Combining Texts

All the ideas for 'Works of Love', 'Notebooks 1914-1916' and 'Public Text and Common Reader'

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15 ideas

1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
Analysis complicates a statement, but only as far as the complexity of its meaning [Wittgenstein]
     Full Idea: Analysis makes the statement more complicated than it was; but it cannot and ought not to make it more complicated than its meaning (Bedeutung) was to begin with. When the statement is as complex as its meaning, then it is completely analysed.
     From: Ludwig Wittgenstein (Notebooks 1914-1916 [1915], 46e)
     A reaction: But how do you assess how complex the 'Bedeutung' was before you started?
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
We can dispense with self-evidence, if language itself prevents logical mistakes [Jeshion on Wittgenstein]
     Full Idea: The 'self-evidence' of which Russell talks so much can only be dispensed with in logic if language itself prevents any logical mistake.
     From: comment on Ludwig Wittgenstein (Notebooks 1914-1916 [1915], 4) by Robin Jeshion - Frege's Notion of Self-Evidence 4
     A reaction: Jeshion presents this as a key idea, turning against Frege, and is the real source of the 'linguistic turn' in philosophy. If self-evidence is abandoned, then language itself is the guide to truth, so study language. I think I prefer Frege. See Quine?
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
A statement's logical form derives entirely from its constituents [Wittgenstein]
     Full Idea: The logical form of the statement must already be given in the forms of its constituents.
     From: Ludwig Wittgenstein (Notebooks 1914-1916 [1915], 23e)
     A reaction: This would evidently require each constituent to have a 'logical form'. It is hard to see what that could beyond its part of speech. Do two common nouns have the same logical form?
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
'And' and 'not' are non-referring terms, which do not represent anything [Wittgenstein, by Fogelin]
     Full Idea: Wittgenstein's 'fundamental idea' is that the 'and' and 'not' which guarantee the truth of "not p and not-p" are meaningful, but do not get their meaning by representing or standing for or referring to some kind of entity; they are non-referring terms.
     From: report of Ludwig Wittgenstein (Notebooks 1914-1916 [1915], §37) by Robert Fogelin - Walking the Tightrope of Reason Ch.1
     A reaction: Wittgenstein then defines the terms using truth tables, to show what they do, rather than what they stand for. This seems to me to be a candidate for the single most important idea in the history of the philosophy of logic.
7. Existence / C. Structure of Existence / 6. Fundamentals / d. Logical atoms
The sense of propositions relies on the world's basic logical structure [Wittgenstein]
     Full Idea: In order for a proposition to be CAPABLE of making sense, the world must already have the logical structure it has. The logic of the world is prior to all truth and falsehood.
     From: Ludwig Wittgenstein (Notebooks 1914-1916 [1915], p.14c)
     A reaction: It seems that in Tractatus it is propositions about facts which are true or false, but prior to the facts are substance and the objects, and it is there that we find the logical structure of the world. I see this view as modern stoicism.
12. Knowledge Sources / A. A Priori Knowledge / 5. A Priori Synthetic
My main problem is the order of the world, and whether it is knowable a priori [Wittgenstein]
     Full Idea: The great problem around which everything turns that I write is: is there an order in the world a priori, and if so what does it consist in?
     From: Ludwig Wittgenstein (Notebooks 1914-1916 [1915], 15.06.01)
     A reaction: Morris identifies this as a 'Kantian question'. I trace it back to stoicism. This question has never bothered me. It just seems weird to think that you can infer reality from the examination of your own thinking. Perhaps I should take it more seriously?
16. Persons / B. Nature of the Self / 4. Presupposition of Self
The philosophical I is the metaphysical subject, the limit - not a part of the world [Wittgenstein]
     Full Idea: The philosophical I is not the man, not the human body, or the human soul of wh9ch psychology treats, but the metaphysical subject, the limit - not a part of the world.
     From: Ludwig Wittgenstein (Notebooks 1914-1916 [1915], 1916. 2 Sep), quoted by Michael Potter - The Rise of Analytic Philosophy 1879-1930 58 Intro
     A reaction: This is to treat the self as a phenomenon of thought, rather than of a human being. So if a machine could think, would it hence necessarily have a metaphysical self?
19. Language / A. Nature of Meaning / 2. Meaning as Mental
Propositions assemble a world experimentally, like the model of a road accident [Wittgenstein]
     Full Idea: In the proposition a world is as it were put together experimentally. (As when in the law court in Paris a motor-car accident is represented by means of dolls, etc).
     From: Ludwig Wittgenstein (Notebooks 1914-1916 [1915], 14.09.29)
     A reaction: [see Tractatus 4.031] This is the first appearance of LW's picture (or model) theory of meaning. It may well be the best theory of meaning anyone has come up with, since meaning being out in the world strikes me as absurd.
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
     Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons.
     From: Roger Scruton (Public Text and Common Reader [1982], p.27)
     A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen?
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
     Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning.
     From: Roger Scruton (Public Text and Common Reader [1982], p.25)
     A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
     Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention.
     From: Roger Scruton (Public Text and Common Reader [1982], p.15)
     A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech.
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
     Full Idea: In aesthetic interest, even what is true is treated as though it were not.
     From: Roger Scruton (Public Text and Common Reader [1982], p.18)
     A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]
     Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present.
     From: Roger Scruton (Public Text and Common Reader [1982], p.24)
     A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means.
22. Metaethics / B. Value / 2. Values / g. Love
Perfect love is not in spite of imperfections; the imperfections must be loved as well [Kierkegaard]
     Full Idea: To love another in spite of his weaknesses and errors and imperfections is not perfect love. No, to love is to find him lovable in spite of, and together with, his weaknesses and errors and imperfections.
     From: Søren Kierkegaard (Works of Love [1847], p.158)
     A reaction: A true romantic at heart, Kierkegaard ideally posits perfect love as unconditional love, and not just of good attributes, predicates and conditions. However, the real question for both me and Kierkegaard is, is perfect love desirable or even possible?[SY]
25. Social Practice / F. Life Issues / 4. Suicide
Absolute prohibitions are the essence of ethics, and suicide is the most obvious example [Wittgenstein]
     Full Idea: If suicide is allowed, then everything is allowed. If anything is not allowed, then suicide is not allowed. This throws a light on the nature of ethics, for suicide is, so to speak, the elementary sin.
     From: Ludwig Wittgenstein (Notebooks 1914-1916 [1915], end), quoted by Jonathan Glover - Causing Death and Saving Lives §13
     A reaction: This reveals the religious streak in Wittgenstein. I am reluctant to judge suicide, but this seems wrong. Should a 'jumper' worry if they land on someone else and kill them? Of course they should.