Combining Texts

All the ideas for 'reports', 'The Sublime and the Good' and 'On Freedom'

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26 ideas

1. Philosophy / D. Nature of Philosophy / 1. Philosophy
He studied philosophy by suspending his judgement on everything [Pyrrho, by Diog. Laertius]
     Full Idea: He studied philosophy on the principle of suspending his judgement on all points.
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.3
     A reaction: In what sense was Pyrrho a philosopher, then? He must have asserted SOME generalised judgments.
2. Reason / A. Nature of Reason / 9. Limits of Reason
Sceptics say reason is only an instrument, because reason can only be attacked with reason [Pyrrho, by Diog. Laertius]
     Full Idea: The Sceptics say that they only employ reason as an instrument, because it is impossible to overturn the authority of reason, without employing reason.
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.8
10. Modality / B. Possibility / 5. Contingency
Necessary truths can be analysed into original truths; contingent truths are infinitely analysable [Leibniz]
     Full Idea: Derivative truths are of two sorts: some are analysed into original truths, others admit of an infinite process of analysis. The former are necessary, the latter are contingent.
     From: Gottfried Leibniz (On Freedom [1689], p.108)
     A reaction: An intriguing proposal. Hume would presumably see contingent truths as being analysed until you reach 'impressions'. Analysis of necessary truths soon comes to the blinding light of what is obvious, but analysis of contingency never gets there.
10. Modality / D. Knowledge of Modality / 2. A Priori Contingent
Only God sees contingent truths a priori [Leibniz]
     Full Idea: Only God sees contingent truths a priori.
     From: Gottfried Leibniz (On Freedom [1689], p.95)
     A reaction: This because everything is interconnected, and the whole picture must be seen to understand a contingent truth.
10. Modality / E. Possible worlds / 3. Transworld Objects / e. Possible Objects
If non-existents are possible, their existence would replace what now exists, which cannot therefore be necessary [Leibniz]
     Full Idea: If certain possibles never exist, then existing things are not always necessary; otherwise it would be impossible for other things to exist instead of them, and so all things that never exist would be impossible.
     From: Gottfried Leibniz (On Freedom [1689], p.106)
     A reaction: A neat argument, though it is not self-evident that when possibles came into existence they would have to replace what is already there. Can't something be possible, but only in another world, because this one is already booked?
13. Knowledge Criteria / A. Justification Problems / 1. Justification / a. Justification issues
If we need a criterion of truth, we need to know whether it is the correct criterion [Pyrrho, by Fogelin]
     Full Idea: Against the Stoics, the Pyrrhonians argued that if someone presents a criterion of truth, then it will be important to determine whether it is the correct criterion.
     From: report of Pyrrho (reports [c.325 BCE]) by Robert Fogelin - Walking the Tightrope of Reason Ch.4
     A reaction: Hence Davidson says that attempts to define truth are 'folly'. If something has to be taken as basic, then truth seems a good candidate (since, for example, logical operators could not otherwise be defined by means of 'truth' tables).
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
The Pyrrhonians attacked the dogmas of professors, not ordinary people [Pyrrho, by Fogelin]
     Full Idea: The attacks of the Pyrrhonian sceptics are directed against the dogmas of the 'professors', not against the beliefs of the common people pursuing the business of daily life.
     From: report of Pyrrho (reports [c.325 BCE]) by Robert Fogelin - Walking the Tightrope of Reason Ch.4
     A reaction: This may be because they thought that ordinary people were too confused to be worth attacking, rather than because they lived in a state of beautifully appropriate beliefs. Naïve realism is certainly worth attacking.
13. Knowledge Criteria / D. Scepticism / 6. Scepticism Critique
Academics said that Pyrrhonians were guilty of 'negative dogmatism' [Pyrrho, by Fogelin]
     Full Idea: The ancient Academic sceptics charged the Pyrrhonian sceptics with 'negative dogmatism' when they claimed that a certain kind of knowledge is impossible.
     From: report of Pyrrho (reports [c.325 BCE]) by Robert Fogelin - Walking the Tightrope of Reason Ch.4
     A reaction: It is this kind of point which should push us towards some sort of rationalism, because certain a priori 'dogmas' seem to be indispensable to get any sort of discussion off the ground. The only safe person is Cratylus (see Idea 578).
13. Knowledge Criteria / E. Relativism / 1. Relativism
Judgements vary according to local culture and law (Mode 5) [Pyrrho, by Diog. Laertius]
     Full Idea: Fifth mode: judgements vary according to local custom, law and culture (Persians marry their daughters).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception varies with viewing distance and angle (Mode 7) [Pyrrho, by Diog. Laertius]
