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All the ideas for 'Laws of Nature', 'An Essay in Aesthetics' and 'A Critique of Utilitarianism'

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43 ideas

4. Formal Logic / A. Syllogistic Logic / 2. Syllogistic Logic
The Square of Opposition has two contradictory pairs, one contrary pair, and one sub-contrary pair [Harré]
     Full Idea: Square of Opposition: 'all A are B' and 'no A are B' are contraries; 'some A are B' and 'some A are not B' are sub-contraries; the pairs 'all A are B'/'some A are B' and 'no A are B'/'some A are B' are contradictories.
     From: Rom Harré (Laws of Nature [1993], 3)
     A reaction: [the reader may construct his own diagram from this description!] The contraries are at the extremes of contradiction, but the sub-contraries are actual compatible. You could add possible worlds to this picture.
5. Theory of Logic / G. Quantification / 1. Quantification
Traditional quantifiers combine ordinary language generality and ontology assumptions [Harré]
     Full Idea: The generalising function and the ontological function of discourse are elided in the traditional quantifier.
     From: Rom Harré (Laws of Nature [1993], 5)
     A reaction: This simple point strikes me as helping enormously to disentangle the mess created by over-emphasis on formal logic in ontology, and especially in the Quinean concept of 'ontological commitment'.
5. Theory of Logic / G. Quantification / 7. Unorthodox Quantification
Some quantifiers, such as 'any', rule out any notion of order within their range [Harré]
     Full Idea: The quantifier 'any' unambiguously rules out any presupposition of order in the members of the range of individuals quantified.
     From: Rom Harré (Laws of Nature [1993], 3)
     A reaction: He contrasts this with 'all', 'each' and 'every', which are ambiguous in this respect.
8. Modes of Existence / B. Properties / 4. Intrinsic Properties
Scientific properties are not observed qualities, but the dispositions which create them [Harré]
     Full Idea: The properties of material things with which the sciences deal are not the qualities we observe them to have, but the dispositions of those things to engender the states and qualities we observe.
     From: Rom Harré (Laws of Nature [1993], 2)
     A reaction: I take this to be the correct use of the word 'qualities', so that properties are not qualities (in the way Heil would like).
10. Modality / A. Necessity / 7. Natural Necessity
Laws of nature remain the same through any conditions, if the underlying mechanisms are unchanged [Harré]
     Full Idea: A statement is a law of nature if it is true in all those worlds which differ only as to their initial conditions, that is in which the underlying mechanisms of nature are the same.
     From: Rom Harré (Laws of Nature [1993], 4)
     A reaction: Harré takes it that laws of nature have to be necessary, by definition. I like this way of expressing natural necessity, in terms of 'mechanisms' rather than of 'laws'. Where do the mechanisms get their necessity?
14. Science / A. Basis of Science / 1. Observation
In physical sciences particular observations are ordered, but in biology only the classes are ordered [Harré]
     Full Idea: In the physical sciences the particular observations and experimental results are usually orderable, while in the biological sciences it is the classes of organism which are ordered, not the particular organisms.
     From: Rom Harré (Laws of Nature [1993], 3)
     A reaction: Harré is interesting on the role of ordering in science. Functions can be defined by an order. Maths feeds on orderings. Physics, he notes, focuses on things which vary together.
14. Science / A. Basis of Science / 3. Experiment
Reports of experiments eliminate the experimenter, and present results as the behaviour of nature [Harré]
     Full Idea: In accounts of experiments, by Faraday and others, the role of the guiding hand of the actual experimenter is written out in successive accounts. The effect is to display the phenomenon as a natural occurrence, existing independently of the experiments.
     From: Rom Harré (Laws of Nature [1993], 1)
     A reaction: He records three stages in Faraday's reports. The move from active to passive voice is obviously part of it. The claim of universality is thus implicit rather than explicit.
14. Science / A. Basis of Science / 5. Anomalies
We can save laws from counter-instances by treating the latter as analytic definitions [Harré]
     Full Idea: When we come upon a counter-instance to a generalisation we can save the putative law, by treating it as potentially analytic and claiming it as a definition. ...Thus magnetism doesn't hold for phosphorus, so we say phosphorus is not a magnetic substance.
