3 ideas
| 15585 | Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt] |
| Full Idea: In his later work Heidegger came to view philosophy as closer to poetry than to science. | |
| From: report of Martin Heidegger (The Origin of the Work of Art [1935], p.178) by Richard Polt - Heidegger: an introduction 5 'Signs' |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |
| 6231 | There is a self-determing power in each person, which makes them what they are [Cudworth] |
| Full Idea: This hegemonicon (self-power) always determines the passive capability of men's nature one way or other, either for better or for worse; and has a self-forming and self-framing power by which every man is self-made into what he is. | |
| From: Ralph Cudworth (Treatise of Freewill [1688], §X) | |
| A reaction: The idea that we can somehow create our own selves seems to me the core of existentialism, and the opposite of the Aristotelian belief in a fairly fixed human nature. See Stephen Pinker's 'The Blank Slate' for a revival of the old view. |