Combining Texts

All the ideas for 'Reply to Fourth Objections', 'Chapters on Scepticism' and 'The Principles of Art'

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5 ideas

15. Nature of Minds / A. Nature of Mind / 4. Other Minds / b. Scepticism of other minds
If we can't know minds, we can't know if Pyrrho was a sceptic [Theodosius, by Diog. Laertius]
     Full Idea: We can't say the school of Pyrrho is sceptical, because the motion of the mind in each individual is incomprehensible to others, so we don't know Pyrrho's disposition.
     From: report of Theodosius (Chapters on Scepticism [c.100 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.8
17. Mind and Body / E. Mind as Physical / 6. Conceptual Dualism
The concept of mind excludes body, and vice versa [Descartes]
     Full Idea: The concept of body includes nothing at all which belongs to the mind, and the concept of mind includes nothing at all which belongs to the body.
     From: René Descartes (Reply to Fourth Objections [1641], 225)
     A reaction: A headache? Hunger? The mistake, I think, is to regard the mind as entirely conscious, thus creating a sharp boundary between two aspects of our lives. As shown by blindsight, I take many of my central mental operations to be pre- or non-conscious.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
     Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased.
     From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1
     A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
     Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available.
     From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2
     A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong).
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]
     Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge.
     From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4
     A reaction: I might believe this of writing novels, but not much else.