11 ideas
| 7332 | There is a huge range of sentences of which we do not know the logical form [Davidson] |
| Full Idea: We do not know the logical form of sentences about counterfactuals, probabilities, causal relations, belief, perception, intention, purposeful action, imperatives, optatives, or interrogatives, or the role of adverbs, adjectives or mass terms. | |
| From: Donald Davidson (Truth and Meaning [1967], p.35) | |
| A reaction: [compressed] This is the famous 'Davidson programme', where teams of philosophers work out the logical forms for this lot, thus unravelling the logic of the world. If they are beavering away, some sort of overview should have emerged by now... |
| 23647 | Objects have an essential constitution, producing its qualities, which we are too ignorant to define [Reid] |
| Full Idea: Individuals and objects have a real essence, or constitution of nature, from which all their qualities flow: but this essence our faculties do not comprehend. They are therefore incapable of definition. | |
| From: Thomas Reid (Essays on Intellectual Powers 4: Conception [1785], 1) | |
| A reaction: Aha - he's one of us! I prefer the phrase 'essential nature' of an object, which is understood, I think, by everyone. I especially like the last bit, directed at those who mistakenly think that Aristotle identified the essence with the definition. |
| 11958 | Impossibilites are easily conceived in mathematics and geometry [Reid, by Molnar] |
| Full Idea: Reid pointed out how easily conceivable mathematical and geometric impossibilities are. | |
| From: report of Thomas Reid (Essays on Intellectual Powers 4: Conception [1785], IV.III) by George Molnar - Powers 11.3 | |
| A reaction: The defence would be that you have to really really conceive them, and the only way the impossible can be conceived is by blurring it at the crucial point, or by claiming to conceive more than you actually can |
| 23646 | Reference is by name, or a term-plus-circumstance, or ostensively, or by description [Reid] |
| Full Idea: An individual is expressed by a proper name, or by a general word joined to distinguishing circumstances; if unknown, it may be pointed out to the senses; when beyond the reach of the senses it may be picked out by an imperfect but true description. | |
| From: Thomas Reid (Essays on Intellectual Powers 4: Conception [1785], 1) | |
| A reaction: [compressed] If Putnam, Kripke and Donnellan had read this paragraph they could have save themselves a lot of work! I take reference to be the activity of speakers and writers, and these are the main tools of the trade. |
| 23645 | A word's meaning is the thing conceived, as fixed by linguistic experts [Reid] |
| Full Idea: The meaning of a word (such as 'felony') is the thing conceived; and that meaning is the conception affixed to it by those who best understand the language. | |
| From: Thomas Reid (Essays on Intellectual Powers 4: Conception [1785], 1) | |
| A reaction: He means legal experts. This is precisely that same as Putnam's account of the meaning of 'elm tree'. His discussion here of reference is the earliest I have encountered, and it is good common sense (for which Reid is famous). |
| 7772 | Compositionality explains how long sentences work, and truth conditions are the main compositional feature [Davidson, by Lycan] |
| Full Idea: Davidson's main argument in favour of his truth conditions theory of meaning is that compositionality is needed to account for our understanding of long, novel sentences, and a sentence's truth condition is its most obviously compositional feature. | |
| From: report of Donald Davidson (Truth and Meaning [1967]) by William Lycan - Philosophy of Language Ch.9 | |
| A reaction: This seems to me exactly right. As we hear a new long sentence unfold, we piece together the meaning. At the end we may spot that the meaning is silly, or an unverifiable speculation, or not what the speaker intended - but it is too late! It means. |
| 7327 | Davidson thinks Frege lacks an account of how words create sentence-meaning [Davidson, by Miller,A] |
| Full Idea: Davidson thinks that Frege's model for a theory of semantic value (and thereby for a systematic theory of sense) is unsatisfactory, because it provides no useful or explanatory account of how sentence-meaning can be a function of word-meaning. | |
| From: report of Donald Davidson (Truth and Meaning [1967]) by Alexander Miller - Philosophy of Language 8.1 | |
| A reaction: Put like that, it is not clear to me how you could even start to explain how word-meaning contributes to sentence meaning. Try speaking any sentence slowly, and observe how the sentence meaning builds up. Truth is, of course, relevant. |
| 7769 | You can state truth-conditions for "I am sick now" by relativising it to a speaker at a time [Davidson, by Lycan] |
| Full Idea: Davidson's response to the problem of how you would state truth conditions for "I am sick now" ...is to relativize its truth to a particular speaker and a time. | |
| From: report of Donald Davidson (Truth and Meaning [1967]) by William Lycan - Philosophy of Language Ch.9 | |
| A reaction: Lycan is not happy with this, but it seems a reasonable way to treat the truth of any statement containing indexicals. Never mind the 'truth conditions theory of meaning' - just ask whether "I am sick now" is true. |
| 6179 | Should we assume translation to define truth, or the other way around? [Blackburn on Davidson] |
| Full Idea: The concern of some philosophers has been expressed by saying that whereas Tarski took translation for granted, and sought to understand truth, Davidson takes truth for granted, and seeks to understand translation. | |
| From: comment on Donald Davidson (Truth and Meaning [1967]) by Simon Blackburn - Oxford Dictionary of Philosophy p.82 | |
| A reaction: We can just say that the two concepts are interdependent, but my personal intuitions side with Davidson. If you are going to take something as fundamental and axiomatic, truth looks a better bet than translation. |
| 12165 | Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton] |
| Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood). | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.54) | |
| A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions. |
| 12164 | Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton] |
| Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it. | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.49) | |
| A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though. |