9 ideas
| 20435 | If philosophy could be summarised it would be pointless [Adorno] |
| Full Idea: Philosophy is in essence not summarisable. Otherwise it would be superfluous; that most of it allows its to be summarised speaks against it. | |
| From: Theodor W. Adorno (Negative Dialectics [1966], p.34), quoted by Gerhard Richter - Benjamin and Adorno 3 | |
| A reaction: This seems contradict the Cicero quotation which I take to be the epigraph of my collection of ideas. Adorno has a very 'continental' view, placing philosophy much closer to poetry (Heidegger's later view) than to science. Not like advocacy either. |
| 12163 | Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton] |
| Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.27) | |
| A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen? |
| 12162 | In literature, word replacement changes literary meaning [Scruton] |
| Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.25) | |
| A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations. |
| 12159 | Without intentions we can't perceive sculpture, but that is not the whole story [Scruton] |
| Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.15) | |
| A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech. |
| 12160 | In aesthetic interest, even what is true is treated as though it were not [Scruton] |
| Full Idea: In aesthetic interest, even what is true is treated as though it were not. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.18) | |
| A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse. |
| 12161 | We can be objective about conventions, but love of art is needed to understand its traditions [Scruton] |
| Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.24) | |
| A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means. |
| 21731 | Fields can be 'scalar', or 'vector', or 'tensor', or 'spinor' [Baggott] |
| Full Idea: Fields can be 'scalar', with no particular direction (pointing, but not pushing or pulling); or 'vector', with a direction (like magnetism, or Newtonian gravity); or 'tensor' (needing further parameters); or 'spinor' (depending on spin orientation). | |
| From: Jim Baggott (Farewell to Reality: fairytale physics [2013], 2 'Quantum') | |
| A reaction: [compressed] So the question is, why do they differ? What is it in the nature of each field the result in a distinctive directional feature? |
| 21730 | A 'field' is a property with a magnitude, distributed across all of space and time [Baggott] |
| Full Idea: A 'field' is defined in terms of the magnitude of some physical property distributed over every point in time and space. | |
| From: Jim Baggott (Farewell to Reality: fairytale physics [2013], 2 'Quantum') | |
| A reaction: If it involves a 'property', normal usage entails that there is some entity which possesses the property. So what's the entity? Eh? Eh? You don't know! Disappointed... |
| 21732 | The current standard model requires 61 particles [Baggott] |
| Full Idea: The current model requires 61 particles: three generations of two leptons and two flavours of quark, in three different colours (making 24); the anti-particles of all of these (48); 12 force particles (photon, W1, Z0, 8 gluons), and a Higgs boson. | |
| From: Jim Baggott (Farewell to Reality: fairytale physics [2013], 6 n) |