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All the ideas for 'Intro to Naming,Necessity and Natural Kinds', 'works' and 'Interview with Baggini and Stangroom'

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13 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
Irony is consciousness of abundant chaos [Schlegel,F]
     Full Idea: Irony is the clear conscousness of eternal agility, of an infinitely abundant chaos.
     From: Friedrich Schlegel (works [1798], Vol 2 p.263), quoted by Ernst Behler - Early German Romanticism p.81
     A reaction: [1800, in Athenaum] The interest here is irony as a reaction to chaos, which has made systematic thought impossible. Do romantics necessarily see reality as beyond our grasp, even if not chaotic? This must be situational, not verbal irony.
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F]
     Full Idea: Plato had no system, but only a philosophy. The philosophy of a human being is the history, the becoming, the progression of his mind, the gradual formation and development of his thoughts.
     From: Friedrich Schlegel (works [1798], Vol.11 p.118), quoted by Ernst Behler - Early German Romanticism
     A reaction: [1804] Looks like the first sign of rebellion against the idea of having a 'system' in philosophy, making it a key idea of romanticism. Systems are classical? This looks like an early opposition of a historical dimension to static systems. Big idea.
2. Reason / D. Definition / 1. Definitions
The new view is that "water" is a name, and has no definition [Schwartz,SP]
     Full Idea: Perhaps the modern view is best expressed as saying that "water" has no definition at all, at least in the traditional sense, and is a proper name of a specific substance.
     From: Stephen P. Schwartz (Intro to Naming,Necessity and Natural Kinds [1977], §III)
     A reaction: This assumes that proper names have no definitions, though I am not clear how we can grasp the name 'Aristotle' without some association of properties (human, for example) to go with it. We need a definition of 'definition'.
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
We refer to Thales successfully by name, even if all descriptions of him are false [Schwartz,SP]
     Full Idea: We can refer to Thales by using the name "Thales" even though perhaps the only description we can supply is false of him.
     From: Stephen P. Schwartz (Intro to Naming,Necessity and Natural Kinds [1977], §III)
     A reaction: It is not clear what we would be referring to if all of our descriptions (even 'Greek philosopher') were false. If an archaeologist finds just a scrap of stone with a name written on it, that is hardly a sufficient basis for successful reference.
The traditional theory of names says some of the descriptions must be correct [Schwartz,SP]
     Full Idea: The traditional theory of proper names entails that at least some combination of the things ordinarily believed of Aristotle are necessarily true of him.
     From: Stephen P. Schwartz (Intro to Naming,Necessity and Natural Kinds [1977], §III)
     A reaction: Searle endorses this traditional theory. Kripke and co. tried to dismiss it, but you can't. If all descriptions of Aristotle turned out to be false (it was actually the name of a Persian statue), our modern references would have been unsuccessful.
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Poetry is transcendental when it connects the ideal to the real [Schlegel,F]
     Full Idea: There is a kind of poetry whose essence lies in the relation between the ideal and the real, and which therefore, by analogy with philosophical jargon, should be called transcendental poetry.
     From: Friedrich Schlegel (works [1798], Vol 2 p.204), quoted by Ernst Behler - Early German Romanticism p.78
     A reaction: I think the basic idea is that the imaginative creation of poetry has the power to bridge the gap between the transcendental (presupposed) ideal in Fichte, and nature (which Fichte seems to have excluded from his system).
18. Thought / C. Content / 8. Intension
The intension of "lemon" is the conjunction of properties associated with it [Schwartz,SP]
     Full Idea: The conjunction of properties associated with a term such as "lemon" is often called the intension of the term "lemon".
     From: Stephen P. Schwartz (Intro to Naming,Necessity and Natural Kinds [1977], §II)
     A reaction: The extension of "lemon" is the set of all lemons. At last, a clear explanation of the word 'intension'! The debate becomes clear - over whether the terms of a language are used in reference to ideas of properties (and substances?), or to external items.
21. Aesthetics / B. Nature of Art / 8. The Arts / b. Literature
For poets free choice is supreme [Schlegel,F]
     Full Idea: Romantic poetry recognises as its first commandment that the free choice [Wilkür] of the poet can tolerate no law above itself.
     From: Friedrich Schlegel (works [1798], Frag 116 p.32), quoted by Terry Pinkard - German Philosophy 1760-1860 06
     A reaction: This leads to Shelley's 'poets are the unacknowledged legislators of the race'. We should also take it as a response to Kant's categorical imperative, which leads to the Gauguin Problem (wickedness justified by the art it leads to).
22. Metaethics / B. Value / 2. Values / e. Death
It is disturbing if we become unreal when we die, but if time is unreal, then we remain real after death [Le Poidevin]
     Full Idea: For the A-theorists called 'presentists' the past is as unreal as the future, and reality leaves us behind once we die, which is disturbing; but B-theorists, who see time as unreal, say we are just as real after our deaths as we were beforehand.
     From: Robin Le Poidevin (Interview with Baggini and Stangroom [2001], p.174)
     A reaction: See Idea 6865 for A and B theories. I wonder if this problem is only superficially 'disturbing'. Becoming unreal may sound more drastic than becoming dead, but they both sound pretty terminal to me.
22. Metaethics / B. Value / 2. Values / g. Love
True love is ironic, in the contrast between finite limitations and the infinity of love [Schlegel,F]
     Full Idea: True irony is the irony of love. It arises from the feeling of finitude and one's own limitation, and the apparent contradiction of these feelings with the concept of infinity inherent in all true love.
     From: Friedrich Schlegel (works [1798], Vol.10 p.357), quoted by Ernst Behler - Early German Romanticism
     A reaction: [c.1827] This is more about idealist philosophy and its yearning for the Absolute than it is about the actual nature of love. Love is the door to the Absolute. The irony is our inability to pass through it.
23. Ethics / F. Existentialism / 1. Existentialism
Existentialism focuses on freedom and self-making, and insertion into the world [Le Poidevin]
     Full Idea: I take existentialism to be the focus on the freedom and self-making of the human being, and his or her insertion into the world.
     From: Robin Le Poidevin (Interview with Baggini and Stangroom [2001], p.222)
     A reaction: I take 'self-making' to be the key here. If neuroscientists somehow 'proved' that there was no free will, I don't see that making any difference to existentialism. 'Insertion' seems odd, unless it refers to growing up.
23. Ethics / F. Existentialism / 3. Angst
Irony is the response to conflicts of involvement and attachment [Schlegel,F, by Pinkard]
     Full Idea: Irony is thus the appropriate stance to feeling that is both inescapably committed and inescapably detached at the same time.
     From: report of Friedrich Schlegel (works [1798]) by Terry Pinkard - German Philosophy 1760-1860 06
     A reaction: This is the epitome of romanticism, which carries over into the dilemmas of existentialism. Striking the right balance between caring and not caring seems to me to be the main focus of modern British people.
27. Natural Reality / D. Time / 2. Passage of Time / d. Time series
A-theory says past, present, future and flow exist; B-theory says this just reports our perspective [Le Poidevin]
     Full Idea: The A-theory regards our intuitive distinction of time into past, present and future as objective, and takes seriously the idea that time flows; the B-theory says this just reflects our perspective, like the spatial distinction between here and there.
     From: Robin Le Poidevin (Interview with Baggini and Stangroom [2001], p.174)
     A reaction: The distinction comes from McTaggart. Physics seems to be built on an objective view of time, and yet Einstein makes time relative. What possible evidence could decide between the two theories?