20 ideas
| 12170 | Amusement rests on superiority, or relief, or incongruity [Scruton] |
| Full Idea: There are three common accounts of amusement: superiority theories (Hobbes's 'sudden glory'), 'relief from restraint' (Freud on jokes), and 'incongruity' theories (Schopenhauer). | |
| From: Roger Scruton (Laughter [1982], §5) | |
| A reaction: All three contain some truth. But one need not feel superior to laugh, and one may already be in a state of unrestraint. Schopenhauer seems closest to a good general account. |
| 12173 | The central object of amusement is the human [Scruton] |
| Full Idea: There are amusing buildings, but not amusing rocks and cliffs. If I were to propose a candidate for the formal object of amusement, then the human would be my choice, ...or at least emphasise its centrality. | |
| From: Roger Scruton (Laughter [1982], §9) | |
| A reaction: Sounds good. Animal behaviour only seems to amuse if it evokes something human. Plants would have to look a bit human to be funny. |
| 12169 | Since only men laugh, it seems to be an attribute of reason [Scruton] |
| Full Idea: Man is the only animal that laughs, so a starting point for all enquiries into laughter must be the hypothesis that it is an attribute of reason (though that gets us no further than our definition of reason). | |
| From: Roger Scruton (Laughter [1982], §1) | |
| A reaction: I would be inclined to say that both our capacity for reason and our capacity for laughter (and, indeed, our capacity for language) are a consequence of our evolved capacity for meta-thought. |
| 12172 | Objects of amusement do not have to be real [Scruton] |
| Full Idea: It is a matter of indifference whether the object of amusement be thought to be real. | |
| From: Roger Scruton (Laughter [1982], §7) | |
| A reaction: Sort of. If I say 'wouldn't it be funny if someone did x?', it is probably much less funny than if I say 'apparently he really did x'. The fantasy case has to be much funnier to evoke the laughter. |
| 10143 | 'Creative definitions' do not presuppose the existence of the objects defined [Fine,K] |
| Full Idea: What I call 'creative definitions' are made from a standpoint in which the existence of the objects that are to be assigned to the terms is not presupposed. | |
| From: Kit Fine (The Limits of Abstraction [2002], II.1) |
| 9143 | Implicit definitions must be satisfiable, creative definitions introduce things, contextual definitions build on things [Fine,K, by Cook/Ebert] |
| Full Idea: Fine distinguishes 'implicit definitions', where we must know it is satisfiable before it is deployed, 'creative definitions', where objects are introduced in virtue of the definition, ..and 'contextual definitions', based on established vocabulary. | |
| From: report of Kit Fine (The Limits of Abstraction [2002], 060) by R Cook / P Ebert - Notice of Fine's 'Limits of Abstraction' 3 | |
| A reaction: Fine is a fan of creative definition. This sounds something like the distinction between cutting nature at the perceived joints, and speculating about where new joints might be inserted. Quite a helpful thought. |
| 10145 | Abstracts cannot be identified with sets [Fine,K] |
| Full Idea: It is impossible for a proponent of both sets and abstracts to identify the abstracts, in any reasonable manner, with the sets. | |
| From: Kit Fine (The Limits of Abstraction [2002], IV.1) | |
| A reaction: [This observation emerges from a proof Fine has just completed] Cf Idea 10137. The implication is that there is no compromise view available, and one must choose between abstraction or sets as one's account of numbers and groups of concepts. |
| 10136 | Points in Euclidean space are abstract objects, but not introduced by abstraction [Fine,K] |
| Full Idea: Points in abstract Euclidean space are abstract objects, and yet are not objects of abstraction, since they are not introduced through a principle of abstraction of the sort envisaged by Frege. | |
| From: Kit Fine (The Limits of Abstraction [2002], I.1) | |
| A reaction: The point seems to be that they are not abstracted 'from' anything, but are simpy posited as basic constituents. I suggest that points are idealisations (of smallness) rather than abstractions. They are idealised 'from' substances. |
| 10144 | Postulationism says avoid abstract objects by giving procedures that produce truth [Fine,K] |
| Full Idea: A procedural form of postulationism says that instead of stipulating that certain statements are true, one specifies certain procedures for extending the domain to one in which the statement will in fact be true, without invoking an abstract ontology. | |
| From: Kit Fine (The Limits of Abstraction [2002], II.5) | |
| A reaction: The whole of philosophy might go better if it was founded on procedures and processes, rather than on objects. The Hopi Indians were right. |
| 3488 | Freud treats the unconscious as intentional and hence mental [Freud, by Searle] |
| Full Idea: Freud thinks that our unconscious mental states exist as occurrent intrinsic intentional states even when unconscious. Their ontology is that of the mental, even when they are unconscious. | |
| From: report of Sigmund Freud (works [1900]) by John Searle - The Rediscovery of the Mind Ch. 7.V | |
| A reaction: Searle states this view in order to attack it. Whether such states are labelled as 'mental' seems uninteresting. Whether unconscious states can be intentional is crucial, and modern scientific understanding of the brain strongly suggest they can. |
| 5689 | Freud and others have shown that we don't know our own beliefs, feelings, motive and attitudes [Freud, by Shoemaker] |
| Full Idea: Freud persuaded many that beliefs, wishes and feelings are sometimes unconscious, and even sceptics about Freud acknowledge that there is self-deception about motive and attitudes. | |
