25 ideas
| 1798 | He studied philosophy by suspending his judgement on everything [Pyrrho, by Diog. Laertius] |
| Full Idea: He studied philosophy on the principle of suspending his judgement on all points. | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.3 | |
| A reaction: In what sense was Pyrrho a philosopher, then? He must have asserted SOME generalised judgments. |
| 1800 | Sceptics say reason is only an instrument, because reason can only be attacked with reason [Pyrrho, by Diog. Laertius] |
| Full Idea: The Sceptics say that they only employ reason as an instrument, because it is impossible to overturn the authority of reason, without employing reason. | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.8 |
| 15797 | All structures are dispositional, objects are dispositions sets, and events manifest dispositions [Fetzer] |
| Full Idea: I propose a dispositional ontology for the physical world, according to which a) every structural property is a dispositional one, b) a physical object is an ordered set of dispositions, and c) every event manifests a dispositional property of the world. | |
| From: J.H. Fetzer (A World of Dispositions [1977], Intro) | |
| A reaction: Mumford says this is consistent with ontology as a way of describing the world, rather than being facts about the world. I like Fetzer's sketch, which sounds to have a lot in common with 'process philosophy'. |
| 15800 | All events and objects are dispositional, and hence all structural properties are dispositional [Fetzer] |
| Full Idea: Every atomic event in the world's history is a manifestation of some dispositional property of the world and every physical object is an instantiation of some set of dispositions; hence, every structural property is dispositional in kind. | |
| From: J.H. Fetzer (A World of Dispositions [1977], 5) | |
| A reaction: I quite like this drastic view, but there remains the intuition that there must always be something which has the disposition. That may be because I have not yet digested the lessons of modern physics. |
| 6595 | If we need a criterion of truth, we need to know whether it is the correct criterion [Pyrrho, by Fogelin] |
| Full Idea: Against the Stoics, the Pyrrhonians argued that if someone presents a criterion of truth, then it will be important to determine whether it is the correct criterion. | |
| From: report of Pyrrho (reports [c.325 BCE]) by Robert Fogelin - Walking the Tightrope of Reason Ch.4 | |
| A reaction: Hence Davidson says that attempts to define truth are 'folly'. If something has to be taken as basic, then truth seems a good candidate (since, for example, logical operators could not otherwise be defined by means of 'truth' tables). |
| 6593 | The Pyrrhonians attacked the dogmas of professors, not ordinary people [Pyrrho, by Fogelin] |
| Full Idea: The attacks of the Pyrrhonian sceptics are directed against the dogmas of the 'professors', not against the beliefs of the common people pursuing the business of daily life. | |
| From: report of Pyrrho (reports [c.325 BCE]) by Robert Fogelin - Walking the Tightrope of Reason Ch.4 | |
| A reaction: This may be because they thought that ordinary people were too confused to be worth attacking, rather than because they lived in a state of beautifully appropriate beliefs. Naïve realism is certainly worth attacking. |
| 6592 | Academics said that Pyrrhonians were guilty of 'negative dogmatism' [Pyrrho, by Fogelin] |
| Full Idea: The ancient Academic sceptics charged the Pyrrhonian sceptics with 'negative dogmatism' when they claimed that a certain kind of knowledge is impossible. | |
| From: report of Pyrrho (reports [c.325 BCE]) by Robert Fogelin - Walking the Tightrope of Reason Ch.4 | |
| A reaction: It is this kind of point which should push us towards some sort of rationalism, because certain a priori 'dogmas' seem to be indispensable to get any sort of discussion off the ground. The only safe person is Cratylus (see Idea 578). |
| 1805 | Judgements vary according to local culture and law (Mode 5) [Pyrrho, by Diog. Laertius] |
| Full Idea: Fifth mode: judgements vary according to local custom, law and culture (Persians marry their daughters). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 1807 | Perception varies with viewing distance and angle (Mode 7) [Pyrrho, by Diog. Laertius] |
| Full Idea: Seventh mode: perception varies according to viewing distance and angle (the sun, and a dove's neck). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 1810 | Perception and judgement depend on comparison (Mode 10) [Pyrrho, by Diog. Laertius] |
| Full Idea: Tenth mode: perceptions and judgements depend on comparison (light/heavy, above/below). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 1802 | Individuals vary in responses and feelings (Mode 2) [Pyrrho, by Diog. Laertius] |
| Full Idea: Second mode: individual men vary in responses and feelings (heat and cold, for example). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 1801 | Animals vary in their feelings and judgements (Mode 1) [Pyrrho, by Diog. Laertius] |
| Full Idea: First mode: animals vary in their feelings and judgements (of food, for example). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 1804 | Perception varies with madness or disease (Mode 4) [Pyrrho, by Diog. Laertius] |
| Full Idea: Fourth mode: perceivers vary in their mental and physical state (such as the mad and the sick). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 1808 | Perception of things depends on their size or quantity (Mode 8) [Pyrrho, by Diog. Laertius] |
| Full Idea: Eighth mode: perceptions of things depend on their magnitude or quantity (food and wine). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 1806 | Perception of objects depends on surrounding conditions (Mode 6) [Pyrrho, by Diog. Laertius] |
| Full Idea: Sixth mode: the perception of an object depends on surrounding conditions (sunlight and lamplight). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 1809 | Perception is affected by expectations (Mode 9) [Pyrrho, by Diog. Laertius] |
| Full Idea: Ninth mode: we perceive things according to what we expect (earthquakes and sunshine). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 1803 | Objects vary according to which sense perceives them (Mode 3) [Pyrrho, by Diog. Laertius] |
| Full Idea: Third mode: things like an apple vary according to which sense perceives them (yellow, sweet, and fragrant). | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9 |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 15798 | Kinds are arrangements of dispositions [Fetzer] |
| Full Idea: Kinds of things are specific arrangements of dispositions. | |
| From: J.H. Fetzer (A World of Dispositions [1977], 2) | |
| A reaction: A 'disposition' doesn't seem quite the right word for what is basic to the physical world, though Harré and Madden make a good case for the 'fields' of physic being understood in that way. I prefer 'power', though that doesn't solve anything. |
| 3062 | There are no causes, because they are relative, and alike things can't cause one another [Pyrrho, by Diog. Laertius] |
| Full Idea: The idea of cause is relative to that of which it is the cause, and so has no real existence. …Also cause must either be body causing body, or incorporeal causing incorporeal, and neither of these is possible. | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.11.11 |
| 15799 | Lawlike sentences are general attributions of disposition to all members of some class [Fetzer] |
| Full Idea: Lawlike sentences are conceived as logically general dispositional statements attributing permanent dispositional properties to every member of a reference class. ...Their basic form is that of subjunctive generalizations. | |
| From: J.H. Fetzer (A World of Dispositions [1977], 3) | |
| A reaction: I much prefer talk of 'lawlike sentences' to talk of 'laws'. At least they imply that the true generalisations about nature are fairly fine-grained. Why not talk of 'generalisations' instead of 'laws'? Fetzer wants dispositions to explain everything. |
| 3063 | Motion can't move where it is, and can't move where it isn't, so it can't exist [Pyrrho, by Diog. Laertius] |
| Full Idea: Motion is not moved in the place in which it is is, and it is impossible that it should be moved in the place in which it is not, so there is no such thing as motion. | |
| From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.11.11 |