Combining Texts

All the ideas for 'works', 'Laughter' and 'The Concept of Logical Consequence'

unexpand these ideas     |    start again     |     specify just one area for these texts


11 ideas

1. Philosophy / D. Nature of Philosophy / 8. Humour
Amusement rests on superiority, or relief, or incongruity [Scruton]
     Full Idea: There are three common accounts of amusement: superiority theories (Hobbes's 'sudden glory'), 'relief from restraint' (Freud on jokes), and 'incongruity' theories (Schopenhauer).
     From: Roger Scruton (Laughter [1982], §5)
     A reaction: All three contain some truth. But one need not feel superior to laugh, and one may already be in a state of unrestraint. Schopenhauer seems closest to a good general account.
The central object of amusement is the human [Scruton]
     Full Idea: There are amusing buildings, but not amusing rocks and cliffs. If I were to propose a candidate for the formal object of amusement, then the human would be my choice, ...or at least emphasise its centrality.
     From: Roger Scruton (Laughter [1982], §9)
     A reaction: Sounds good. Animal behaviour only seems to amuse if it evokes something human. Plants would have to look a bit human to be funny.
Since only men laugh, it seems to be an attribute of reason [Scruton]
     Full Idea: Man is the only animal that laughs, so a starting point for all enquiries into laughter must be the hypothesis that it is an attribute of reason (though that gets us no further than our definition of reason).
     From: Roger Scruton (Laughter [1982], §1)
     A reaction: I would be inclined to say that both our capacity for reason and our capacity for laughter (and, indeed, our capacity for language) are a consequence of our evolved capacity for meta-thought.
Objects of amusement do not have to be real [Scruton]
     Full Idea: It is a matter of indifference whether the object of amusement be thought to be real.
     From: Roger Scruton (Laughter [1982], §7)
     A reaction: Sort of. If I say 'wouldn't it be funny if someone did x?', it is probably much less funny than if I say 'apparently he really did x'. The fantasy case has to be much funnier to evoke the laughter.
5. Theory of Logic / B. Logical Consequence / 1. Logical Consequence
Split out the logical vocabulary, make an assignment to the rest. It's logical if premises and conclusion match [Tarski, by Rumfitt]
     Full Idea: Tarski made a division of logical and non-logical vocabulary. He then defined a model as a non-logical assignment satisfying the corresponding sentential function. Then a conclusion follows logically if every model of the premises models the conclusion.
     From: report of Alfred Tarski (The Concept of Logical Consequence [1936]) by Ian Rumfitt - The Boundary Stones of Thought 3.2
     A reaction: [compressed] This is Tarski's account of logical consequence, which follows on from his account of truth. 'Logical validity' is then 'true in every model'. Rumfitt doubts whether Tarski has given the meaning of 'logical consequence'.
5. Theory of Logic / B. Logical Consequence / 4. Semantic Consequence |=
X follows from sentences K iff every model of K also models X [Tarski]
     Full Idea: The sentence X follows logically from the sentences of the class K if and only if every model of the class K is also a model of the sentence X.
     From: Alfred Tarski (The Concept of Logical Consequence [1936], p.417)
     A reaction: [see Idea 13343 for his account of a 'model'] He is offering to define logical consequence in general, but this definition fits what we now call 'semantic consequence', written |=. This it is standard practice to read |= as 'models'.
5. Theory of Logic / J. Model Theory in Logic / 1. Logical Models
A 'model' is a sequence of objects which satisfies a complete set of sentential functions [Tarski]
     Full Idea: An arbitrary sequence of objects which satisfies every sentential function of the sentences L' will be called a 'model' or realization of the class L of sentences. There can also be a model of a single sentence is this way.
     From: Alfred Tarski (The Concept of Logical Consequence [1936], p.417)
     A reaction: [L' is L with the constants replaced by variables] Tarski is the originator of model theory, which is central to modern logic. The word 'realization' is a helpful indicator of what he has in mind. A model begins to look like a possible world.
18. Thought / A. Modes of Thought / 5. Rationality / a. Rationality
Only rational beings are attentive without motive or concern [Scruton]
     Full Idea: It is only rational beings who can be attentive without a motive; only rational beings who can be interested in that in which they have no interest.
     From: Roger Scruton (Laughter [1982], §12)
     A reaction: Rational beings make long term plans, so they cannot prejudge which things may turn out to be of interest to them. Scruton (a Kantian) makes it sound a little loftier than it actually is.
19. Language / E. Analyticity / 1. Analytic Propositions
Sentences are 'analytical' if every sequence of objects models them [Tarski]
     Full Idea: A class of sentences can be called 'analytical' if every sequence of objects is a model of it.
     From: Alfred Tarski (The Concept of Logical Consequence [1936], p.418)
     A reaction: See Idea 13344 and Idea 13343 for the context of this assertion.
29. Religion / B. Monotheistic Religion / 4. Christianity / d. Heresy
Philosophers are the forefathers of heretics [Tertullian]
     Full Idea: Philosophers are the forefathers of heretics.
     From: Tertullian (works [c.200]), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 20.2
29. Religion / D. Religious Issues / 1. Religious Commitment / e. Fideism
I believe because it is absurd [Tertullian]
     Full Idea: I believe because it is absurd ('Credo quia absurdum est').
     From: Tertullian (works [c.200]), quoted by Robert Fogelin - Walking the Tightrope of Reason n4.2
     A reaction: This seems to be a rather desperate remark, in response to what must have been rather good hostile arguments. No one would abandon the support of reason if it was easy to acquire. You can't deny its engaging romantic defiance, though.