Combining Texts

All the ideas for 'works', 'Artistic Value and Opportunistic Moralism' and 'On the Happy Life'

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15 ideas

1. Philosophy / A. Wisdom / 2. Wise People
A wise man is not subservient to anything [Seneca]
     Full Idea: I do not call any man wise who is subservient to anything.
     From: Seneca the Younger (On the Happy Life [c.60], §11)
     A reaction: At the very least, a wise man should be subservient to a wiser man.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]
     Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr)
     A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world.
The works we value most are in sympathy with our own moral views [John,E]
     Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro)
     A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art.
We should understand what is morally important in a story, without having to endorse it [John,E]
     Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating')
     A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me.
We value morality in art because that is what we care about - but it is a contingent fact [John,E]
     Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency')
     A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / a. Idealistic ethics
The supreme good is harmony of spirit [Seneca]
     Full Idea: The highest good is harmony of spirit.
     From: Seneca the Younger (On the Happy Life [c.60], §08)
     A reaction: This idea is straight from Plato's Republic.
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / c. Motivation for virtue
I seek virtue, because it is its own reward [Seneca]
     Full Idea: You ask what I seek from virtue? Virtue herself. For she has nothing better, she is herself her own reward.
     From: Seneca the Younger (On the Happy Life [c.60], §09)
     A reaction: Presumably this is the source of the popular saying that 'virtue is its own reward'. The trouble is that this doesn't seem a very persuasive thing to say to a sceptic who doubts whether being virtuous is worth the trouble.
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / j. Unity of virtue
Virtue is always moderate, so excess need not be feared [Seneca]
     Full Idea: In the case of virtue excess should not be feared, since in virtue resides moderation.
     From: Seneca the Younger (On the Happy Life [c.60], §13)
     A reaction: This seems to imply that all of the virtues are unified in the one achievement of the virtuous state. It leaves the notion of 'virtue' a bit thin in content, though.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
It is shameful to not even recognise your own slaves [Seneca]
     Full Idea: Why, to your shame, are you so careless that you do not know your handful of slaves by sight?
     From: Seneca the Younger (On the Happy Life [c.60], §17)
23. Ethics / C. Virtue Theory / 4. External Goods / c. Wealth
There is far more scope for virtue if you are wealthy; poverty only allows endurance [Seneca]
     Full Idea: What doubt can there be that the wise man has greater scope for displaying his powers if he is rich than if he is poor, since in the case of poverty only one kind of virtue exists - refusal to be bowed down and crushed.
     From: Seneca the Younger (On the Happy Life [c.60], §22)
     A reaction: It is against this view that I see Jesus proposing poverty as central to virtue. But then he has the surprising view (to Seneca) that humility is a virtue. What Nietzsche calls the slaves' inversion of values.
Why does your wife wear in her ears the income of a wealthy house? [Seneca]
     Full Idea: Why does your wife wear in her ears the income of a wealthy house?
     From: Seneca the Younger (On the Happy Life [c.60], §17)
If wealth was a good, it would make men good [Seneca]
     Full Idea: Wealth is not a good; for it it was, it would make men good.
     From: Seneca the Younger (On the Happy Life [c.60], §24)
     A reaction: An immediately attractive argument, but should we assume that anything which is good will enhance our personal goodness? If goodness is a habit, then continual pursuit of wealth is the test case to examine. Seneca is right!
24. Political Theory / D. Ideologies / 5. Democracy / f. Against democracy
Unfortunately the majority do not tend to favour what is best [Seneca]
     Full Idea: Human concerns are not so happily arranged that the majority favours the better things.
     From: Seneca the Younger (On the Happy Life [c.60], §02)
     A reaction: On the whole Seneca is unimpressed by democracy, as people are rushed into decisions by the crowd, and live to regret them.
29. Religion / B. Monotheistic Religion / 4. Christianity / d. Heresy
Philosophers are the forefathers of heretics [Tertullian]
     Full Idea: Philosophers are the forefathers of heretics.
     From: Tertullian (works [c.200]), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 20.2
29. Religion / D. Religious Issues / 1. Religious Commitment / e. Fideism
I believe because it is absurd [Tertullian]
     Full Idea: I believe because it is absurd ('Credo quia absurdum est').
     From: Tertullian (works [c.200]), quoted by Robert Fogelin - Walking the Tightrope of Reason n4.2
     A reaction: This seems to be a rather desperate remark, in response to what must have been rather good hostile arguments. No one would abandon the support of reason if it was easy to acquire. You can't deny its engaging romantic defiance, though.