     From: Rom Harré (Laws of Nature [1993], 3)
     A reaction: He notes this as being particularly true when the laws concern the dispositions of substances, rather than patterns of events.
14. Science / B. Scientific Theories / 1. Scientific Theory
Since there are three different dimensions for generalising laws, no one system of logic can cover them [Harré]
     Full Idea: Since there are three different dimensions of generality into which every law of nature is generalised, there can be no one system of logic which will govern inference to or from every law of every kind.
     From: Rom Harré (Laws of Nature [1993], 3)
     A reaction: This is aimed at the covering-law approach, which actually aims to output observations as logical inferences from laws. Wrong.
14. Science / C. Induction / 5. Paradoxes of Induction / a. Grue problem
The grue problem shows that natural kinds are central to science [Harré]
     Full Idea: The grue problem illustrates the enormous importance that the concept of a natural-kind plays in real science.
     From: Rom Harré (Laws of Nature [1993], 5)
     A reaction: The point is that we took emeralds to be a natural kind, but 'grue' proposes that they aren't, since stability is the hallmark of a natural kind.
'Grue' introduces a new causal hypothesis - that emeralds can change colour [Harré]
     Full Idea: In introducing the predicate 'grue' we also introduce an additional causal hypothesis into our chemistry and physics; namely, that when observed grue emeralds change from blue to green.
     From: Rom Harré (Laws of Nature [1993], 5)
     A reaction: [The 'when observered' is a Harré addition] I hate 'grue'. Only people who think our predicates have very little to do with reality are impressed by it. Grue is a behaviour, not a colour.
14. Science / C. Induction / 5. Paradoxes of Induction / b. Raven paradox
It is because ravens are birds that their species and their colour might be connected [Harré]
     Full Idea: It is because ravens are birds that it makes sense to contemplate the possibility of a lawful relation between their species and their colour.
     From: Rom Harré (Laws of Nature [1993], 5)
     A reaction: Compare the 'laws' concerning leaf colour in autumn, and the 'laws' concerning packaging colour in supermarkets. Harré's underlying point is that raven colour concerns mechanism.
Non-black non-ravens just aren't part of the presuppositions of 'all ravens are black' [Harré]
     Full Idea: Non-black non-ravens have no role to play in assessing the plausibility of 'All ravens are black' because their existence is not among the existential presuppositions of that statement.
     From: Rom Harré (Laws of Nature [1993], 5)
     A reaction: [He cites Strawson for the 'presupposition' approach]
14. Science / D. Explanation / 2. Types of Explanation / i. Explanations by mechanism
The necessity of Newton's First Law derives from the nature of material things, not from a mechanism [Harré]
     Full Idea: The 'must' of Newton's First Law is different. There is no deeper level relative to the processes described to give a mechanism which generates uniform motion. There is no such mechanism. ..It specifies what it is for something to be a material thing.
     From: Rom Harré (Laws of Nature [1993], 4)
     A reaction: Harré says the law can only exist as part of a network of other ideas.
15. Nature of Minds / C. Capacities of Minds / 6. Idealisation
Idealisation idealises all of a thing's properties, but abstraction leaves some of them out [Harré]
     Full Idea: An 'idealisation' preserves all the properties of the source but it possesses these properties in some ideal or perfect form. ...An 'abstraction', on the other hand, lacks certain features of its source.
     From: Rom Harré (Laws of Nature [1993], 1)
     A reaction: Yet another example in contemporary philosophy of a clear understanding of the sort of abstraction which Geach and others have poured scorn on.
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
     Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible.
     From: Roger Fry (An Essay in Aesthetics [1909], p.30)
     A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
     Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception
     From: Roger Fry (An Essay in Aesthetics [1909], p.24)
     A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy.
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
     Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
     Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'.
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
     Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts.
     From: Roger Fry (An Essay in Aesthetics [1909], p.31)
     A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I.
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
     Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated.
     From: Roger Fry (An Essay in Aesthetics [1909], p.32)
     A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher?
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
     Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people.
     From: Roger Fry (An Essay in Aesthetics [1909], p.23)
     A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs?
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
     Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
     Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
     Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious.
     From: Roger Fry (An Essay in Aesthetics [1909], p.25)
     A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
     Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful.
     From: Roger Fry (An Essay in Aesthetics [1909], p.26)
     A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection.