     Full Idea: Seventh mode: perception varies according to viewing distance and angle (the sun, and a dove's neck).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception and judgement depend on comparison (Mode 10) [Pyrrho, by Diog. Laertius]
     Full Idea: Tenth mode: perceptions and judgements depend on comparison (light/heavy, above/below).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Individuals vary in responses and feelings (Mode 2) [Pyrrho, by Diog. Laertius]
     Full Idea: Second mode: individual men vary in responses and feelings (heat and cold, for example).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Animals vary in their feelings and judgements (Mode 1) [Pyrrho, by Diog. Laertius]
     Full Idea: First mode: animals vary in their feelings and judgements (of food, for example).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception varies with madness or disease (Mode 4) [Pyrrho, by Diog. Laertius]
     Full Idea: Fourth mode: perceivers vary in their mental and physical state (such as the mad and the sick).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception of things depends on their size or quantity (Mode 8) [Pyrrho, by Diog. Laertius]
     Full Idea: Eighth mode: perceptions of things depend on their magnitude or quantity (food and wine).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception of objects depends on surrounding conditions (Mode 6) [Pyrrho, by Diog. Laertius]
     Full Idea: Sixth mode: the perception of an object depends on surrounding conditions (sunlight and lamplight).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Perception is affected by expectations (Mode 9) [Pyrrho, by Diog. Laertius]
     Full Idea: Ninth mode: we perceive things according to what we expect (earthquakes and sunshine).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
Objects vary according to which sense perceives them (Mode 3) [Pyrrho, by Diog. Laertius]
     Full Idea: Third mode: things like an apple vary according to which sense perceives them (yellow, sweet, and fragrant).
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.9
21. Aesthetics / B. Nature of Art / 1. Defining Art
We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch]
     Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement.
     From: Iris Murdoch (The Sublime and the Good [1959], p.205)
     A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time.
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Great art proves the absurdity of art for art's sake [Murdoch]
     Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine.
     From: Iris Murdoch (The Sublime and the Good [1959], p.218)
     A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Because art is love, it improves us morally [Murdoch]
     Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental.
     From: Iris Murdoch (The Sublime and the Good [1959], p.218)
     A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'.
Art and morals are essentially the same, and are both identical with love [Murdoch]
     Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals.
     From: Iris Murdoch (The Sublime and the Good [1959], p.215)
     A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music?
22. Metaethics / B. Value / 2. Values / g. Love
Love is realising something other than oneself is real [Murdoch]
     Full Idea: Love is the extremely difficult realisation that something other than oneself is real.
     From: Iris Murdoch (The Sublime and the Good [1959], p.215)
     A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath.
26. Natural Theory / C. Causation / 7. Eliminating causation
There are no causes, because they are relative, and alike things can't cause one another [Pyrrho, by Diog. Laertius]
     Full Idea: The idea of cause is relative to that of which it is the cause, and so has no real existence. …Also cause must either be body causing body, or incorporeal causing incorporeal, and neither of these is possible.
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.11.11
27. Natural Reality / A. Classical Physics / 1. Mechanics / a. Explaining movement
Motion can't move where it is, and can't move where it isn't, so it can't exist [Pyrrho, by Diog. Laertius]
     Full Idea: Motion is not moved in the place in which it is is, and it is impossible that it should be moved in the place in which it is not, so there is no such thing as motion.
     From: report of Pyrrho (reports [c.325 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.11.11
28. God / A. Divine Nature / 3. Divine Perfections
God does everything in a perfect way, and never acts contrary to reason [Leibniz]
     Full Idea: We can regard it as certain that everything is done by God in the most perfect way, that he does nothing which is contrary to reason.
     From: Gottfried Leibniz (On Freedom [1689], p.109)
     A reaction: The famous optimism which Voltaire laughed at in 'Candide'. I can't help thinking that there is an ideal of God being ABOVE reason. We reason, and give reasons, because we are unsure, and life is a struggle. The highest ideal is mystically self-evident.