34 ideas
| 22519 | Philosophers are revealed by their fears [Billington] |
| Full Idea: To understand any philosopher, ask 'What are they afraid of?'. | |
| From: Ray Billington (talk [2010]) | |
| A reaction: Yes! So... Plato - disorder. Aristotle - ignorance. Augustine - sin. Descartes - uncertainty. Spinoza - fragmentation. Leibniz - superficiality. Hume - speculation. Bentham - egotism. Kant - self-deception. Nietzsche - nihilism. Russell - imprecision. |
| 21122 | Liberal Nationalism says welfare states and democracy needed a shared sense of nationality [Shorten] |
| Full Idea: The Liberal Nationalist argument is that if we want to have welfare states or vibrant democracies, then we will need the kind of solidarity that shared nationality fosters. …Unwelcome democratic decisions are more acceptable when made by co-nationals. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 02) | |
| A reaction: We've just experienced this with Brexit (2016), where perfectly sensible decisions were being made in Brussels, but the popular press whipped up hostility because the British had a restricted role in the decisions. Prefer our idiots to their sages. |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| Full Idea: Classes can share properties with their members (e.g. the class of big things is big), but this is very rare. ....In the case of both universals and types, there will be shared properties. Red things can be exhilarating, and so can redness. | |
| From: Richard Wollheim (Art and Its Objects [1968], 92) | |
| A reaction: 'Exhilarating' is an extrinsic property, so not the best illustration. This is interesting, but would need checking with a wide range of examples. (Too busy for that right now) |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| Full Idea: Much of the time we think and talk of a type as though it were itself a kind of token. | |
| From: Richard Wollheim (Art and Its Objects [1968], 35) | |
| A reaction: A helpful way of connecting what I call 'objectification' to the more conventional modern philosophical vocabulary. Thus I might claim that beauty is superior to truth, as if they were two tokens. |
| 21136 | Utilitarians conflate acts and omissions; causing to drown and failing to save are the same [Shorten] |
| Full Idea: Most uitlitarians do not distinguish between acts and omissions, and see no morally relevant difference between walking past a drowning child and pushing a child into a pond. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 09) | |
| A reaction: He cites Peter Singer as an instance. The notorious Trolley Problem focuses on such issues. Michael Sandel in 'Justice' is good on that. If motive and intention matter, the two cases could be very different. Too timid to push, but also too timid to help? |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| Full Idea: We could not have a feeling for the beauties of art unless we had been correspondingly moved in front of nature. | |
| From: Richard Wollheim (Art and Its Objects [1968], 43) | |
| A reaction: Wollheim offers this in defence of Kant's view, without necessarily agreeing. Similarly one could hardly care for fictional characters, but not for real people. So the aesthetic attitude may arise from life, rather than from art. Is art hence unimportant? |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| Full Idea: Performative interpretation occurs only with certain arts, but critical intepretation pertains to all. | |
| From: Richard Wollheim (Art and Its Objects [1968], 38) | |
| A reaction: Fairly obvious, but this is the first point to make about the concept of 'interpretation'. Does the word in fact have two meanings? Or do I perform a painting when I look carefully at it? |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| Full Idea: Maybe, rather than defining art, it would be more fruitful, and more realistic, to seek a general method of identifying works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 60) | |
| A reaction: The whole enterprise is ruined by Marcel Duchamp! I'm more interested in identifying or defining good art. |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| Full Idea: It is said that beauty cannot consist in organisation because, if it did, we would not be able to predicate beauty of totally simple objects. | |
| From: Richard Wollheim (Art and Its Objects [1968], 59) | |
| A reaction: [He says this idea originates in Plotinus] I'm struggling to think of an example of something which is 'totally' simple and beautiful. Maybe a patch of colour like the breast of a bullfinch? |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| Full Idea: The view that a work of art expresses nothing if it can't be put into other words ...is reduced by the view that a work of art has no value if what it expresses or says can be put into (other) words. | |
| From: Richard Wollheim (Art and Its Objects [1968], 49) | |
| A reaction: I prefer the second view. Poetry is what is lost in translation. Good art actually seems to evoke emotions which one virtually never feels in ordinary life. But how could that be possible? What are those emotions doing there? |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| Full Idea: The argument that works of art have properties that physical objects could not have characteristically concentrates on the expressive properties of works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 10) | |
| A reaction: Since the idea of an object having non-physical properties strikes me as ridiculous, this gets off to a bad start. If artworks are abstract objects, then all of their properties are non-physical. |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| Full Idea: 'Style' would seem to be a concept that cannot be applied to a work solely on the basis of what is represented and yet it is also essential to a proper understanding or appreciation of a work. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Sounds right. One long held musical note creates an expectation which depends on the presumed style of the piece of music. A single bar from a piece may well not exhibit its characteristic style. |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| Full Idea: From Aristotle onwards it has been a tenet of the traditional rhetoric that the proper understanding of a literary work involves the location of it in the correct genre, that is, as drama, epic or lyric. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Walton argues this persuasively. I've seen the climax of a Jacobean tragedy ruined by laughter from the audience. Genre dictates appropriate responses, so it is a communal concept. |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| Full Idea: In denying that works of art are physical objects, one theory (the 'ideal') withdraws them altogether from experience, and a second theory ('phenomenal') pins them too it inescapably and at all points. | |
