10 ideas
| 7085 | The main problem of philosophy is what can and cannot be thought and expressed [Wittgenstein, by Grayling] |
| Full Idea: The 'Tractatus' concerns the theory of what can be expressed by propositions (and, which comes to the same thing, can be thought), and what cannot be expressed by propositions, but can only be shown; which, I believe, is the main problem of philosophy. | |
| From: report of Ludwig Wittgenstein (Letters to Russell [1919]) by A.C. Grayling - Wittgenstein Ch.2 | |
| A reaction: This contains what a I consider the heresy of making thought depend on language, but his main question remains, of the limits of thought. It is dramatised nicely in the 'mysterian' view of the mind-body problem (e.g. Idea 2540). |
| 23463 | Atomic facts correspond to true elementary propositions [Wittgenstein] |
| Full Idea: Atomic fact [Sachverhalt] is what corresponds to an elementary proposition [Elementarsatz] if it is true. | |
| From: Ludwig Wittgenstein (Letters to Russell [1919], CL 125) | |
| A reaction: This is perhaps the key to the Tractatus, because it is the binding point between world and language. A true realist would allow for atomic facts that may go beyond even possible propositions. |
| 23490 | A thought is mental constituents that relate to reality as words do [Wittgenstein] |
| Full Idea: Does a Gedanke [thought] consist of words? No! But of psychical constituents that have the same sort of relation to reality as words. | |
| From: Ludwig Wittgenstein (Letters to Russell [1919], p.125), quoted by Michael Morris - Guidebook to Wittgenstein's Tractatus 4B | |
| A reaction: This is roughly my view of propositions, as non-lingustic mental events. The 'psychical constituents' seem to be concepts, in a psychological rather than a Fregean sense. This idea allowed transfer of his representation theory from thought to language. |
| 12163 | Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton] |
| Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.27) | |
| A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen? |
| 12162 | In literature, word replacement changes literary meaning [Scruton] |
| Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.25) | |
| A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations. |
| 12159 | Without intentions we can't perceive sculpture, but that is not the whole story [Scruton] |
| Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.15) | |
| A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech. |
| 12160 | In aesthetic interest, even what is true is treated as though it were not [Scruton] |
| Full Idea: In aesthetic interest, even what is true is treated as though it were not. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.18) | |
| A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse. |
| 12161 | We can be objective about conventions, but love of art is needed to understand its traditions [Scruton] |
| Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.24) | |
| A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means. |
| 16713 | Philosophers are the forefathers of heretics [Tertullian] |
| Full Idea: Philosophers are the forefathers of heretics. | |
| From: Tertullian (works [c.200]), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 20.2 |
| 6610 | I believe because it is absurd [Tertullian] |
| Full Idea: I believe because it is absurd ('Credo quia absurdum est'). | |
| From: Tertullian (works [c.200]), quoted by Robert Fogelin - Walking the Tightrope of Reason n4.2 | |
| A reaction: This seems to be a rather desperate remark, in response to what must have been rather good hostile arguments. No one would abandon the support of reason if it was easy to acquire. You can't deny its engaging romantic defiance, though. |