Combining Texts

All the ideas for 'works', 'Papancasudani' and 'Aesthetics'

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12 ideas

6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / g. Real numbers
Descartes showed a one-one order-preserving match between points on a line and the real numbers [Descartes, by Hart,WD]
     Full Idea: Descartes founded analytic geometry on the assumption that there is a one-one order-preserving correspondence between the points on a line and the real numbers.
     From: report of René Descartes (works [1643]) by William D. Hart - The Evolution of Logic 1
9. Objects / B. Unity of Objects / 2. Substance / e. Substance critique
Descartes thinks distinguishing substances from aggregates is pointless [Descartes, by Pasnau]
     Full Idea: Descartes thinks it is a pointless relic of scholastic metaphysics to dispute over the boundaries between substances and mere aggregates.
     From: report of René Descartes (works [1643]) by Robert Pasnau - Metaphysical Themes 1274-1671 25.6
     A reaction: This is Pasnau's carefully considered conclusion, with which others may not agree. It presumably captures the attitude of modern science generally to such issues.
12. Knowledge Sources / B. Perception / 3. Representation
Descartes said images can refer to objects without resembling them (as words do) [Descartes, by Tuck]
     Full Idea: Descartes argued (in 'The World') that just as words refer to objects, but they do not resemble them, in the same way, visual images or other sensory inputs relate to objects without depicting them.
     From: report of René Descartes (works [1643]) by Richard Tuck - Hobbes
     A reaction: This strikes me as a rather significant and plausible claim, which might contain the germ of the idea of a language of thought. It is also the basis for the recent view that language is the best route to understanding the mind.
16. Persons / F. Free Will / 4. For Free Will
We have inner awareness of our freedom [Descartes]
     Full Idea: We have inner awareness of our freedom.
     From: René Descartes (works [1643])
     A reaction: This begs a few questions. I may be directly aware that I have not been hypnotised, but no one would accept it as proof.
17. Mind and Body / A. Mind-Body Dualism / 2. Interactionism
Descartes discussed the interaction problem, and compared it with gravity [Descartes, by Lycan]
     Full Idea: Descartes himself was well aware of the interaction problem, and corresponded uncomfortably with Princess Elizabeth on the matter; …he pointed out that gravity is causal despite not being a physical object.
     From: report of René Descartes (works [1643]) by William Lycan - Consciousness n1.3
     A reaction: Lycan observes that at least gravity is in space-time, unlike the Cartesian mind. Pierre Gassendi had pointed out the problem to Descartes in the Fifth Objection to the 'Meditations' (see Idea 3400).
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
     Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity.
     From: Sebastian Gardner (Aesthetics [1995], Intro)
     A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
     Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object.
     From: Sebastian Gardner (Aesthetics [1995], 2.2)
     A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
     Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response.
     From: Sebastian Gardner (Aesthetics [1995], 1.2.3)
     A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you.
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]
     Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance.
     From: Sebastian Gardner (Aesthetics [1995], 1.1)
     A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples.
25. Social Practice / F. Life Issues / 1. Causing Death
Human killing is worse if the victim is virtuous [Buddhaghosa]
     Full Idea: In the case of humans killing is the more blameworthy the more virtuous the victim is.
     From: Buddhaghosa (Papancasudani [c.400], 9.7-10)
     A reaction: This sentiment has almost become a taboo in western society, and yet it is present all the time. The greatest outcry is about murders of really good citizens. Occasionally the murder of a villain causes little regret.
26. Natural Theory / A. Speculations on Nature / 1. Nature
Nature is devoid of thought [Descartes, by Meillassoux]
     Full Idea: It is Descartes who ratifies the idea that nature is devoid of thought.
     From: report of René Descartes (works [1643]) by Quentin Meillassoux - After Finitude; the necessity of contingency 5
     A reaction: His dualism is crucial, along with his ontological argument, because they make all mentality supernatural. Remember, for Descartes animals are mindless machines.
26. Natural Theory / A. Speculations on Nature / 7. Later Matter Theories / c. Matter as extension
Matter can't just be Descartes's geometry, because a filler of the spaces is needed [Robinson,H on Descartes]
     Full Idea: Notoriously, the Cartesian idea that matter is purely geometrical will not do, for it leaves no distinction between matter and empty volumes: a filler for these volumes is required.
     From: comment on René Descartes (works [1643]) by Howard Robinson - Perception IX.3
     A reaction: Descartes thinks of matter as 'extension'. Descartes's error seems so obvious that it is a puzzle why he made it. He may have confused epistemology and ontology - all we can know of matter is its extension in space.