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All the ideas for 'Intro to Naming,Necessity and Natural Kinds', 'Sets and Numbers' and 'The Nature of Musical Expression'

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14 ideas

2. Reason / D. Definition / 1. Definitions
The new view is that "water" is a name, and has no definition [Schwartz,SP]
     Full Idea: Perhaps the modern view is best expressed as saying that "water" has no definition at all, at least in the traditional sense, and is a proper name of a specific substance.
     From: Stephen P. Schwartz (Intro to Naming,Necessity and Natural Kinds [1977], §III)
     A reaction: This assumes that proper names have no definitions, though I am not clear how we can grasp the name 'Aristotle' without some association of properties (human, for example) to go with it. We need a definition of 'definition'.
4. Formal Logic / F. Set Theory ST / 7. Natural Sets
The master science is physical objects divided into sets [Maddy]
     Full Idea: The master science can be thought of as the theory of sets with the entire range of physical objects as ur-elements.
     From: Penelope Maddy (Sets and Numbers [1981], II)
     A reaction: This sounds like Quine's view, since we have to add sets to our naturalistic ontology of objects. It seems to involve unrestricted mereology to create normal objects.
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
We refer to Thales successfully by name, even if all descriptions of him are false [Schwartz,SP]
     Full Idea: We can refer to Thales by using the name "Thales" even though perhaps the only description we can supply is false of him.
     From: Stephen P. Schwartz (Intro to Naming,Necessity and Natural Kinds [1977], §III)
     A reaction: It is not clear what we would be referring to if all of our descriptions (even 'Greek philosopher') were false. If an archaeologist finds just a scrap of stone with a name written on it, that is hardly a sufficient basis for successful reference.
The traditional theory of names says some of the descriptions must be correct [Schwartz,SP]
     Full Idea: The traditional theory of proper names entails that at least some combination of the things ordinarily believed of Aristotle are necessarily true of him.
     From: Stephen P. Schwartz (Intro to Naming,Necessity and Natural Kinds [1977], §III)
     A reaction: Searle endorses this traditional theory. Kripke and co. tried to dismiss it, but you can't. If all descriptions of Aristotle turned out to be false (it was actually the name of a Persian statue), our modern references would have been unsuccessful.
6. Mathematics / B. Foundations for Mathematics / 6. Mathematics as Set Theory / a. Mathematics is set theory
Set theory (unlike the Peano postulates) can explain why multiplication is commutative [Maddy]
     Full Idea: If you wonder why multiplication is commutative, you could prove it from the Peano postulates, but the proof offers little towards an answer. In set theory Cartesian products match 1-1, and n.m dots when turned on its side has m.n dots, which explains it.
     From: Penelope Maddy (Sets and Numbers [1981], II)
     A reaction: 'Turning on its side' sounds more fundamental than formal set theory. I'm a fan of explanation as taking you to the heart of the problem. I suspect the world, rather than set theory, explains the commutativity.
Standardly, numbers are said to be sets, which is neat ontology and epistemology [Maddy]
     Full Idea: The standard account of the relationship between numbers and sets is that numbers simply are certain sets. This has the advantage of ontological economy, and allows numbers to be brought within the epistemology of sets.
     From: Penelope Maddy (Sets and Numbers [1981], III)
     A reaction: Maddy votes for numbers being properties of sets, rather than the sets themselves. See Yourgrau's critique.
Numbers are properties of sets, just as lengths are properties of physical objects [Maddy]
     Full Idea: I propose that ...numbers are properties of sets, analogous, for example, to lengths, which are properties of physical objects.
     From: Penelope Maddy (Sets and Numbers [1981], III)
     A reaction: Are lengths properties of physical objects? A hole in the ground can have a length. A gap can have a length. Pure space seems to contain lengths. A set seems much more abstract than its members.
6. Mathematics / B. Foundations for Mathematics / 6. Mathematics as Set Theory / b. Mathematics is not set theory
Sets exist where their elements are, but numbers are more like universals [Maddy]
     Full Idea: A set of things is located where the aggregate of those things is located, ...but a number is simultaneously located at many different places (10 in my hand, and a baseball team) ...so numbers seem more like universals than particulars.
     From: Penelope Maddy (Sets and Numbers [1981], III)
     A reaction: My gut feeling is that Maddy's master idea (of naturalising sets by building them from ur-elements of natural objects) won't work. Sets can work fine in total abstraction from nature.
Number theory doesn't 'reduce' to set theory, because sets have number properties [Maddy]
     Full Idea: I am not suggesting a reduction of number theory to set theory ...There are only sets with number properties; number theory is part of the theory of finite sets.
     From: Penelope Maddy (Sets and Numbers [1981], V)
6. Mathematics / C. Sources of Mathematics / 1. Mathematical Platonism / b. Against mathematical platonism
If mathematical objects exist, how can we know them, and which objects are they? [Maddy]
     Full Idea: The popular challenges to platonism in philosophy of mathematics are epistemological (how are we able to interact with these objects in appropriate ways) and ontological (if numbers are sets, which sets are they).
     From: Penelope Maddy (Sets and Numbers [1981], I)
     A reaction: These objections refer to Benacerraf's two famous papers - 1965 for the ontology, and 1973 for the epistemology. Though he relied too much on causal accounts of knowledge in 1973, I'm with him all the way.
6. Mathematics / C. Sources of Mathematics / 5. Numbers as Adjectival
Number words are unusual as adjectives; we don't say 'is five', and numbers always come first [Maddy]
     Full Idea: Number words are not like normal adjectives. For example, number words don't occur in 'is (are)...' contexts except artificially, and they must appear before all other adjectives, and so on.
     From: Penelope Maddy (Sets and Numbers [1981], IV)
     A reaction: [She is citing Benacerraf's arguments]
18. Thought / C. Content / 8. Intension
The intension of "lemon" is the conjunction of properties associated with it [Schwartz,SP]
     Full Idea: The conjunction of properties associated with a term such as "lemon" is often called the intension of the term "lemon".
     From: Stephen P. Schwartz (Intro to Naming,Necessity and Natural Kinds [1977], §II)
     A reaction: The extension of "lemon" is the set of all lemons. At last, a clear explanation of the word 'intension'! The debate becomes clear - over whether the terms of a language are used in reference to ideas of properties (and substances?), or to external items.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton]
     Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood).
     From: Roger Scruton (The Nature of Musical Expression [1981], p.54)
     A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton]
     Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it.
     From: Roger Scruton (The Nature of Musical Expression [1981], p.49)
     A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though.