| From: report of Sigmund Freud (works [1900]) by Sydney Shoemaker - Introspection p.396 | |
| A reaction: This seems to me obviously correct. The traditional notion is that the consciousness is the mind, but now it seems obvious that consciousness is only one part of the mind, and maybe even a peripheral (epiphenomenal) part of it. |
| 23950 | Freud said passions are pressures of some flowing hydraulic quantity [Freud, by Solomon] |
| Full Idea: Freud argued that the passions in general …were the pressures of a yet unknown 'quantity' (which he simply designated 'Q'). He first thought this flowed through neurones, …and always couched the idea in the language of hydraulics. | |
| From: report of Sigmund Freud (works [1900]) by Robert C. Solomon - The Passions 3.4 | |
| A reaction: This is the main target of Solomon's criticism, because its imagery has become so widespread. It leads to talk of suppressing emotions, or sublimating them. However, it is not too different from Nietzsche's 'drives' or 'will to power'. |
| 12174 | Only rational beings are attentive without motive or concern [Scruton] |
| Full Idea: It is only rational beings who can be attentive without a motive; only rational beings who can be interested in that in which they have no interest. | |
| From: Roger Scruton (Laughter [1982], §12) | |
| A reaction: Rational beings make long term plans, so they cannot prejudge which things may turn out to be of interest to them. Scruton (a Kantian) makes it sound a little loftier than it actually is. |
| 9144 | Fine's 'procedural postulationism' uses creative definitions, but avoids abstract ontology [Fine,K, by Cook/Ebert] |
| Full Idea: Fine says creative definitions can found mathematics. His 'procedural postulationism' says one stipulates not truths, but certain procedures for extending a domain. The procedures can be stated without invoking an abstract ontology. | |
| From: report of Kit Fine (The Limits of Abstraction [2002], 100) by R Cook / P Ebert - Notice of Fine's 'Limits of Abstraction' 4 | |
| A reaction: (For creative definitions, see Idea 9143) This sounds close in spirit to fictionalism, but with the emphasis on the procedure (which can presumably be formalized) rather than a pure act of imaginative creation. |
| 10141 | Many different kinds of mathematical objects can be regarded as forms of abstraction [Fine,K] |
| Full Idea: Many different kinds of mathematical objects (natural numbers, the reals, points, lines, figures, groups) can be regarded as forms of abstraction, with special theories having their basis in a general theory of abstraction. | |
| From: Kit Fine (The Limits of Abstraction [2002], I.4) | |
| A reaction: This result, if persuasive, would be just the sort of unified account which the whole problem of abstact ideas requires. |
| 10135 | We can abstract from concepts (e.g. to number) and from objects (e.g. to direction) [Fine,K] |
| Full Idea: A principle of abstraction is 'conceptual' when the items upon which it abstracts are concepts (e.g. a one-one correspondence associated with a number), and 'objectual' if they are objects (parallel lines associated with a direction). | |
| From: Kit Fine (The Limits of Abstraction [2002], I) |
| 9142 | Fine considers abstraction as reconceptualization, to produce new senses by analysing given senses [Fine,K, by Cook/Ebert] |
| Full Idea: Fine considers abstraction principles as instances of reconceptualization (rather than implicit definition, or using the Context Principle). This centres not on reference, but on new senses emerging from analysis of a given sense. | |
| From: report of Kit Fine (The Limits of Abstraction [2002], 035) by R Cook / P Ebert - Notice of Fine's 'Limits of Abstraction' 2 | |
| A reaction: Fine develops an argument against this view, because (roughly) the procedure does not end in a unique result. Intuitively, the idea that abstraction is 'reconceptualization' sounds quite promising to me. |
| 10137 | Abstractionism can be regarded as an alternative to set theory [Fine,K] |
| Full Idea: The uncompromising abstractionist rejects set theory, seeing the theory of abstractions as an alternative, rather than as a supplement, to the standard theory of sets. | |
| From: Kit Fine (The Limits of Abstraction [2002], I.1) | |
| A reaction: There is also a 'compromising' version. Presumably you still have equivalence classes to categorise the objects, which are defined by their origin rather than by what they are members of... Cf. Idea 10145. |
| 10138 | An object is the abstract of a concept with respect to a relation on concepts [Fine,K] |
| Full Idea: We can see an object as being the abstract of a concept with respect to a relation on concepts. For example, we may say that 0 is the abstract of the empty concept with respect to the relation of one-one correspondence. | |
| From: Kit Fine (The Limits of Abstraction [2002], I.2) | |
| A reaction: This is Fine's attempt to give a modified account of the Fregean approach to abstraction. He says that the reference to a relation will solve the problem of identity between abstractions. |
| 22344 | Freud is pessimistic about human nature; it is ambivalent motive and fantasy, rather than reason [Freud, by Murdoch] |
| Full Idea: Freud takes a thoroughly pessimistic view of human nature. ...Introspection reveals only the deep tissue of ambivalent motive, and fantasy is a stronger force than reason. Objectivity and unselfishness are not natural to human beings. | |
| From: report of Sigmund Freud (works [1900], II) by Iris Murdoch - The Sovereignty of Good II | |
| A reaction: Interesting. His view seems to have coloured the whole of modern culture, reinforced by the hideous irrationality of the Nazis. Adorno and Horkheimer attacking the Enlightenment was the last step in that process. |