| From: Richard Wollheim (Art and Its Objects [1968], 21) | |
| A reaction: I incline towards them being transient ideals, created by human minds. As with so much, we idealise and objectify them as 'works', and abstract their image from the instance(s) we encounter. |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| Full Idea: The ideal theory of Croce and Collingwood says art is first an inner intuition or expression of the artist, resulting from a particular process of organisation and unification, which can be externalised in public form. | |
| From: Richard Wollheim (Art and Its Objects [1968], 22) | |
| A reaction: [compressed] As stated this doesn't sound very controversial or 'ideal'. I take it the theory is intended to be more platonist than this expression of it suggests. I think the idea that it is an 'expression' of the artist is wrong. |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| Full Idea: Because the ideal theory makes a work of art inner or mental, the link between the artist and the audience has been severed .....and it also totally ignores the significance of the medium. | |
| From: Richard Wollheim (Art and Its Objects [1968], 23) | |
| A reaction: Emily Dickinson had virtually no audience for her poetry. The medium used to perform Bach's 'Art of Fugue' seems unimportant. For paintings of painterly painters paint matters. For some visual art many different media will suffice. |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| Full Idea: With the usual reservations, there is nothing that can be predicated of a performance of a piece of music that could not also be predicated of that piece of music itself. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: He offers this as evidence that it fits the performance being a token, and music (and all other art) being a type. There are quite a few 'reservations'. Music too difficult to perform. Great music always badly performed. |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| Full Idea: Interpretation may be regarded as the production of a token that has properties in excess of those of the type. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: I suppose so. If you play accurately everything that is written in the score, then anything else has to be an addition. If you play less than the score, you aren't quite playing that piece of music. |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| Full Idea: It is necessary, if a drawing is to represent Napoleon, that the draughtsman should intend it to be Napoleon. | |
| From: Richard Wollheim (Art and Its Objects [1968], 13) | |
| A reaction: Does a perfect and intended representation of a person also count as a representation of the person's identical twin? The families of both might well order copies. |
| 21135 | There are eight different ways in which groups of people can be oppressed [Shorten, by PG] |
| Full Idea: Groups can be oppressed in seven different ways: by violence, marginalisation, powerlessness, cultural domination, exploitation, stigmatisation, neglect of interests, and lack of egalitarian ethos. | |
| From: report of Andrew Shorten (Contemporary Political Theory [2016], 08) by PG - Db (ideas) | |
| A reaction: [my summary of Shorten's summary] These headings seem to overlap somewhat. It strengthens my growing view that if one builds a political philosophy around the supreme virtue of respect, then all of these modes of oppression are undermined. |
| 21118 | Constitutional Patriotism unites around political values (rather than national identity) [Shorten] |
| Full Idea: 'Constitutional patriots' favour a 'post-national' form of political identity in which members share common political values, but not necessarily a common national identity. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 02) | |
| A reaction: Interesting. Not sure if you can keep political values distinct from community values. In theory it is an approach designed for cultural pluralism. But if the political values are liberal that implies cultural freedoms for (e.g.) women. |
| 21129 | Democracy is a method of selection, or it involves participation, or it concerns public discussion [Shorten] |
| Full Idea: Competitive democrats believe that democracy is simply a method for selecting political leaders …Participatory democrats associate the democratic ideal with living in a participatory society …Deliberative democrats identify public reasoning as key. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 05) | |
| A reaction: Personally I would favour public discussion, but that is the last thing leaders want, especially if they are not very knowledgeable or clever. |
| 21130 | Some say democracy is intrinsically valuable, others that it delivers good outcomes [Shorten] |
| Full Idea: Some theorist think that democracy is intrinsically valuable, but others believe that it is valuable because it delivers good outcomes. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 05) | |
| A reaction: It is hard to see how the majority having a dictatorship over the minority could be an intrinsic good. If we start with respect as the supreme social virtue, then participation and public discussion might be intrinsic goods. |
| 21126 | Representative should be either obedient, or sensible, or typical [Shorten] |
| Full Idea: Mandate Representation says they are delegates who should not deviate from instructions; Trustee says they use their discretion and judgement; Descriptive says they share group characteristics. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 04) | |
