40 ideas
| 3656 | The greatest good for a state is true philosophers [Descartes] |
| Full Idea: The greatest good which can exist in a state is to have true philosophers. | |
| From: René Descartes (Principles of Philosophy [1646], Pref) | |
| A reaction: …because they understand true reality, especially the Good. |
| 16744 | All powers can be explained by obvious features like size, shape and motion of matter [Descartes] |
| Full Idea: There are no powers in stones and plants that are not so mysterious that they cannot be explained …from principles that are known to all and admitted by all, namely the shape, size, position, and motion of particles of matter. | |
| From: René Descartes (Principles of Philosophy [1646], IV.187), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 23.6 | |
| A reaction: This is an invocation of 'categorical' properties, against dispositions. I take this to be quite wrong. The explanation goes the other way. What supports the structures; what drives the motion; what initiates anything? |
| 5016 | Five universals: genus, species, difference, property, accident [Descartes] |
| Full Idea: The five commonly enumerated universals are: genus, species, difference, property and accident. | |
| From: René Descartes (Principles of Philosophy [1646], I.59) | |
| A reaction: Interestingly, this seems to be Descartes passing on his medieval Aristotelian inheritance, in which things are defined by placing them in a class, and then noting what distinguishes them within that class. |
| 5015 | A universal is a single idea applied to individual things that are similar to one another [Descartes] |
| Full Idea: Universals arise solely from the fact that we avail ourselves of one idea in order to think of all individual things that have a certain similitude. When we understand under the same name all the objects represented by this idea, that name is universal. | |
| From: René Descartes (Principles of Philosophy [1646], I.59) | |
| A reaction: Judging by the boldness of the pronouncement, it looks as if Descartes hasn't recognised the complexity of the problem. How do we spot a 'similarity', especially an abstraction like 'tool' or 'useful'? This sounds like Descartes trying to avoid Platonism. |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| Full Idea: Classes can share properties with their members (e.g. the class of big things is big), but this is very rare. ....In the case of both universals and types, there will be shared properties. Red things can be exhilarating, and so can redness. | |
| From: Richard Wollheim (Art and Its Objects [1968], 92) | |
| A reaction: 'Exhilarating' is an extrinsic property, so not the best illustration. This is interesting, but would need checking with a wide range of examples. (Too busy for that right now) |
| 16630 | If we perceive an attribute, we infer the existence of some substance [Descartes] |
| Full Idea: Based on perceiving the presence of some attribute, we conclude there must also be present an existing thing or substance to which it can be attributed. | |
| From: René Descartes (Principles of Philosophy [1646], I.52), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 08.1 | |
| A reaction: A rainbow might be a tricky case. This illustrates the persistent belief in substances, even among philosophers who embraced the new corpuscular and mechanistic view of matter. |
| 5013 | A substance needs nothing else in order to exist [Descartes] |
| Full Idea: By substance we can understand nothing else than a thing which so exists that it needs no other thing in order to exist. | |
| From: René Descartes (Principles of Philosophy [1646], I.51) | |
| A reaction: Properties, of course, are the things which have dependent existence. Can properties be reduced to substances (e.g. by adopting a materialist theory of mind)? Note that Descartes does not think that substances depend on God for existence. |
| 16633 | A substance has one principal property which is its nature and essence [Descartes] |
| Full Idea: Each substance has one principal property that constitutes its nature and essence, to which all its other properties are referred. Extension in length, breadth, and depth constitutes the nature of corporeal substance; and thought of thinking substances. | |
| From: René Descartes (Principles of Philosophy [1646], I.53), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 08.3 | |
| A reaction: Property is likely to be 'propria', which is a property distinctive of some thing, not just any old modern property. This is quite a strikingly original view of the nature of essence. Descartes despised 'substantial forms'. |
| 3658 | Total doubt can't include your existence while doubting [Descartes] |
| Full Idea: He who decides to doubt everything cannot nevertheless doubt that he exists while he doubts. | |
| From: René Descartes (Principles of Philosophy [1646], Pref) |
| 5005 | I think, therefore I am, because for a thinking thing to not exist is a contradiction [Descartes] |
| Full Idea: There is a contradiction in conceiving that what thinks does not (at the same time as it thinks) exist. Hence this conclusion I think, therefore I am, is the first and most certain that occurs to one who philosophises in an orderly way. | |
| From: René Descartes (Principles of Philosophy [1646], I.07) | |
| A reaction: The classic statement of his argument. The significance here is that it seems to have the structure of an argument, as it involves 'philosophising', which leads to a 'contradiction', and hence to the famous conclusion. It is not just intuitive. |
