10 ideas
| 7719 | European philosophy consists of a series of footnotes to Plato [Whitehead] |
| Full Idea: The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato. | |
| From: Alfred North Whitehead (Process and Reality [1929], p.39) | |
| A reaction: Outsiders think this is a ridiculous remark, but readers of Plato can only be struck by what a wonderful tribute Whitehead has come up with. I would say that at least 80% of this database deals with problems which were discussed at length by Plato. |
| 10656 | With 'extensive connection', boundary elements are not included in domains [Whitehead, by Varzi] |
| Full Idea: In Whitehead's theory of extensive connection, no boundary elements are included in the domain of quantification. ...His conception of space contains no parts of lower dimensions, such as points or boundary elements. | |
| From: report of Alfred North Whitehead (Process and Reality [1929]) by Achille Varzi - Mereology 3.1 | |
| A reaction: [Varzi says we should see B.L.Clarke 1981 for a rigorous formulation. Second half of the Idea is Varzi p.21] |
| 15389 | In Whitehead 'processes' consist of events beginning and ending [Whitehead, by Simons] |
| Full Idea: There are no items in Whitehead's ontology called 'processes'. Rather, the term 'process' refers to the way in which the basic things - which are still events - come into existence and cease to exist. Whitehead called this 'becoming'. | |
| From: report of Alfred North Whitehead (Process and Reality [1929]) by Peter Simons - Whitehead: process and cosmology 'The mature' |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 20761 | If existence is absurd it can never have a meaning [Beauvoir] |
| Full Idea: To declare that existence is absurd is to deny that it can ever be given a meaning; to say that it is ambiguous is to assert that its meaning is never fixed. | |
| From: Simone de Beauvoir (Ethics of Ambiguity [1948], p.129), quoted by Kevin Aho - Existentialism: an introduction 6 'Bad' | |
| A reaction: Absurdity precludes meaning, but being meaningless doesn't entail absurdity. Asteroids are meaningless. Presumably if existence is meaningless now (as in a depression), but it might possibly become meaningful, then it can't qualify as 'absurd'. |
| 15247 | Whitehead held that perception was a necessary feature of all causation [Whitehead, by Harré/Madden] |
| Full Idea: On Whitehead's view, not only is a volitional sense of 'causal power' projected on to physical events, but 'perception in the causal mode' is literally ascribed to them. | |
| From: report of Alfred North Whitehead (Process and Reality [1929]) by Harré,R./Madden,E.H. - Causal Powers 3.II | |
| A reaction: This seems to be a close relative of Leibniz's monads. 'Perception' is a daft word for it, but in some way everything is 'responsive' to the things adjacent to it. |
| 16962 | Whitehead replaced points with extended regions [Whitehead, by Quine] |
| Full Idea: Whitehead tried to avoid points, and make do with extended regions and sets of regions. | |
| From: report of Alfred North Whitehead (Process and Reality [1929]) by Willard Quine - Existence and Quantification p.93 |