| A reaction: [compressed] There is also being a representative because you have an audience (such as celebrity campains). The second type was famously defended by Edmund Burke. The third implies being the same colour, or gender, or religion. |
| 21128 | There is 'mirror representation' when the institution statistically reflects the population [Shorten] |
| Full Idea: The general theory of 'mirror representation' says that a representative body or institution should be a statistically accurate sample of the wider society it represents. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 04) | |
| A reaction: How fine-grained should this be in accuracy. Should every small minority have at least one rep? Can't reps be trusted to speak for people a bit different from themselves? Maybe not! He quotes Mirabeau in support of this idea. |
| 21127 | In a changed situation a Mandated Representative can't keep promises and fight for constituents [Shorten] |
| Full Idea: An important tension in Mandate Representation seemingly requires politicians to both uphold their electoral promises and promote the interests of their constituents. These can conflict, with changed circumstances or information. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 04 Box 4.1) | |
| A reaction: So be careful what you promise, and don't take on a party loyalty that conflicts with your constituents' interests. Easy. |
| 21117 | Liberal citizens have a moral requirement to respect freedom and equality [Shorten] |
| Full Idea: The liberal theory of political community contains a moral thesis which says that members should share a moral concern for one another as free and equal citizens. …Citizens are not required to have much else in common with one another. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 02) | |
| A reaction: A key thought. Liberal hearts swell with pride at the first half, but anti-liberals are interested in the second bit. If my neighbour lives in miserable poverty, should I only ask whether they are 'equal and free'? Respect everything! |
| 21134 | Maybe the rational autonomous liberal individual is merely the result of domination [Shorten] |
| Full Idea: On a radical reading of Foucault, the very ideal of a rational, autonomous moral agent that lies at the heart of liberal governmentality is nothing more than the effect of a particular form of domination. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 06) | |
| A reaction: [Apologies for the word 'governmentality'; I'm just the messenger] Presumably Foucault's philosophy is also the result of domination, so it is hard to know where to start. The status of rationality is the central issue. |
| 21113 | Liberal equality concerns rights, and liberal freedom concerns choice of ends [Shorten] |
| Full Idea: A liberal society treats people as equals by equipping them with the same set of rights, and it respects their freedom by allowing them to choose their own freely chosen ends. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 01) | |
| A reaction: Equality of rights is fairly standard in any modern society (at least in principle). Freedom of ends is trickier. You can dismiss someone sleeping in the gutter as living a life that resulted from their choices. How many people have clear goals in life? |
| 21121 | Liberal Nationalism encourages the promotion of nationalistic values [Shorten] |
| Full Idea: 'Liberal nationalists' say liberalism is compatible with promoting nationality, by teaching national history and literature and supporting its language. Compatriot priority adds that the needs of compatriots can override those of foreigners. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 02) | |
| A reaction: [compressed] As a teacher of literature I always preferred to teach the literature of my own country, but without considering the reasons for it. But it was a combination of pride in my people's achievements, and a desire to strengthen social bonds. |
| 21115 | Liberalism should not make assumptions such as the value of choosing your own life plan [Shorten] |
| Full Idea: Communitarians say that liberalism could only justified by appealing to controversial assumptions that are not universally shared, such as the significance of choosing one's own plan of life. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 01) | |
| A reaction: In the past, at least, huge numbers of people have been perfectly happy living a life designed for them by their parents. It is not much consolation for a disastrous life that at least you planned it yourself. Liberal values are not self-evident. |
| 21114 | Liberals treat individuals as mutual strangers, rather than as social beings [Shorten] |
| Full Idea: Communitarians say that liberalism treats individuals as strangers to one another, and underestimates the extent to which individuals are 'constituted' by their societies and social memberships. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 01) | |
| A reaction: On the other hand you can have 'too much community'. Surely the test for any political system is the quality of lives led by individual citizens? There can never be a wonderful community full of miserable citizens. |
| 21123 | Liberal Nationalism is more communitarian, and Constitutional Patriotism more cosmopolitan [Shorten] |
| Full Idea: While Liberal Nationalists push liberalism in a particularist and communitarian direction, Constitutional Patriots emphasise its universalistic and cosmopolitan aspects. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 02) | |
| A reaction: So many attractive qualities to choose from! A tolerant community ought to be cosmopolitan. Being universalistic should not entail a neglect of the particular. Etc. |
| 21124 | Religious toleration has been institutionalised by the separation of church and state [Shorten] |
| Full Idea: One historically influential solution to the discord unleashed by the fact of religious diversity was to institutionalise the principle of toleration by separating church and state. | |
| From: Andrew Shorten (Contemporary Political Theory [2016], 03) | |
| A reaction: In 2018 Britain we still have an established religion (Anglicanism - Episcopalianism in the US), but toleration has arrived with the decline of religious belief. It must still be tough for Muslims, Jews etc to see a different religion as the official one. |