| 5006 | 'Thought' is all our conscious awareness, including feeling as well as understanding [Descartes] |
| Full Idea: By the word 'thought' I understand everything we are conscious of as operating in us. And that is why not only understanding, willing, imagining, but also feeling, are here the same thing as thinking. | |
| From: René Descartes (Principles of Philosophy [1646], I.09) | |
| A reaction: There is a bit of tension here between Descartes' correct need to include feeling in thought for his Cogito argument, and his tendency to dismiss animal consciousness, on the grounds that they only sense things, and don't make judgements. |
| 5012 | 'Nothing comes from nothing' is an eternal truth found within the mind [Descartes] |
| Full Idea: The proposition 'nothing comes from nothing' is not to be considered as an existing thing, or the mode of a thing, but as a certain eternal truth which has its seat in our mind and is a common notion or axiom. | |
| From: René Descartes (Principles of Philosophy [1646], I.49) | |
| A reaction: There is a tension here, in his assertion that it is 'eternal', but 'not existing'. How does one distinguish an innate idea from an innate truth? 'Eternal' sounds like an external guarantee of truth, but being 'in our mind' sounds less reliable. |
| 5004 | We can know basic Principles without further knowledge, but not the other way round [Descartes] |
| Full Idea: It is on the Principles, or first causes, that the knowledge of other things depends, so the Principles can be known without these last, but the other things cannot reciprocally be known without the Principles. | |
| From: René Descartes (Principles of Philosophy [1646], Pref) | |
| A reaction: A particularly strong assertion of foundationalism, as it says that not only must the foundations exist, but also we must actually know them. This sounds false, as elementary knowledge then seems to require far too much sophistication. |
| 5014 | We can understand thinking occuring without imagination or sensation [Descartes] |
| Full Idea: We can understand thinking without imagination or sensation, as is quite clear to anyone who attends to the matter. | |
| From: René Descartes (Principles of Philosophy [1646], I.53) | |
| A reaction: We may certainly take it that Descartes means if it is understandable then it is logically possible. To believe that thinking could occur without imagination strikes me as an astonishing error. I take imagination to be more central than understanding. |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| Full Idea: Much of the time we think and talk of a type as though it were itself a kind of token. | |
| From: Richard Wollheim (Art and Its Objects [1968], 35) | |
| A reaction: A helpful way of connecting what I call 'objectification' to the more conventional modern philosophical vocabulary. Thus I might claim that beauty is superior to truth, as if they were two tokens. |
| 5017 | In thinking we shut ourselves off from other substances, showing our identity and separateness [Descartes] |
| Full Idea: Because each one of us understands what he thinks, and that in thinking he can shut himself off from every other substance, we may conclude that each of us is really distinct from every other thinking substance and from corporeal substance. | |
| From: René Descartes (Principles of Philosophy [1646], I.60) | |
| A reaction: This seems to be a novel argument which requires elucidation. I can 'shut myself off from every other substance'? If I shut myself off from thinking about food, does that mean hunger is not part of me? Or convince yourself that you don't have a brother? |
| 5010 | Our free will is so self-evident to us that it must be a basic innate idea [Descartes] |
| Full Idea: It is so evident that we are possessed of a free will that can give or withhold its assent, that this may be counted as one of the first and most common notions found innately in us. | |
| From: René Descartes (Principles of Philosophy [1646], I.39) | |
| A reaction: It seems to me plausible to say that we have an innate conception of our own will (our ability to make decisions), though Hume says we only learn about the will from experience, but the idea that it is absolutely 'free' might never cross our minds. |
| 5011 | There are two ultimate classes of existence: thinking substance and extended substance [Descartes] |
| Full Idea: I observe two ultimate classes of things: intellectual or thinking things, pertaining to the mind or to thinking substance, and material things, pertaining to extended substance or to body. | |
| From: René Descartes (Principles of Philosophy [1646], I.48) | |
| A reaction: This is clear confirmation that Descartes believed the mind is a substance, rather than an insubstantial world of thinking. It leaves open the possibility of a different theory: that mind is not a substance, but is a Platonic adjunct to reality. |
| 5018 | Even if tightly united, mind and body are different, as God could separate them [Descartes] |
| Full Idea: Even if we suppose God had united a body and a soul so closely that they couldn't be closer, and made a single thing out of the two, they would still remain distinct, because God has the power of separating them, or conserving out without the other. | |
| From: René Descartes (Principles of Philosophy [1646], I.60) | |
