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All the ideas for 'works', 'Introductions to 'Aesthetics and the Phil of Art'' and 'works'

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6 ideas

18. Thought / E. Abstraction / 8. Abstractionism Critique

8638	Thomae's idea of abstract from peculiarities gives a general concept, and leaves the peculiarities [Frege on Thomae]
	Full Idea: When Thomae says "abstract from the peculiarities of the individual members of a set of items", or "disregard those characteristics which serve to distinguish them", we get a general concept under which they fall. The things keep their characteristics.
	From: comment on C.J. Thomae (works [1869], §34) by Gottlob Frege - Grundlagen der Arithmetik (Foundations) §34
	A reaction: Interesting. You don't have to leave out their distinctive fur in order to count cats. But you have to focus on some aspect of them, because they aren't 'three meats'.

21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics

20327	Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
	Full Idea: In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
	From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
	A reaction: Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.

21. Aesthetics / B. Nature of Art / 1. Defining Art

20326	Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
	Full Idea: In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
	From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
	A reaction: As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.

21. Aesthetics / B. Nature of Art / 7. Ontology of Art

20330	The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
	Full Idea: The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
	From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
	A reaction: Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.

29. Religion / B. Monotheistic Religion / 4. Christianity / d. Heresy

16713	Philosophers are the forefathers of heretics [Tertullian]
	Full Idea: Philosophers are the forefathers of heretics.
	From: Tertullian (works [c.200]), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 20.2

29. Religion / D. Religious Issues / 1. Religious Commitment / e. Fideism

6610	I believe because it is absurd [Tertullian]
	Full Idea: I believe because it is absurd ('Credo quia absurdum est').
	From: Tertullian (works [c.200]), quoted by Robert Fogelin - Walking the Tightrope of Reason n4.2
	A reaction: This seems to be a rather desperate remark, in response to what must have been rather good hostile arguments. No one would abandon the support of reason if it was easy to acquire. You can't deny its engaging romantic defiance, though.