5 ideas
| 8714 | Fictionalists say 2+2=4 is true in the way that 'Oliver Twist lived in London' is true [Field,H] |
| Full Idea: The fictionalist can say that the sense in which '2+2=4' is true is pretty much the same as the sense in which 'Oliver Twist lived in London' is true. They are true 'according to a well-known story', or 'according to standard mathematics'. | |
| From: Hartry Field (Realism, Mathematics and Modality [1989], 1.1.1), quoted by Michèle Friend - Introducing the Philosophy of Mathematics 6.3 | |
| A reaction: The roots of this idea are in Carnap. Fictionalism strikes me as brilliant, but poisonous in large doses. Novels can aspire to artistic truth, or to documentary truth. We invent a fiction, and nudge it slowly towards reality. |
| 16383 | Puzzled Pierre has two mental files about the same object [Recanati on Kripke] |
| Full Idea: In Kripke's puzzle about belief, the subject has two distinct mental files about one and the same object. | |
| From: comment on Saul A. Kripke (A Puzzle about Belief [1979]) by François Recanati - Mental Files 17.1 | |
| A reaction: [Pierre distinguishes 'London' from 'Londres'] The Kripkean puzzle is presented as very deep, but I have always felt there was a simple explanation, and I suspect that this is it (though I will leave the reader to think it through, as I'm very busy…). |
| 23829 | National leaders want to preserve necessary order - but always the existing order [Weil] |
| Full Idea: Those in command see their duty as defending order, without which no social life can survive; and the only order they conceive is the existing one. | |
| From: Simone Weil (The Power of Words [1934], p.249) | |
| A reaction: She sympathises with them, because a new order is such an unknown. But it always struck me as weird that traditions are preserved because they are traditions, and not because they are good. (My old school, for example!). |
| 23828 | National prestige consists of behaving as if you could beat the others in a war [Weil] |
| Full Idea: What is called national prestige consists in behaving always in such a way as to demoralise other nations by giving them the impression that, if it comes to war, one would certainly defeat them. | |
| From: Simone Weil (The Power of Words [1934], p.244) | |
| A reaction: It's true. No nation gains prestige because of the happy lives of its citizens, or the creativity of its culture. |
| 23827 | Modern wars are fought in the name of empty words which are given capital letters [Weil] |
| Full Idea: For our contemporaries the role of Helen in the Trojan War is is played by words with capital letters. …When empty words are given capital letters, then, on the slightest pretext, men will begin shedding blood for them and piling up ruin in their name. | |
| From: Simone Weil (The Power of Words [1934], p.241) | |
| A reaction: This seems particularly true of the 1930s, where specific dogmatic ideologies seemed to grip and divide people. Simple aggressive nationalism seems to be the cause of current wars, now the fear of Communism has diminished. |