| A reaction: If Descartes lost his belief in God (after discussing existence with Kant) would he cease to be a dualist? This quotation seems to be close to conceding a mind-body relationship more like supervenience than interaction. |
| 5007 | Most errors of judgement result from an inaccurate perception of the facts [Descartes] |
| Full Idea: What usually misleads us is that we very frequently form a judgement although we do not have an accurate perception of what we judge. | |
| From: René Descartes (Principles of Philosophy [1646], I.33) | |
| A reaction: This seems to me a generally accurate observation, particularly in the making of moral judgements (which was probably not what Descartes was considering). The implication is that judgements are to a large extent forced by our perceptions. |
| 5009 | We do not praise the acts of an efficient automaton, as their acts are necessary [Descartes] |
| Full Idea: We do not praise automata, although they respond exactly to the movements they were designed to produce, since their actions are performed necessarily | |
| From: René Descartes (Principles of Philosophy [1646], I.37) | |
| A reaction: I say we attribute responsibility when we perceive something like a 'person' as causing them. We don't blame small animals, because there is 'no one at home', but we blame children as they develop a full character and identity. We can ignore free will. |
| 5008 | The greatest perfection of man is to act by free will, and thus merit praise or blame [Descartes] |
| Full Idea: That the will should extend widely accords with its nature, and it is the greatest perfection in man to be able to act by its means, that is, freely, and by so doing we are in peculiar way masters of our actions, and thereby merit praise or blame. | |
| From: René Descartes (Principles of Philosophy [1646], I.37) | |
| A reaction: This seems to me to be a deep-rooted and false understanding which philosophy has inherited from theology. It doesn't strike me that there must an absolute 'buck-stop' to make us responsible. Why is it better for a decision to appear out of nowhere? |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| Full Idea: Performative interpretation occurs only with certain arts, but critical intepretation pertains to all. | |
| From: Richard Wollheim (Art and Its Objects [1968], 38) | |
| A reaction: Fairly obvious, but this is the first point to make about the concept of 'interpretation'. Does the word in fact have two meanings? Or do I perform a painting when I look carefully at it? |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| Full Idea: We could not have a feeling for the beauties of art unless we had been correspondingly moved in front of nature. | |
| From: Richard Wollheim (Art and Its Objects [1968], 43) | |
| A reaction: Wollheim offers this in defence of Kant's view, without necessarily agreeing. Similarly one could hardly care for fictional characters, but not for real people. So the aesthetic attitude may arise from life, rather than from art. Is art hence unimportant? |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| Full Idea: Maybe, rather than defining art, it would be more fruitful, and more realistic, to seek a general method of identifying works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 60) | |
| A reaction: The whole enterprise is ruined by Marcel Duchamp! I'm more interested in identifying or defining good art. |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| Full Idea: It is said that beauty cannot consist in organisation because, if it did, we would not be able to predicate beauty of totally simple objects. | |
| From: Richard Wollheim (Art and Its Objects [1968], 59) | |
| A reaction: [He says this idea originates in Plotinus] I'm struggling to think of an example of something which is 'totally' simple and beautiful. Maybe a patch of colour like the breast of a bullfinch? |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| Full Idea: The view that a work of art expresses nothing if it can't be put into other words ...is reduced by the view that a work of art has no value if what it expresses or says can be put into (other) words. | |
| From: Richard Wollheim (Art and Its Objects [1968], 49) | |
| A reaction: I prefer the second view. Poetry is what is lost in translation. Good art actually seems to evoke emotions which one virtually never feels in ordinary life. But how could that be possible? What are those emotions doing there? |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| Full Idea: The argument that works of art have properties that physical objects could not have characteristically concentrates on the expressive properties of works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 10) | |
| A reaction: Since the idea of an object having non-physical properties strikes me as ridiculous, this gets off to a bad start. If artworks are abstract objects, then all of their properties are non-physical. |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| Full Idea: 'Style' would seem to be a concept that cannot be applied to a work solely on the basis of what is represented and yet it is also essential to a proper understanding or appreciation of a work. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Sounds right. One long held musical note creates an expectation which depends on the presumed style of the piece of music. A single bar from a piece may well not exhibit its characteristic style. |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| Full Idea: From Aristotle onwards it has been a tenet of the traditional rhetoric that the proper understanding of a literary work involves the location of it in the correct genre, that is, as drama, epic or lyric. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Walton argues this persuasively. I've seen the climax of a Jacobean tragedy ruined by laughter from the audience. Genre dictates appropriate responses, so it is a communal concept. |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| Full Idea: In denying that works of art are physical objects, one theory (the 'ideal') withdraws them altogether from experience, and a second theory ('phenomenal') pins them too it inescapably and at all points. | |
