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All the ideas for 'works', 'Giordano Bruno and Hermetic Tradition' and 'works'

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7 ideas

1. Philosophy / B. History of Ideas / 4. Early European Thought
The magic of Asclepius enters Renaissance thought mixed into Ficino's neo-platonism [Yates]
     Full Idea: The magic of Asclepius, reinterpreted through Plotinus, enters with Ficino's De Vita into the neo-platonic philosophy of the Renaissance, and, moreover, into Ficino's Christian Platonism.
     From: Frances A. Yates (Giordano Bruno and Hermetic Tradition [1964], Ch.4)
     A reaction: Asclepius is the source of 'Hermetic' philosophy. This move seems to be what gives the Renaissance period its rather quirky and distinctive character. Montaigne was not a typical figure. Most of them wanted to become gods and control the stars!
The dating, in 1614, of the Hermetic writings as post-Christian is the end of the Renaissance [Yates]
     Full Idea: The dating by Isaac Casaubon in 1614 of the Hermetic writings as not the work of a very ancient Egyptian priest but written in post-Christian times, is a watershed separating the Renaissance world from the modern world.
     From: Frances A. Yates (Giordano Bruno and Hermetic Tradition [1964], Ch.21)
     A reaction: I tend to place the end of the Renaissance with the arrival of the telescope in 1610, so the two dates coincide. Simply, magic was replaced by science. Religion ran alongside, gasping for breath. Mathematics was freed from numerology.
15. Nature of Minds / B. Features of Minds / 2. Unconscious Mind
Freud treats the unconscious as intentional and hence mental [Freud, by Searle]
     Full Idea: Freud thinks that our unconscious mental states exist as occurrent intrinsic intentional states even when unconscious. Their ontology is that of the mental, even when they are unconscious.
     From: report of Sigmund Freud (works [1900]) by John Searle - The Rediscovery of the Mind Ch. 7.V
     A reaction: Searle states this view in order to attack it. Whether such states are labelled as 'mental' seems uninteresting. Whether unconscious states can be intentional is crucial, and modern scientific understanding of the brain strongly suggest they can.
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Freud and others have shown that we don't know our own beliefs, feelings, motive and attitudes [Freud, by Shoemaker]
     Full Idea: Freud persuaded many that beliefs, wishes and feelings are sometimes unconscious, and even sceptics about Freud acknowledge that there is self-deception about motive and attitudes.
     From: report of Sigmund Freud (works [1900]) by Sydney Shoemaker - Introspection p.396
     A reaction: This seems to me obviously correct. The traditional notion is that the consciousness is the mind, but now it seems obvious that consciousness is only one part of the mind, and maybe even a peripheral (epiphenomenal) part of it.
18. Thought / A. Modes of Thought / 3. Emotions / a. Nature of emotions
Freud said passions are pressures of some flowing hydraulic quantity [Freud, by Solomon]
     Full Idea: Freud argued that the passions in general …were the pressures of a yet unknown 'quantity' (which he simply designated 'Q'). He first thought this flowed through neurones, …and always couched the idea in the language of hydraulics.
     From: report of Sigmund Freud (works [1900]) by Robert C. Solomon - The Passions 3.4
     A reaction: This is the main target of Solomon's criticism, because its imagery has become so widespread. It leads to talk of suppressing emotions, or sublimating them. However, it is not too different from Nietzsche's 'drives' or 'will to power'.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Objects can be beautiful which express nothing at all, such as the rainbow [Herbart, by Tolstoy]
     Full Idea: Objects are often beautiful which express nothing at all, as, for instance, the rainbow, which is beautiful for its lines and colours and not for its mythological connexion with Iris, or Noah's rainbow.
     From: report of Johann Herbart (works [1830]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: A nice counterexample to Tolstoy's own theory. The example is one of a natural beauty, but it would be harder to find examples in human art. How much the artist may feel, though, has little to do with the success of a work of art.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
Freud is pessimistic about human nature; it is ambivalent motive and fantasy, rather than reason [Freud, by Murdoch]
     Full Idea: Freud takes a thoroughly pessimistic view of human nature. ...Introspection reveals only the deep tissue of ambivalent motive, and fantasy is a stronger force than reason. Objectivity and unselfishness are not natural to human beings.
     From: report of Sigmund Freud (works [1900], II) by Iris Murdoch - The Sovereignty of Good II
     A reaction: Interesting. His view seems to have coloured the whole of modern culture, reinforced by the hideous irrationality of the Nazis. Adorno and Horkheimer attacking the Enlightenment was the last step in that process.