9 ideas
| 1489 | Modern philosophy tends to be a theory-constructing extension of science, but there is also problem-solving [Nagel] |
| Full Idea: Philosophy is now dominated by a spirit of theory construction which sees philosophy as continuous with science, but the other problem-centred style is still in existence and it is important to keep it alive. | |
| From: Thomas Nagel (The Philosophical Culture [1995], §6) |
| 11993 | Jones may cease to exist without some simple property, but that doesn't make it essential [Kung] |
| Full Idea: If Jones ceases to be a father, or ceases to be over eight years old, he will cease to exist, yet these properties surely do not belong essentially to him. | |
| From: Joan Kung (Aristotle on Essence and Explanation [1977], II) | |
| A reaction: This seems to correct, though I would doubt whether either of these count as true properties, in the causal sense I prefer. If being 'over 8' is a property, how many 'over n' or 'under m' properties does he have? One for each quantum moment? |
| 11997 | A property may belong essentially to one thing and contingently to another [Kung] |
| Full Idea: It is possible that a property may belong essentially to one thing and contingently to another. | |
| From: Joan Kung (Aristotle on Essence and Explanation [1977], III) | |
| A reaction: Thus a love of blues music may be part of your essence, but only a minor part of me. Sounds right. Spin or charge are part of the essence of an electron, but only contingently part of a child's top. |
| 11992 | Aristotelian essences underlie a thing's existence, explain it, and must belong to it [Kung] |
| Full Idea: Three essentialist claims are labelled 'Aristotelian': the thing would cease to exist without the property; an essential property is explanatory; and it is such that it must belong to everything to which it belongs. | |
| From: Joan Kung (Aristotle on Essence and Explanation [1977], Intro) | |
| A reaction: She says the second one is indispensable, and that it rules out the third one. My working assumption, like hers, is that the second one is the key part of the game, because Aristotle wanted to explain things. |
| 11995 | Some peripheral properties are explained by essential ones, but don't themselves explain properties [Kung] |
| Full Idea: There will be demonstrated properties at the edge of the system, so to speak. They will be explained in terms of the essential properties of the basic entities and principles of the science, but will themselves not be explanatory of further properties. | |
| From: Joan Kung (Aristotle on Essence and Explanation [1977], II) | |
| A reaction: This is an important line of thought which needs clarification. We can't glibly say that essences are what explain the other properties. Some properties do more than others to explain subsequent dependent properties. |
| 11996 | Some non-essential properties may explain more than essential-but-peripheral ones do [Kung] |
| Full Idea: It seems highly likely that some non-essential properties may explain more about the individual or about things of his kind than the peripheral properties. | |
| From: Joan Kung (Aristotle on Essence and Explanation [1977], II) | |
| A reaction: Another important issue, if one is defending the explanatory role of essences. It is not only essences which explain. A key question is whether we endorse individual essences as well as generic ones. I think we should. They explain the details. |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |