4 ideas
| 9355 | One sort of circularity presupposes a premise, the other presupposes a rule being used [Braithwaite, by Devitt] |
| Full Idea: An argument is 'premise-circular' if it aims to establish a conclusion that is assumed as a premise of that very argument. An argument is 'rule-circular' if it aims to establish a conclusion that asserts the goodness of the rule used in that argument. | |
| From: report of R.B. Braithwaite (Scientific Explanation [1953], p.274-8) by Michael Devitt - There is no a Priori §2 | |
| A reaction: Rule circularity is the sort of thing Quine is always objecting to, but such circularities may be unavoidable, and even totally benign. All the good things in life form a mutually supporting team. |
| 4042 | Metaphysics requires the idea of people (speakers) located in space and time [Davidson] |
| Full Idea: An intelligible metaphysics will assign a central place to the idea of people (= speakers) with a location in public space and time. | |
| From: Donald Davidson (The Method of Truth in Metaphysics [1977], §III) | |
| A reaction: The 'location' is the interesting bit, requiring people to be bodies, not abstractions. A big, plausible claim, but hard to prove. |
| 4041 | Sentences held true determine the meanings of the words they contain [Davidson] |
| Full Idea: Sentences held true (the linguistic representatives of beliefs) determine the meanings of the words they contain. | |
| From: Donald Davidson (The Method of Truth in Metaphysics [1977], §II) | |
| A reaction: Maybe. Historically, truth and belief presumably precede words and sentences. But words separate off from beliefs very easily. I'm not convinced. Words initiate language, not beliefs? |
| 7270 | Historical interpretation aims to recapture the author's view of the work [Croce] |
| Full Idea: Historical interpretation enables us to see a work of art as its author saw it in the moment of production. | |
| From: Benedetto Croce (Aesthetic as Science of Expression [1902], §II), quoted by W Wimsatt/W Beardsley - The Intentional Fallacy §II | |
| A reaction: Wimsatt and Beardsley quote this as the romantic antithesis of their own view, but there is a blurring between understanding a work and judging. Personally I consider intentions essential for understanding, and valuable for judgement. |