticism of Art [1998], n 1)
     A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve).
Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut]
     Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism')
     A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut.
If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut]
     Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited')
     A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois.
Good art does not necessarily improve people (any more than good advice does) [Gaut]
     Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism')
     A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point.
26. Natural Theory / C. Causation / 7. Eliminating causation
There are no causes, because they are relative, and alike things can't cause one another [Pyrrho, by Diog. Laertius]
     Full Idea: The idea of cause is relative to that of which it is the cause, and so has no real existence. …Also cause must either be body causing body, or incorporeal causing incorporeal, and neither of these is possible.
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.11.11
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
We can't say 'necessarily if x is in water then x dissolves' if we can't quantify modally [Quine]
     Full Idea: To say an object is soluble in water is to say that it would dissolve if it were in water,..which implies that 'necessarily if x is in water then x dissolves'. Yet we do not know if there is a suitable sense of 'necessarily' into which we can so quantify.
     From: Willard Quine (Reference and Modality [1953], §4)
     A reaction: This is why there has been a huge revival of scientific essentialism - because Krike seems to offer exacty the account which Quine said was missing. So can you have modal logic without rigid designation?
27. Natural Reality / A. Classical Physics / 1. Mechanics / a. Explaining movement
Motion can't move where it is, and can't move where it isn't, so it can't exist [Pyrrho, by Diog. Laertius]
     Full Idea: Motion is not moved in the place in which it is is, and it is impossible that it should be moved in the place in which it is not, so there is no such thing as motion.
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.11.11