| From: Richard Wollheim (Art and Its Objects [1968], 21) | |
| A reaction: I incline towards them being transient ideals, created by human minds. As with so much, we idealise and objectify them as 'works', and abstract their image from the instance(s) we encounter. |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| Full Idea: The ideal theory of Croce and Collingwood says art is first an inner intuition or expression of the artist, resulting from a particular process of organisation and unification, which can be externalised in public form. | |
| From: Richard Wollheim (Art and Its Objects [1968], 22) | |
| A reaction: [compressed] As stated this doesn't sound very controversial or 'ideal'. I take it the theory is intended to be more platonist than this expression of it suggests. I think the idea that it is an 'expression' of the artist is wrong. |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| Full Idea: Because the ideal theory makes a work of art inner or mental, the link between the artist and the audience has been severed .....and it also totally ignores the significance of the medium. | |
| From: Richard Wollheim (Art and Its Objects [1968], 23) | |
| A reaction: Emily Dickinson had virtually no audience for her poetry. The medium used to perform Bach's 'Art of Fugue' seems unimportant. For paintings of painterly painters paint matters. For some visual art many different media will suffice. |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| Full Idea: With the usual reservations, there is nothing that can be predicated of a performance of a piece of music that could not also be predicated of that piece of music itself. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: He offers this as evidence that it fits the performance being a token, and music (and all other art) being a type. There are quite a few 'reservations'. Music too difficult to perform. Great music always badly performed. |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| Full Idea: Interpretation may be regarded as the production of a token that has properties in excess of those of the type. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: I suppose so. If you play accurately everything that is written in the score, then anything else has to be an addition. If you play less than the score, you aren't quite playing that piece of music. |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| Full Idea: It is necessary, if a drawing is to represent Napoleon, that the draughtsman should intend it to be Napoleon. | |
| From: Richard Wollheim (Art and Its Objects [1968], 13) | |
| A reaction: Does a perfect and intended representation of a person also count as a representation of the person's identical twin? The families of both might well order copies. |
| 15987 | Physics only needs geometry or abstract mathematics, which can explain and demonstrate everything [Descartes] |
| Full Idea: I do not accept or desire any other principle in physics than in geometry or abstract mathematics, because all the phenomena of nature may be explained by their means, and sure demonstrations can be given of them. | |
| From: René Descartes (Principles of Philosophy [1646], 2.64), quoted by Peter Alexander - Ideas, Qualities and Corpuscles 7 | |
| A reaction: This is his famous and rather extreme view, which might be described as hyper-pythagoreanism (by adding geometry to numbers). It seems to leave out matter, forces and activity. |
| 12730 | We will not try to understand natural or divine ends, or final causes [Descartes] |
|
Full Idea:
We will not seek for the reason of natural things from the end which God or nature has set before him in their creation |
|
| From: René Descartes (Principles of Philosophy [1646], §28) | |
| A reaction: Teleology is more relevant to biology than to the other sciences, and it is hard to understand an eye without a notion of 'what it is for'. Planetary motion reveals nothing about purposes. If you demand a purpose, it becomes more baffling. |
| 16601 | Matter is not hard, heavy or coloured, but merely extended in space [Descartes] |
| Full Idea: The nature of matter, or body viewed as a whole, consists not in its being something which is hard, heavy, or colored, or which in any other way affects the senses, but only in its being a thing extended in length, breadth and depth. | |
| From: René Descartes (Principles of Philosophy [1646], 2.4), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 04.5 |
| 16714 | The state should kill blasphemous heretics [Erasmus] |
| Full Idea: It is necessary for the preservation of the state to kill heretics that are blasphemous and seditious. | |
| From: Desiderius Erasmus (works [1506]), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 20.2 | |
| A reaction: He was much more tolerant of heretics who kept quiet. |