5 ideas
| 3643 | The concept of mind excludes body, and vice versa [Descartes] |
| Full Idea: The concept of body includes nothing at all which belongs to the mind, and the concept of mind includes nothing at all which belongs to the body. | |
| From: René Descartes (Reply to Fourth Objections [1641], 225) | |
| A reaction: A headache? Hunger? The mistake, I think, is to regard the mind as entirely conscious, thus creating a sharp boundary between two aspects of our lives. As shown by blindsight, I take many of my central mental operations to be pre- or non-conscious. |
| 22244 | 'Partial reference' is when the subject thinks two objects are one object [Field,H, by Recanati] |
| Full Idea: A subject's thought is about A, but, unbeknownst to the subject, B is substituted for A. Then there is Field's 'partial reference', because the subject's thought is still partially about A, even though they are following B. | |
| From: report of Hartry Field (Theory Change and the Indeterminacy of Reference [1973]) by François Recanati - Mental Files in Flux 2 | |
| A reaction: Used to interpret a well-known case: Wally says of Udo 'he needs a haircut'; Zach looks at someone else and says 'he sure does'. Recanati explains it by mental files. |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |