13 ideas
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 6237 | Fear of God is not conscience, which is a natural feeling of offence at bad behaviour [Shaftesbury] |
| Full Idea: Conscience is to find horribly offensive the reflection of any unjust action or behaviour; to have awe and terror of the Deity, does not, of itself, imply conscience; …thus religious conscience supposes moral or natural conscience. | |
| From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], II.II.I) | |
| A reaction: The reply from religion would be that the Deity has implanted natural conscience in each creature, though this seems to deny our freedom of moral judgment. Personally I am inclined to think that values are just observations of the world - such as health. |
| 6234 | If an irrational creature with kind feelings was suddenly given reason, its reason would approve of kind feelings [Shaftesbury] |
| Full Idea: If a creature wanting reason has many good qualities and affections, it is certain that if you give this creature a reflecting faculty, it will at the same instant approve of gratitude, kindness and pity. | |
| From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], I.III.III) | |
| A reaction: A wonderful denunciation of the authority of reason, which must have influenced David Hume. I think, though, that the inverse of this case must be considered (if suddenly given feelings, they would fall in line with reasoning). We reason about feelings. |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |
| 6233 | A person isn't good if only tying their hands prevents their mischief, so the affections decide a person's morality [Shaftesbury] |
| Full Idea: We do not say that he is a good man when, having his hands tied up, he is hindered from doing the mischief he designs; …hence it is by affection merely that a creature is esteemed good or ill, natural or unnatural. | |
| From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], I.II.I) | |
| A reaction: Note that he more or less equates being morally 'ill' with being 'unnatural'. We tend to reserve 'unnatural' for extreme or perverse crimes. Personally I would place more emphasis on evil judgements, and less on evil feelings. |
| 6236 | People more obviously enjoy social pleasures than they do eating and drinking [Shaftesbury] |
| Full Idea: How much the social pleasures are superior to any other may be known by visible tokens and effects; the marks and signs which attend this sort of joy are more intense and clear than those which attend the satisfaction of thirst and hunger. | |
| From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], II.II.I) | |
| A reaction: He presumably refers to smiles and laughter, but they could be misleading as they are partly a means of social communication. You should ask people whether they would prefer a nice conversation or a good pork chop. Nice point, though. |
| 6235 | Self-interest is not intrinsically good, but its absence is evil, as public good needs it [Shaftesbury] |
| Full Idea: Though no creature can be called good merely for possessing the self-preserving affections, it is impossible that public good can be preserved without them; so that a creature wanting in them is wanting in natural rectitude, and may be esteemed vicious. | |
| From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], II.I.III) | |
| A reaction: Aristotle held a similar view (Idea 92). I think maybe Shaftesbury was the last call of the Aristotelians, before being engulfed by utilitarians and Kantians. This idea is at the core of capitalism. |
| 6232 | Every creature has a right and a wrong state which guide its actions, so there must be a natural end [Shaftesbury] |
| Full Idea: We know there is a right and a wrong state of every creature; and that his right one is by nature forwarded, and by himself affectionately sought. There being therefore in every creature a certain interest or good; there must also be a natural end. | |
| From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], I.II.I) | |
| A reaction: This is an early modern statement of Aristotelian teleology, just at the point where it was falling out of fashion. The underlying concept is that of right function. I agree with Shaftesbury, but you can't stop someone damaging their health. |
| 5642 | For Shaftesbury, we must already have a conscience to be motivated to religious obedience [Shaftesbury, by Scruton] |
| Full Idea: Shaftesbury argued that no morality could be founded in religious obedience, or piety. On the contrary, a man is motivated to such obedience only because conscience tells him that the divine being is worthy of it. | |
| From: report of 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699]) by Roger Scruton - Short History of Modern Philosophy Ch.8 | |
| A reaction: This seems to me a good argument. The only alternative is that we are brought to God by a conscience which was planted in us by God, but then how would you know you were being obedient to the right hypnotist? |
| 16713 | Philosophers are the forefathers of heretics [Tertullian] |
| Full Idea: Philosophers are the forefathers of heretics. | |
| From: Tertullian (works [c.200]), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 20.2 |
| 6610 | I believe because it is absurd [Tertullian] |
| Full Idea: I believe because it is absurd ('Credo quia absurdum est'). | |
| From: Tertullian (works [c.200]), quoted by Robert Fogelin - Walking the Tightrope of Reason n4.2 | |
| A reaction: This seems to be a rather desperate remark, in response to what must have been rather good hostile arguments. No one would abandon the support of reason if it was easy to acquire. You can't deny its engaging romantic defiance, though. |