7 ideas
| 3519 | Man uses his body, so must be separate from it [Anon (Plat), by Maslin] |
| Full Idea: A man uses his whole body to do things, and therefore, just as a person is distinct from a tool he uses, so it follows that a man must be distinct from his body. | |
| From: report of Anon (Plat) (Alcibiades [c.340 BCE]) by Keith T. Maslin - Introduction to the Philosophy of Mind 2.3 | |
| A reaction: This 'follows'? Every part of my body and my mind makes 'use' of every other part. My body uses my mind to achieve reproduction. He presumably means 'person' rather than 'man'. |
| 12163 | Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton] |
| Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.27) | |
| A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen? |
| 12162 | In literature, word replacement changes literary meaning [Scruton] |
| Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.25) | |
| A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations. |
| 12159 | Without intentions we can't perceive sculpture, but that is not the whole story [Scruton] |
| Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.15) | |
| A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech. |
| 12160 | In aesthetic interest, even what is true is treated as though it were not [Scruton] |
| Full Idea: In aesthetic interest, even what is true is treated as though it were not. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.18) | |
| A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse. |
| 12161 | We can be objective about conventions, but love of art is needed to understand its traditions [Scruton] |
| Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.24) | |
| A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means. |
| 14409 | I am a presentist, and all language and common sense supports my view [Bigelow] |
| Full Idea: I am a presentist: nothing exists which is not present. Everyone believed this until the nineteenth century; it is writing into the grammar of natural languages; it is still assumed in everyday life, even by philosophers who deny it. | |
| From: John Bigelow (Presentism and Properties [1996], p.36), quoted by Trenton Merricks - Truth and Ontology | |
| A reaction: The most likely deniers of presentism seem to be physicists and cosmologists who have overdosed on Einstein. On the whole I vote for presentism, but what justifies truths about the past and future. Traces existing in the present? |