4 ideas
| 6294 | In the beginning was the Word, and the Word was with God, and the word was God [John] |
| Full Idea: In the beginning was the Word, and the Word was with God, and the word was God. | |
| From: St John (04: Gospel of St John [c.95], 01.01) | |
| A reaction: 'Word' translates the Greek word 'logos', which has come a long way since Heraclitus. The interesting contrast is with the later Platonist view that the essence of God is the Good. So is the source of everything to be found in reason, or in value? |
| 8821 | Jesus said he bore witness to the truth. Pilate asked, What is truth? [John] |
| Full Idea: Jesus: I came into the world, that I should bear witness unto the truth. Everyone that is of the truth heareth my voice. Pilate saith unto him, What is truth? | |
| From: St John (04: Gospel of St John [c.95], 18:37-8) | |
| A reaction: There is very little explicit discussion of truth in philosophy before this exchange (apart from Ideas 251 and 586), and there isn't any real debate prior to Russell and the pragmatists. What was Pilate's tone? Did he spit at the end of his question? |
| 8970 | Our notion of identical sets involves identical members, which needs absolute identity [Hawthorne] |
| Full Idea: Our conceptual grip on the notion of a set is founded on the axiom of extensionality: a set x is the same as a set y iff x and y have the same members. But this axiom deploys the notion of absolute identity ('same members'). | |
| From: John Hawthorne (Identity [2003], 3.1) | |
| A reaction: Identity seems to be a primitive, useful and crucial concept, so don't ask what it is. I suspect that numbers can't get off the ground without it (especially, in view of the above, if you define numbers in terms of sets). |
| 8119 | Art aims only at beauty, of form, of idea, and (above all) of expression [Winckelmann, by Tolstoy] |
| Full Idea: According to Winckelmann, the law and aim of all art is beauty, independent of goodness. The three kinds of beauty are of form, of idea, and of expression (the highest aim, attainable only when the other two are present). | |
| From: report of Johann Winckelmann (History of Ancient Art [1764]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This sounds very like 'art for art's sake', but a hundred years earlier. This is quite a good distinction, and I particularly like the 'beauty of idea', which is often overlooked. |