10 ideas
| 21945 | Foucault originally felt that liberating reason had become an instrument of domination [Foucault, by Gutting] |
| Full Idea: In early work Foucault writes in opposition to the Enlightenment. ..The reason that was supposed to liberate us has itself become the primary instrument of our domination. ..His heroisation of the mad aims to set up an alternative to the regime of reason. | |
| From: report of Michel Foucault (works [1978]) by Gary Gutting - Foucault: a very short introduction 7 | |
| A reaction: Adorno and Horkheimer are cited as background. I hear Spinoza turning in his grave, because right reason could never be an instrument of domination. |
| 19699 | A Gettier case is a belief which is true, and its fallible justification involves some luck [Hetherington] |
| Full Idea: A Gettier case contains a belief which is true and well justified without being knowledge. Its justificatory support is also fallible, ...and there is considerable luck in how the belief combnes being true with being justified. | |
| From: Stephen Hetherington (The Gettier Problem [2011], 5) | |
| A reaction: This makes luck the key factor. 'Luck' is a rather vague concept, and so the sort of luck involved must first be spelled out. Or the varieties of luck that can produce this outcome. |
| 21942 | Foucault challenges knowledge in psychology and sociology, not in the basic sciences [Foucault, by Gutting] |
| Full Idea: Foucault's project is to question quite specific claims to cognitive authority, made by many psychologists and social scientists. He has not problems with other domains, such as mathematics and the basic sciences. | |
| From: report of Michel Foucault (works [1978]) by Gary Gutting - Foucault: a very short introduction 5 | |
| A reaction: Nowadays we describe his target as Epistemic Injustice (see book of that title by Miranda Fricker). |
| 21941 | Unlike Marxists, Foucault explains thought internally, without deference to conscious ideas [Foucault, by Gutting] |
| Full Idea: Unlike Marxists, Foucault's project is to offer an internal account of human thinking, without assuming a privileged status for the conscious content of that thought. | |
| From: report of Michel Foucault (works [1978]) by Gary Gutting - Foucault: a very short introduction 4 | |
| A reaction: His project is historical. Personally I resent anyone who claims to understand my thought better than I do. I suppose my intellectual duty is to read Foucault, and see (honestly) whether his project applies to me. |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |
| 21939 | The author function of any text is a plurality of selves [Foucault, by Gutting] |
| Full Idea: Foucault maintains that for any 'authored' text a plurality of selves fulfils the author function. | |
| From: report of Michel Foucault (works [1978]) by Gary Gutting - Foucault: a very short introduction 2 | |
| A reaction: This is a completely different concept of a 'self' from the one normally found in this database. I would call it the sociological concept of self, as something changing with context. So how many selves is 'Jane Austen'? |
| 21940 | Nature is not the basis of rights, but the willingness to risk death in asserting them [Foucault] |
| Full Idea: The decision 'to prefer the risk of death to the certainty of having to obey' is the 'last anchor point' for any assertion of rights, 'one more solid and closer to the experience than "natural rights"'. | |
| From: Michel Foucault (works [1978], EW III:449) | |
| A reaction: I recall a group of Afrikaan men going to face certain death, rather than give up apartheid. |
| 21116 | Power is used to create identities and ways of life for other people [Foucault, by Shorten] |
| Full Idea: For Foucault power is less about repressing people or issuing commands, and more about producing identities and ways of living. | |
| From: report of Michel Foucault (works [1978]) by Andrew Shorten - Contemporary Political Theory 01 | |
| A reaction: I take this to be the culmination of the Hegelian view of a person, as largely created by social circumstances rather than by biology. I'm beginning to think that Foucault may be a very important philosopher - although elusive. |