Combining Texts

All the ideas for 'Classical Cosmology (frags)', 'Languages of Art (2nd edn)' and 'fragments/reports'

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7 ideas

15. Nature of Minds / A. Nature of Mind / 1. Mind / d. Location of mind
Alcmaeon was the first to say the brain is central to thinking [Alcmaeon, by Staden, von]
     Full Idea: Alcmaeon apparently was the first Greek to assign central cognitive and biological functions to the brain.
     From: report of Alcmaeon (fragments/reports [c.490 BCE]) by Heinrich von Staden - Alcmaeon
     A reaction: The name of Alcmaeon should be remembered with honour. This was 200 years before Aristotle, who still hadn't worked it out. I presume Alcmaeon inferred the truth from head injuries, which is overwhelming evidence, if you notice it.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman]
     Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers.
21. Aesthetics / B. Nature of Art / 5. Art as Language
Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli]
     Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations.
     From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
A performance is only an instance of a work if there is not a single error [Goodman]
     Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics)
     A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal.
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman]
     Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2
     A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters.
27. Natural Reality / E. Cosmology / 1. Cosmology
Is the cosmos open or closed, mechanical or teleological, alive or inanimate, and created or eternal? [Robinson,TM, by PG]
     Full Idea: The four major disputes in classical cosmology were whether the cosmos is 'open' or 'closed', whether it is explained mechanistically or teleologically, whether it is alive or mere matter, and whether or not it has a beginning.
     From: report of T.M. Robinson (Classical Cosmology (frags) [1997]) by PG - Db (ideas)
     A reaction: A nice summary. The standard modern view is closed, mechanistic, inanimate and non-eternal. But philosophers can ask deeper questions than physicists, and I say we are entitled to speculate when the evidence runs out.
29. Religion / D. Religious Issues / 2. Immortality / b. Soul
Soul must be immortal, since it continually moves, like the heavens [Alcmaeon, by Aristotle]
     Full Idea: Alcmaeon says that the soul is immortal because it resembles immortal things and that this affection belongs to it because it is always in movement, like divine things, such the moon, the sun, the stars and the whole heaven.
     From: report of Alcmaeon (fragments/reports [c.490 BCE], DK 24) by Aristotle - De Anima 405a30
     A reaction: Hm. Fish and rivers seem to be continually moving too. Presumably we are like gods, but then Greek gods seem awfully like humans. I don't know the history of belief in immortality; an interesting topic.