Combining Texts

All the ideas for 'Brain Bisection and Unity of Consciousness', 'Public Text and Common Reader' and 'Words without Objects'

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17 ideas

5. Theory of Logic / E. Structures of Logic / 4. Variables in Logic
If plural variables have 'some values', then non-count variables have 'some value' [Laycock]
     Full Idea: If a plural variable is said to have not a single value but some values (some clothes), then a non-count variable may have, more quirkier still, some value (some clothing, for instance) in ranging arbitrarily over the scattered stuff.
     From: Henry Laycock (Words without Objects [2006], 4.4)
     A reaction: We seem to need the notion of a sample, or an archetype, to fit the bill. I hereby name them 'sample variables'. Damn - Laycock got there first, on p.137.
5. Theory of Logic / G. Quantification / 6. Plural Quantification
Plurals are semantical but not ontological [Laycock]
     Full Idea: Plurality is a semantical but not also an ontological construction.
     From: Henry Laycock (Words without Objects [2006], Intro 4)
     A reaction: I love it when philososphers make simple and illuminating remarks like this. You could read 500 pages of technical verbiage about plural reference without grasping that this is the underlying issue. Sounds right to me.
6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / c. Counting procedure
Some non-count nouns can be used for counting, as in 'several wines' or 'fewer cheeses' [Laycock]
     Full Idea: The very words we class as non-count nouns may themselves be used for counting, of kinds or types, and phrases like 'several wines' are perfectly in order. ...Not only do we have 'less cheese', but we also have the non-generic 'fewer cheeses'.
     From: Henry Laycock (Words without Objects [2006], Intro 4 n23)
     A reaction: [compressed] Laycock generally endorses the thought that what can be counted is not simply distinguished by a precise class of applied vocabulary. He offers lots of borderline or ambiguous cases in his footnotes.
Some apparent non-count words can take plural forms, such as 'snows' or 'waters' [Laycock]
     Full Idea: Some words that seem to be semantically non-count can take syntactically plural forms: 'snows', 'sands', 'waters' and the like.
     From: Henry Laycock (Words without Objects [2006], Intro 4 n24)
     A reaction: This seems to involve parcels of the stuff. The 'snows of yesteryear' occur at different times. 'Taking the waters' probably involves occasions. The 'Arabian sands' presumably occur in different areas. Semantics won't fix what is countable.
7. Existence / C. Structure of Existence / 8. Stuff / a. Pure stuff
The category of stuff does not suit reference [Laycock]
     Full Idea: The central fact about the category of stuff or matter is that it is profoundly antithetical to reference.
     From: Henry Laycock (Words without Objects [2006], Pref)
     A reaction: This is taking 'reference' in the strictly singular classical sense, but clearly we refer to water in various ways. Laycock's challenge is very helpful. We have been in the grips of a terrible orthodoxy.
Descriptions of stuff are neither singular aggregates nor plural collections [Laycock]
     Full Idea: The definite descriptions of stuff like water are neither singular descriptions denoting individual mereological aggregates, nor plural descriptions denoting multitudes of discrete units or semantically determined atoms.
     From: Henry Laycock (Words without Objects [2006], 5.3)
     A reaction: Laycock makes an excellent case for this claim, and seems to invite a considerable rethink of our basic ontology to match it, one which he ultimately hints at calling 'romantic'. Nice. Conservatives try to force stuff into classical moulds.
7. Existence / C. Structure of Existence / 8. Stuff / b. Mixtures
We shouldn't think some water retains its identity when it is mixed with air [Laycock]
     Full Idea: Suppose that water, qua vapour, mixes with the atmosphere. Is there any abstract metaphysical principle, other than that of atomism, which implies that water must, in any such process, retain its identity? That claim seems indefensible.
     From: Henry Laycock (Words without Objects [2006], 1.2 n22)
     A reaction: It can't be right that some stuff always loses its identity in a mixture, if the mixture was in a closed vessel, and then separated again. Dispersion is what destroys the identity, not mixing.
9. Objects / C. Structure of Objects / 8. Parts of Objects / a. Parts of objects
Parts must be of the same very general type as the wholes [Laycock]
     Full Idea: The notion of a part is such that parts must be of the same very general type - concrete, material or physical, for instance - as the wholes of which they are (said to be) parts.
     From: Henry Laycock (Words without Objects [2006], 2.9)
     A reaction: The phrase 'same very general type' cries out for investigation. Can an army contain someone who isn't much of a soldier? Can the Treasury contain a fear of inflation?
15. Nature of Minds / A. Nature of Mind / 5. Unity of Mind
Brain bisection suggests unity of mind isn't all-or-nothing [Nagel, by Lockwood]
     Full Idea: Nagel argues (because of brain bisection experiments) that we should jettison our commonsense assumption that the unity of consciousness is an all-or-nothing affair.
     From: report of Thomas Nagel (Brain Bisection and Unity of Consciousness [1971]) by Michael Lockwood - Mind, Brain and the Quantum p.84
     A reaction: It seems wrong to call it 'commonsense'. It is an assumption that precedes any judgement, but if you rapidly grasp that your mind is in your brain, it becomes common sense that you can cut lumps out of your mind.
15. Nature of Minds / C. Capacities of Minds / 5. Generalisation by mind
'Humility is a virtue' has an abstract noun, but 'water is a liquid' has a generic concrete noun [Laycock]
     Full Idea: Work is needed to distinguish abstract nouns ...from the generic uses of what are otherwise concrete nouns. The contrast is that of 'humility is a virtue' and 'water is a liquid'.
     From: Henry Laycock (Words without Objects [2006], Intro 4 n25)
     A reaction: 'Work is needed' implies 'let me through, I'm an analytic philosopher', but I don't think they will separate very easily. What does 'watery' mean? Does water have concrete virtues?
16. Persons / B. Nature of the Self / 4. Presupposition of Self
We may be unable to abandon personal identity, even when split-brains have undermined it [Nagel]
     Full Idea: As a result of the evidence of split-brains, it is possible that the ordinary, simple idea of a single person will come to seem quaint some day, …but we may be unable to abandon the idea, no matter what we discover.
     From: Thomas Nagel (Brain Bisection and Unity of Consciousness [1971], p.164)
     A reaction: I'm not sure what grounds you can have for a claim that we can't abandon our current view of selves, even when the new reality will be utterly different. Rather conservative? I would expect future concepts to roughly match future reality.
19. Language / B. Reference / 1. Reference theories
It is said that proper reference is our intellectual link with the world [Laycock]
     Full Idea: Some people hold that it is reference, in some more or less full-blooded sense, which constitutes our basic intellectual or psychological connection with the world.
     From: Henry Laycock (Words without Objects [2006], Pref)
     A reaction: This is the view which Laycock sets out to challenge, by showing that we talk about stuff like water without any singular reference occurring at all. I think he is probably right.
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
     Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons.
     From: Roger Scruton (Public Text and Common Reader [1982], p.27)
     A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen?
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
     Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning.
     From: Roger Scruton (Public Text and Common Reader [1982], p.25)
     A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
     Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention.
     From: Roger Scruton (Public Text and Common Reader [1982], p.15)
     A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech.
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
     Full Idea: In aesthetic interest, even what is true is treated as though it were not.
     From: Roger Scruton (Public Text and Common Reader [1982], p.18)
     A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]
     Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present.
     From: Roger Scruton (Public Text and Common Reader [1982], p.24)
     A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means.