9 ideas
| 12163 | Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton] |
| Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.27) | |
| A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen? |
| 12162 | In literature, word replacement changes literary meaning [Scruton] |
| Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.25) | |
| A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations. |
| 12159 | Without intentions we can't perceive sculpture, but that is not the whole story [Scruton] |
| Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.15) | |
| A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech. |
| 12160 | In aesthetic interest, even what is true is treated as though it were not [Scruton] |
| Full Idea: In aesthetic interest, even what is true is treated as though it were not. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.18) | |
| A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse. |
| 12161 | We can be objective about conventions, but love of art is needed to understand its traditions [Scruton] |
| Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.24) | |
| A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means. |
| 4867 | Whether nature is beautiful or orderly is entirely in relation to human imagination [Spinoza] |
| Full Idea: I do not attribute to nature either beauty or deformity, order or confusion. Only in relation to our imagination can things be called beautiful or deformed, ordered or confused. | |
| From: Baruch de Spinoza (Letters to Oldenburg [1665], 1665?) | |
| A reaction: This is clearly a statement of Hume's famous later opinion that there are no values ('ought') in nature ('is'). It is a rejection of Aristotelian and Greek teleology. It is hard to argue with, but I have strong sales resistance, rooted in virtue theory. |
| 16697 | Time is independent of motion, because God could stop everything for a short or long time [Crathorn, by Pasnau] |
| Full Idea: Suppose God annihilates everything, and then creates something new. The vacant interval could last a shorter or longer time, so there are facts about time independent of facts about motion. | |
| From: report of William Crathorn (Sentences [1335], I.16, concl.2) by Robert Pasnau - Metaphysical Themes 1274-1671 18.2 | |
| A reaction: Not very persuasive if God is in some way 'timeless'. Crathorn would have loved Shoemaker's argument, where motionless time is the best explanation, rather than a possible explanation. |
| 4866 | God is a being with infinite attributes, each of them infinite or perfect [Spinoza] |
| Full Idea: I define God as a being consisting in infinite attributes, whereof each is infinite or supremely perfect. | |
| From: Baruch de Spinoza (Letters to Oldenburg [1665], 1661) | |
| A reaction: This seems to me the glorious culmination of the hyperbolic conception of God that expands steadily from wood spirits through Zeus, to eventually mop up everything in nature, and then everything that can be imagined beyond nature. All very silly. |
| 4868 | Trying to prove God's existence through miracles is proving the obscure by the more obscure [Spinoza] |
| Full Idea: Those who endeavour to establish God's existence and the truth of religion by means of miracles seek to prove the obscure by what is more obscure. | |
| From: Baruch de Spinoza (Letters to Oldenburg [1665], 1675?) | |
| A reaction: Nicely put. On the whole this has to be right, but one must leave open a possibility. If there is a God, and He seeks to prove Himself by a deed, are we saying this is impossible? Divine intervention might be the best explanation of something. |