22. Metaethics / B. Value / 1. Nature of Value / f. Ultimate value
Maybe the unthinkable is a moral category, and considering some options is dishonourable or absurd [Williams,B]
     Full Idea: One might have the idea that the unthinkable was itself a moral category. ...Regarding certain things even as alternatives is itself something to be regarded as dishonourable or morally absurd.
     From: Bernard Williams (A Critique of Utilitarianism [1973], 2)
     A reaction: He's very tentative about this, but I think it is a powerful moral idea. See Kekes. He is particularly aiming at utilitarians, who happily assess vile possibilities.
22. Metaethics / C. The Good / 1. Goodness / g. Consequentialism
Consequentialism assumes that situations can be compared [Williams,B]
     Full Idea: The emphasis on the necessary comparability of situations is a peculiar feature of consequentialism in general.
     From: Bernard Williams (A Critique of Utilitarianism [1973], 2)
     A reaction: A nice point. Utilitarians might achieve comparison by totting up the happiness in each situation, but once you include the consequences of the consequences the problems are obvious. Was 1789 a good thing? Too early to say.
For a consequentialist massacring 7 million must be better than massacring 7 million and one [Williams,B]
     Full Idea: Making the best of a bad job is a consequentialist maxim, and it will have something to say even pn the difference between massacring seven million and massacring seven million and one.
     From: Bernard Williams (A Critique of Utilitarianism [1973], 2)
     A reaction: If every life counts, the consequentialists have got something right here. Not caring exactly how many were massacred is a sort of callousness (even when the number can't be established).
23. Ethics / D. Deontological Ethics / 3. Universalisability
We don't have a duty to ensure that others do their duty [Williams,B]
     Full Idea: If the goodness of the world were to consist in people's fulfilling their obligations, it would by no means follow that one of my obligations was to bring it about that other people kept their obligations
     From: Bernard Williams (A Critique of Utilitarianism [1973], 2)
     A reaction: If the maxim of my action is 'ensure that everyone does their duty', presumably that can be universalised. Nelson thought so. It just sounds like a hideous world of self-righteous interference.
23. Ethics / E. Utilitarianism / 1. Utilitarianism
Utilitarianism cannot make any serious sense of integrity [Williams,B]
     Full Idea: Utilitarianism cannot hope to make sense, at any serious level, of integrity.
     From: Bernard Williams (A Critique of Utilitarianism [1973], 1)
     A reaction: There will be obvious problems with this. 'My whole platoon got killed, but looking on the bright side, I preserved my integrity'. Once a theory commits entirely to one value, it then has no way to make sense of rival values.
26. Natural Theory / B. Natural Kinds / 1. Natural Kinds
Science rests on the principle that nature is a hierarchy of natural kinds [Harré]
     Full Idea: The animating principle behind the material and discursive practices of science is the thesis that nature exemplifies multiple hierarchies of natural kinds.
     From: Rom Harré (Laws of Nature [1993], 5)
     A reaction: I agree. I take it to be a brute fact that there seem to be lots of stable natural kinds, which are worth investigating as long as they stay stable. If they are unstable, there needs to be something stable to measure that by - or we give up.
26. Natural Theory / D. Laws of Nature / 1. Laws of Nature
Classification is just as important as laws in natural science [Harré]
     Full Idea: Classification systems, or taxonomies, are as important a part of the natural sciences as are the laws of nature.
     From: Rom Harré (Laws of Nature [1993], 1)
     A reaction: This illustrates how our view of science is radically shifted if we give biology equal prominence with physics.
Newton's First Law cannot be demonstrated experimentally, as that needs absence of external forces [Harré]
     Full Idea: We can never devise an experimental situation in which there are no external forces to act on a body. It follows that Newton's First Law could never be demonstrated by means of experiment or observation.
     From: Rom Harré (Laws of Nature [1993], 1)
     A reaction: It can't be wholly demonstrated, but certain observations conform to it, such as the movement of low friction bodies, or the movements of planetary bodies.
26. Natural Theory / D. Laws of Nature / 2. Types of Laws
Laws can come from data, from theory, from imagination and concepts, or from procedures [Harré]
     Full Idea: Boyle's Law generalises a mass of messy data culled from an apparatus; Snell's Law is an experimentally derived law deducible from theory; Newton's First Law derives from concepts and thought experiments; Mendel's Law used an experimental procedure.
