3 ideas
| 9355 | One sort of circularity presupposes a premise, the other presupposes a rule being used [Braithwaite, by Devitt] |
| Full Idea: An argument is 'premise-circular' if it aims to establish a conclusion that is assumed as a premise of that very argument. An argument is 'rule-circular' if it aims to establish a conclusion that asserts the goodness of the rule used in that argument. | |
| From: report of R.B. Braithwaite (Scientific Explanation [1953], p.274-8) by Michael Devitt - There is no a Priori §2 | |
| A reaction: Rule circularity is the sort of thing Quine is always objecting to, but such circularities may be unavoidable, and even totally benign. All the good things in life form a mutually supporting team. |
| 15432 | Structural universals might serve as possible worlds [Forrest, by Lewis] |
| Full Idea: Forrest proposed that structural universals should serve as ersatz possible worlds. | |
| From: report of Peter Forrest (Ways Worlds Could Be [1986]) by David Lewis - Against Structural Universals 'Intro' | |
| A reaction: I prefer powers to property universals. Perhaps a possible world is a maximal set of co-existing dispositions? |
| 20422 | The experience of expression and communication are intermingled in art [Croce] |
| Full Idea: It is very difficult to perceive the frontier between expression and communication in actual fact, for the two processes usually alternate rapidly and are almost intermingled. | |
| From: Benedetto Croce (The Essence of Aesthetic [1912]), quoted by Gary Kemp - Croce and Collingwood | |
| A reaction: [text unsure] I think he is getting at seeing the painting (or whatever) as a physical object, and seeing it as the experience which results from the object. The alternation of the objective and subjective views. Reminds me of Thomas Nagel. |