     From: Rom Harré (Laws of Nature [1993], 1)
     A reaction: Nice examples, especially since Boyle's and Newton's laws are divided by a huge gulf, and arrived at about the same time. On p.35 Harré says these come down to two: abstraction from experiment, and derivation from deep assumptions.
Are laws of nature about events, or types and universals, or dispositions, or all three? [Harré]
     Full Idea: What is Newton's First Law about? Is it about events? Is it about types or universals? Is it about dispositions? Or is it, in some peculiar way, about all three?
     From: Rom Harré (Laws of Nature [1993], 2)
     A reaction: If laws merely chart regularities, then I suppose they are about events (which exhibit the regular patterns). If laws explain, which would be nice, then they are only about universals if you are a platonist. Hence laws are about dispositions.
Are laws about what has or might happen, or do they also cover all the possibilities? [Harré]
     Full Idea: Is Newton's First Law about what has actually happened or is it about what might, or could possibly happen? Is it about the actual events and states of the world, or possible events and states?
     From: Rom Harré (Laws of Nature [1993], 2)
     A reaction: I presume the first sentence distinguishes between what 'might (well)' happen, and what 'could (just) possibly happen'. I take it for granted that laws predict the actual future. The question is are they true of situations which will never occur?
26. Natural Theory / D. Laws of Nature / 5. Laws from Universals
Maybe laws of nature are just relations between properties? [Harré]
     Full Idea: The idea of the Dretske-Armstrong-Tooley view is very simple: the laws of nature relate properties to properties.
     From: Rom Harré (Laws of Nature [1993], 2)
     A reaction: Presumably the relations are necessary ones. I don't see why we need to mention these wretched 'universals' in order to expound this theory. It sounds much more plausible if you just say a property is defined by the way it relates to other properties.
26. Natural Theory / D. Laws of Nature / 7. Strictness of Laws
We take it that only necessary happenings could be laws [Harré]
     Full Idea: We do not take laws to be recordings of what happens perchance or for the most part, but specifications of what happens necessarily
     From: Rom Harré (Laws of Nature [1993], 1)
     A reaction: This sounds like a plausible necessary condition for a law, but it may not be a sufficient one. Are trivial necessities laws? On this view if there are no necessities then there are no laws.
Laws describe abstract idealisations, not the actual mess of nature [Harré]
     Full Idea: The laws of nature are not simple descriptions of what can be seen to happen. They are descriptions of abstractions and idealisations from a somewhat messy reality.
     From: Rom Harré (Laws of Nature [1993], 1)
     A reaction: This view seems to have increasingly gripped modern philosophers, so that the old view of God decreeing a few simple equations to run the world has faded away.
Must laws of nature be universal, or could they be local? [Harré]
     Full Idea: Is a law of nature about everything in the universe or just about a restricted group of things?
     From: Rom Harré (Laws of Nature [1993], 2)
     A reaction: I presume the answer is that while a law may only refer to a small group of things, the law would still have to apply if that group moved or spread or enlarged, so it would have to be universals. A laws confined to one time or place? Maybe.
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / c. Essence and laws
Laws of nature state necessary connections of things, events and properties, based on models of mechanisms [Harré]
     Full Idea: A law of nature tells us what kinds of things, events and properties (all else being equal) go along with what. The 'must' of natural necessity has its place here because it is bound up with a model or analogy representing generative mechanisms.
     From: Rom Harré (Laws of Nature [1993], 5)
     A reaction: This is Harré's final page summary of laws. I agree with it. I would say that the laws are therefore descriptive, of the patterns of behaviour that arise when generative mechanisms meet. Maybe laws concern 'transformations'.
26. Natural Theory / D. Laws of Nature / 9. Counterfactual Claims
In counterfactuals we keep substances constant, and imagine new situations for them [Harré]
     Full Idea: In drawing 'countefactual' conclusions we can be thought imaginatively to vary the conditions under which the substance, set-up etc. is manipulated or stimulated, while maintaining constant our conception of the nature of the being in question.
     From: Rom Harré (Laws of Nature [1993], 2)
     A reaction: Presumably you could vary the substance and keep the situation fixed, but then the counterfactual seems to be 'about' something different. Either that or the 'situation' is a actually a set of substances to be tested.